If one’s work has no universal appeal to human nature, nor any special attraction for the literary class, it may yet survive in memory if there is a continuing technical group, with a recorded tradition, to which it is significant. Professions, like law, surgery, and engineering; the branches of scientific research, as astronomy, geology, and bacteriology; long-lived practical interests, like horticulture and breeding; even traditional sports and pastimes, like golf, yachting, pugilism, and football, have their special records in which are enshrined the names of heroes who will not be forgotten so long as the group endures. A tradition of this kind has far more power over time than the acclaim of all the newspapers of the day, which indeed, without the support of a more considerate judgment, is vox et præterea nihil.

I can see no reason to expect that the men of our day who are notable for vast riches, or even for substantial economic leadership in addition to riches, will be remembered long after their deaths. This class of people have been soon forgotten in the past, and the case is not now essentially different. They have no lasting spiritual value to preserve their names, nor yet do they appeal to the admiration and loyalty of a continuous technical group. Their services, though possibly greater than those of statesmen and soldiers who will be remembered, are of the sort that the world appropriates without much commemoration.

A group which is important as a whole, and holds the eye of posterity for that reason, preserves the names of many individual members of no great importance in themselves. They help each other to burn, like sticks in a heap, when each one by itself might go out. English statesmen and men of letters have a great advantage over American in this respect, because they belong to a more centralized and interrelated society. To know Burke and Goldsmith and Johnson is also to know Garrick and Boswell, and Mrs. Thrale, Fox, North, Pitt, Sheridan, Walpole, and many others, who, like characters in a play, are far more taken together than the mere sum of the individuals. Indeed a culture group and epoch of this kind is a sort of play, appealing to a complex historical and dramatic interest, and animating personalities by their membership in the whole. We love to domesticate ourselves in it, when we might not care greatly for the individuals in separation.

So every “great epoch”—the Age of Pericles in Athens, of Augustus in Rome, of the Medici in Florence, of Elizabeth in England, gives us a group of names which shine by the general light of their time. And in the same way a whole nation or civilization which has a unique value for mankind may give immortality to a thousand persons and events which might otherwise be insignificant. Of this the best illustration is, no doubt, the Hebrew nation and history, as we have it in the Bible, which unites patriarchs, kings, prophets, apostles and minor characters in one vast symbol.

Another influence of similar character is the knowledge and feeling that the fame in question is accepted and social, so that we are part of a fellowship to be moved by it. I take it that much of the delight that people have in reading Horace comes from the sense of being in the company not only of Horace but of hundreds of Horace-spirited readers. We love things more genially when we know that others have loved them before us.

The question whether fame is just, considered as a reward to the individual, must on the whole be answered: No, especially if, for the reasons already given, we except the literary class. Justice in this sense has little to do with the function of fame as a symbol for impressing certain ideas and sentiments and arousing emulation. What name best meets this purpose is determined partly by real service, but largely by opportuneness, by publicity, by dramatic accessories, and by other circumstances which, so far as the individual is concerned, may be called luck. “So to order it that actions may be known and seen is purely the work of fortune,” says Montaigne, “’tis chance that helps us to glory.... A great many brave actions must be expected to be performed without witness, and so lost, before one turns to account; a man is not always on the top of a breach or at the head of an army, ... a man is often surprised betwixt the hedge and the ditch; he must run the hazard of his life against a hen-roost, he must dislodge four rascally musketeers from a barn; ... and whoever will observe will, I believe, find it experimentally true that occasions of the least lustre are ever the most dangerous.”[[29]] It is no less true, I suppose, in the wars of our day, and of a hundred soldiers equally brave and resourceful, only one gets the cross of honor. In a high sense this is not only for the man who happens to receive it, but for a company of nameless heroes of whom he is the symbol.

And so in all history; it is partly a matter of chance which name the myth crystallizes about, especially in those earlier times when the critical study of biography was unknown. We are not certain that Solomon was really the wisest man, or Orpheus the sweetest singer, or Sir Philip Sidney the most perfect gentleman, but it is convenient to have names to stand for these traits. In general, history is no doubt far more individual, more a matter of a few great names, than is accomplishment. Mankind does things and a few names get the credit. Sir Thomas Browne expressed the truth very moderately when he said that there have been more remarkable persons forgotten than remembered.

We hear rumors of the decay of fame: it is said that “modern life ... favors less and less the growth and preservation of great personalities”;[[30]] but I see no proof of it and doubt whether such a decay is conformable to human nature. Other epochs far enough past to give time for selection and idealization have left symbolic names, and the burden of proof is upon those who hold that ours will not. I do not doubt there is a change; we are coming to see life more in wholes than formerly; but I conceive that our need to see it as persons is not diminished.

Has there not come to be a feeling, especially during the Great War, that the desire for fame is selfish and a little outgrown, that the good soldier of humanity does not care for it? I think so; but it seems to me that we must distinguish, as to this, between one who is borne up on a great human whole that lives in the looks and voices of those about him, like a soldier in a patriotic war, or a workman in the labor movement, and one who is more or less isolated, as are nearly all men of unique originality. The latter, I imagine, will always feel the need to believe in the appreciation of posterity; they will appeal from the present to the future and, like Dante, meditate come l’uom s’eterna.

The desire for fame is simply a larger form of personal ambition, and in one respect, at least, nobler than other forms, in that it reflects the need to associate ourselves with some enduring reality, raised above the accidents of time. “Nay, I am persuaded that all men do all things, and the better they are the more they do them, in hope of the glorious fame of immortal virtue; for they desire the immortal.”[[31]]