EPOCH II
(a) Evreux, Rouen.
(b) Bourges, Moulins, Riom, Clermont-Ferrand, Eymoutiers, Limoges, Poitiers, Angers, Le Mans (Alençon), Sées, Verneuil, Chartres.
Also separate visit to Quimper.
EPOCH III
(a) Vincennes, Sens, Troyes, Chalons.
(b) Montfort l’Amaury, Conches, Pont-Audemer, Caudebec, Rouen (Grand-Andely, Elbeuf, Pont de l’Arche).
(c) Ecouen, Montmorency, Chantilly (St. Quentin), Beauvais.
Also separate visits to Bourg, Auch and Champigny-sur-Veude.
At the back of the book will be found a table showing distances by road, and also the usual index.
It must be admitted that even in so delightful a country as France, one’s wanderings gain an added zest if guided by a more definite purpose than is the slave of the red-backed Baedeker, intent upon exhausting the sights of every place visited. This admitted, we have then to consider not only the stranger on his first visit to France, but also the experienced traveller who already knows the beauties of its roads and the lazy charm of its historic towns. If our reader is of the latter sort he will especially hail some new quest as a reason for revisiting old scenes in search of charms heretofore unseen or unappreciated. It was especially him that the writer had in mind when putting together the rambling notes covering six years of glass study. He knows what varied forms of beauty await those who are sufficiently energetic to escape from the ultra-modern charms of Paris, that fascinator of foreigners. He knows the quaint villages, the perfect roads, the ancient castles, the magnificent cathedrals that are waiting to be explored. To him we will tell the story of a wonderful beauty where light lies imprisoned in colour—a beauty which can be seen nowhere so well as in France. What if you have already visited every nook and corner of this picturesque land? Come out again with us and add another to the many reasons for your love of France. Take up the modern equivalent of the pilgrim’s staff and shell and fare forth, being well assured that your eyes will be opened to the appreciation of something which, to be loved, has only to be wisely seen—the window of stained glass.