Mr. Moncrieff appeared as the third on the list of dramatists, and it was announced at the Adelphi Theatre in the following style:—“On Monday, Nov. 26th, 1821, will be presented for the first time, on a scale of unprecedented extent (having been many weeks in preparation under the superintendence of several of the most celebrated Artists, both in the Ups and Downs of Life, who have all kindly come forward to assist the Proprietors in their endeavours to render the Piece a complete out-and-outer), an entirely new Classic, Comic, Operatic, Didactic, Aristophanic, Localic, Analytic, Panoramic, Camera-Obscura-ic Extravaganza-Burletta of Fun, Frolic, Fashion and Flash, in three acts, called ‘Tom and Jerry; or Life in London.’ Replete with Prime Chaunts, Rum Glees, and Kiddy Catches, founded on Pierce Egan’s well-known and highly popular work of the same name, by a celebrated extravagant erratic Author. The music selected and modified by him from the most eminent composers, ancient and modern, and every Air furnished with an attendant train of Graces. The costumes and scenery superintended by Mr. I. R. Cruikshank, from the Drawings by himself and his brother, Mr. George Cruikshank, the celebrated Artists of the original Work.

“Corinthian Tom, Mr. Wrench; Jerry Hawthorn, Mr. John Reeve; Logic, Mr. Wilkinson; Jemmy Green, Mr. Keeley; Dusty Bob, Mr. Walbourn; African Sal, Mr. Sanders; Billy Waters, Mr. Paulo; Kate, Mrs. Baker; Sue, Mrs. Waylett, &c., &c.

Black Sal and Dusty Bob.

Besides the authors already mentioned, Tom Dibden, Farrell, and Douglas Jerrold, each produced dramas upon the popular theme, and during the seasons of 1821-2, “Life in London” was performed with éclat, at ten theatres in and around the metropolis, to overflowing houses. But Pierce Egan at length became tired of the successes of the playwrights in using his book, and resolved to try his own hand at a dramatic version—or, as he termed it, to “take a leaf out of his own book,”—and the Author’s Piece was “got up” and performed for the first time at Sadler’s Wells, under the management of Mr. Egerton, on Monday, April 8, 1822, with most decided success.

It was thus announced by Mrs. Egerton, in the address written for the occasion by T. Greenwood, Esq.:—

“To-night my friends, this modern taste to meet,
We show you Jerry at his country seat:
Then up to town transport the rustic beau,
And show him ‘Life in London,’ HIGH and LOW.”

At length Tom and Jerry had been repeated so often in the Metropolis, that the performers, notwithstanding the great applause they nightly received in the above piece, absolutely became tired and worn-out with the repetition of their characters, when the following piece of satire, written by T. Greenwood, Esq., was published, entitled, “The Tears of Pierce Egan, Esq., for the Death of ‘Life in London;’ or, the Funeral of Tom and Jerry, dedicated to Robert and George Cruikshank, Esqs. Price Two Shillings, with an engraving by George Cruikshank.”

“Beat out of the Pit and thrown over the Ropes,
Tom and Jerry resign’d their last breath,
With them, too, expired the Managers’ hopes,
Who are left to deplore their sad death!

“Odd and various reports of the cause are about,
But the real one was this, I opine:
They were run to a standstill, and, therefore, no doubt,
That the cause was a rapid decline.
“When Death showed his Nob, out of Time they were beat,
And neither would come to the scratch;
They hung down their heads and gave up the last heat,
Not prepared with the Spectre to match.
“All wept at the Funeral! the Fancy and all—
Some new, but a great many mended:
And Egan, while Cruikshank and Bob held the pall,
As Chief-Mourner in person attended!!!
“Their Sprees and their Rambles no more shall amuse,
Farewell to all nocturnal parleys:
The Town felt regret as the bell tolled the news,
And no one rejoiced—but the Charleys!
“A monument, too, their kind Patrons will raise,
Inscribed on—‘Here lies TOM and JERRY,
Who, departing the stage to their immortal praise,
ONE THOUSAND NIGHTS made the Town Merry!!!’
“May their souls rest in peace, since they’ve chosen to flit,
Like other great heroes departed;
May no mischief arise from the sudden exit,
Nor Pierce Egan die—broken-hearted!”

In reference to the above, Pierce Egan states in “The Finish to the Adventures of Tom, Jerry, and Logic,” that Catnach, in less than twelve hours after the publication, produced a pirated edition for street sale, for twopence.