My intention in going to Italy was not to seek for advantage or honour, but to study. I was sent there by my King, and I had no other interest in view (such as having intercourse with the Pope or with the Cardinals of the Court; and this God knows and Rome knows, if I had wished to dwell there per-adventure I did not lack opportunities, both for myself and by the favour of the principal persons in the Pope's household), but all ideas of this kind were so subdued in me, that I did not even allow them to enter into my imagination; others I had, more noble and more to my taste, which had much more power over me than covetousness or expectation of benefits such as many people have who go to Rome. What alone was always present to me was how I, with my art, might serve the king our Lord, who had sent me there, communing always with myself how I could steal and convey away to Portugal the excellencies and beauties of Italy to please the King and the Infantas and the most serene Infante D. Luiz. I used to say to myself: What fortresses or foreign cities have I not yet in my book? What immortal buildings and what noble statues does this city still possess which I have not already stolen from it and carried away without carts or ships on thin paper? What painting, stucco, or grotesque has been discovered amongst these grottoes and antiquities of Rome, Puzol, and Baias, of which the most rare is not to be found in my sketch-books? Thus I beheld nothing either antique or modern in painting, sculpture or architecture of [pg 270]which I did not make some record of its best part, it appearing to me that these were the greatest benefits that I could carry away with me, more honourable and profitable to the service of my King and to my own taste. I do not think I have made a mistake (although some people tell me I have), for as these things alone were my care, my dispute and demand, no great Cardinal Fernes had to help me, nor had I a greater Dattario to obtain, in order to go one day to see D. Julio de Macedonia, a most famous illuminator, and another day Master Michael Angelo, now Baccio the noble sculptor; then Master Perino, or Bastiäo Veneziano, and sometimes Valerio de Vicença, or Jacopo Mellequino, architect, and Lactancio Tolomei, the acquaintance and friendship of these men I valued much more than others of more parade and pretension (as if there could be greater in the world, and so Rome values them); because from them, and from their works in my art, I obtained some fruit and knowledge. I amused myself in discussing with them many rare and noble works both of ancient and modern times. Master Michael especially I esteemed so much that if I met him either in the palace of the Pope or in the street, we could not part until the stars sent us to rest. D. Pedro Mascarenhas, the Ambassador, is my witness what a great thing this was and how difficult; and, too, of the tales M. Angelo, when coming out of vespers one day, told about me and about a book of mine in which I had drawn some things in Rome and Italy, to Cardinal Santtiquatro and to him. Now my habit was to go round the solemn temple of the Pantheon and note all its columns and proportions; the Mausoleum of Adrian and that of Augustus, the Coliseum, the Thermæ of Antoninus and those of Diocletian, the Arch of Titus and that of Severus, the Capitol, the theatre of Marcellus and all the other notable things in that city, the names of which have already escaped me. At times, too, I was not turned out of the magnificent [pg 271]chambers of the Pope, I only went there because they were painted by the noble hand of Raphael of Urbino. I loved more those antique men of stone sculptured on the arches and columns of the old buildings, than those more inconstant which everywhere weary one with talking, I learned more from them and from their grave silence.

Now amongst the days which I thus passed in that Court there was a Sunday on which I went to see Messer Lactancio Tolomei, as others did; it was he, with the assistance of Messer Blosio, the Pope's secretary, who gave me the friendship of Michael Angelo. And this M. Lactancio was a very important personage, both on account of nobility of mind and of blood (he being a nephew of the Cardinal of Siena), as well as through his knowledge of Latin, Greek and Hebrew letters, and for the authority of his years. But finding in his house a message that he was at Monte Cavallo, in the church of St. Silvester, with the Lady Marchioness of Pescara, listening to a lecture from the Epistles of St. Paul, I went to Monte Cavallo and to St. Silvester. Now Senhora Vittoria Colonna, Marchioness of Pescara, and sister of Senhor Ascanio Colonna, is one of the most illustrious and famous ladies in Italy and in all Europe, which is the world, chaste yet beautiful, a Latin scholar, well-informed and with all the other parts of virtue and fairness to be praised in woman. She, after the death of her great husband, took to a private and simple life, contenting herself with the fact that she had already lived in her estate, and loving henceforward only Jesu Christ and good deeds, doing good to poor women and bearing the fruits of a true Catholic. For my friendship with this lady also I was indebted to M. Lactancio, who was the most intimate friend that she had.

Having commanded me to sit down, the lecture and its praises over, the Marchioness looking at me and at M. Lactancio, if I remember rightly, said:

[pg 272]"Francisco d'Ollanda will be better pleased to hear M. Angelo talk about painting, than Brother Ambrosio expound this lesson."

Then I, almost angry, answered her:

Why, madam, does it appear to your Excellency that I can attend to nothing but painting? Truly I shall always be pleased to hear M. Angelo, but when the Epistles of St. Paul are read, I prefer to hear Brother Ambrosio."

"Do not be angry, M. Francisco," M. Lactancio then said, "for the Marchioness does not think that the man who is a painter will not be everything. We esteem painting higher in Italy. But perchance she said that to you in order to give you, beyond what you already have, the further pleasure of hearing Michael."

I then replied:

"Her Excellency will be doing no more than she is in the habit of doing, giving always greater favours than one dares to ask."

The Marchioness, knowing my mind, called one of her servants, and said, smiling: