The child had already been placed in the cradle, and little Fanny had taken her seat on a small stool in the chimney-corner, with her supper in her hand, consisting of a basin of milk and water, thickened with cold potatoes; while the mother sat before the fire, alternately knitting a ball of black worsted on the floor into a stocking, and giving the cradle an additional push, as the impetus it had previously received died away and left it again almost at rest. Everything was silent, save one or two of those quiet homely sounds, which fall on the ear with a sensation that appears to render even silence itself still more silent. The solitary ticking of an old caseless Dutch clock on the wall was interrupted only by the smothered rocking of the cradle, wherein lay the yet unconscious cause of all I have told, or may yet have to tell. As hand or foot was applied to keep it in motion, the little charge within was tossed alternately against each blanketed side of his wooden prison, and jolted into the utterance, every now and then, of some slight sound of complaint, which as regularly sunk again to nothing as the rocking was increased, and the mother's low voice cried—
“Hush, child! peace, peace! Sleep, barn, sleep!”
And then rounded off into a momentary chant of the old ditty, beginning,
“There was an old woman, good lack! good lack!”
But out of doors, as the rustic village had long ago been gone to rest, everything was as silent as though the country had been depopulated.
Fatigued by the long day's exertion, Fanny had fallen asleep, with half her supper uneaten in her lap; and Mistress Clink, unconsciously overtaken in a similar manner, had instinctively covered her face with her hand, and fallen into that imperfect state of rest in which realities and dreamy fictions are fused together like things perfectly akin,—when the sound of visionary tongues seemed to be about her.
“Go straight in,” said one. “Don't stand knocking.”
“Perhaps she's a-bed,” observed another.
“Then drag her out again, that 's all,” replied the same person that had first spoken; “I 've sworn to kick her and her young 'un into th' street to-night, and the devil's in it if I don't, dark as it is. It will not be the first time she's lay i' th' hedge-bottom till daylight, I 'll swear.”
Mrs. Clink started up, terrified. The door was pushed violently open, and the village constable, an assistant, and Mr. Longstaff, the steward,—in a state of considerable mental elevation, arising from the combination of punch and revenge,—stood in the middle of the room.