When these observances have been duly honoured, there begins a scene of boisterous fun. The women make pads of the boiled sticky new rice, and cover it with soot from their cooking vessels. With these they approach the men and dab the pads upon their faces and bodies, leaving sooty marks that are not easily removed. The men thus challenged give chase, and attempt to get possession of the rice pads and to return the polite attention. For a short space of time a certain license prevails among the young people; and irregularities, even on the part of married people, which would be gravely reprobated at all other times, are looked upon very much less seriously. It is, in fact, the annual carnival. Each roomhold has prepared a stock of BURAK from the new rice, and this now circulates freely among both men and women, and large meals of rice and pork are usually eaten. All join in dancing, some of the women dressed like men, some carrying PADI-pestles; at one moment all form a long line marching up and down the gallery in step to the strains of the KELURI; some young men dance in realistic imitation of monkeys (DOK), or hornbills, or other animals, singly or in couples. Others mimic the peculiarities of their acquaintances. The women also dance together in a long line, each resting her hands on the shoulders of the one going before her, and all keeping time to the music of the KELURIES as they dance up and down the long gallery. All this is kept up with good humour the whole day long. In the evening more BURAK is drunk and songs are sung, the women mingling with the men, instead of remaining in their rooms as on other festive occasions. Before midnight a good many of the men are more or less intoxicated, some deeply so; but most are able to find their way to bed about midnight, and few or none become offensive or quarrelsome, even though the men indulge in wrestling and rough horseplay with one another. After an exceptionally good harvest the boisterous merry-making is renewed on a second or even a third day.
The harvest festival is the time at which dancing is most practised. The dances fall into two chief classes, namely, solo dances and those in which many persons take part. Most of the solo dances take the form of comic imitations of the movements of animals, especially the big macaque monkey (DOK), the hornbill, and big fish. These dances .seem to have no connection with magic or religion, but to be purely aesthetic entertainments. The animals that are regarded with most awe are never mimicked in this way. There are at least four distinct group dances popular among the Kayans. Both men and women take part, the women often dressing themselves as men for the occasion (Pl. 61). The movements and evolutions are very simple. The LUPA resembles the dance on return from war described in Chap. X. In the KAYO, a similar dance, the dancers are led by a woman holding one of the dried heads which is taken down for the purpose; the women, dressed in war-coats, pretending to take the head from an enemy. The LAKEKUT Is a musical drill in which the dancers stamp on the planks of the floor in time to the music. The LUPAK is a kind of slow polka. In none of these do the dancers fall into couples. A fifth dance, the dance of the departure of the spirit, is a dramatic representation by three persons of the death of one of them, and of his restoration to life by means of the water of life (this is supposed to be brought from the country which is traversed on the journey to the land of shades). This dance is sometimes given with so much dramatic effect as to move the onlookers to tears.
CHAPTER 7
The Daily Life of a Kayan Long House
A little before dawn the cocks roosting beneath the house awaken the household by their crowing and the flapping of their wings. The pigs begin to grunt and squeal, and the dogs begin to trot to and fro in the gallery. Before the first streaks of daylight appear, the women light the fires in the private rooms or blow up the smouldering embers; then most of them descend from the house, each carrying in a basket slung on her back several bamboo water-vessels to be filled from the river. Many of them bathe at this time in the shallow water beside the bank, while the toilet of others consists in dashing water over their faces, washing their mouths with water, and rubbing their teeth with the forefinger. Returning to the house with their loads of water (Pl. 63), they boil rice for the household breakfasts and for the dinner of those who are to spend the day in the PADI field or the jungle. The boiled rice intended for the latter use is made up in packets wrapped in green leaves, each containing sufficient for a meal for one person. About half-past six, when the daylight is fully come, the pigs expectant of their meal are clamouring loudly for it. The women descend to them by ladders leading from the private rooms, and each gives to the pigs of her household the leavings of the meals of the previous day. About the same time the men begin to bestir themselves sluggishly; some descend to bathe, while others smoke the fag ends of the cigarettes that were unfinished when they fell asleep. Then the men breakfast in their rooms, and not until they are satisfied do the women and children sit down to their meal. During all this time the chronically hungry dogs, attracted by the odours of food, make persistent efforts to get into their owner's rooms. Success in this manoeuvre is almostly always followed by their sudden and noisy reappearance in the gallery, caused by a smart blow with a stick. In the busy farming season parties of men, women, and children will set off in boats for the PADI fields taking their breakfasts with them.
After breakfast the men disperse to their various tasks. During some three or four months of the year all able-bodied persons repair daily to the PADI fields, but during the rest of the year their employments are more varied. The old women and invalids remain all day long in the rooms; the old men lounge all day in the gallery, smoking many home-made cigarettes, and perhaps doing a bit of carving or other light work and keeping an eye on the children. The young children play in and out and about the house, chasing the animals, and dabbling among the boats moored at the bank.
A few of the able-bodied men employ themselves in or about the house, making boats, forging swords, spear-heads, iron hoes, and axes, repairing weapons or implements. Others go in small parties to the jungle to hunt deer and pig, or to gather jungle produce — fruits, rubber, rattans, or bamboos — or spend the day in fishing in the river. During the months of December and January the jungle fruits — the durian, rambutan, mangosteen, lansat, mango, and numerous small sour fruits (Pl. 65) — are much more abundant than at other times; and during these months all other work is neglected, while the people devote themselves to gathering the fruit which forms for a time almost their only food.
Except during the busy PADI season the work of the women is wholly within the house. The heaviest part of their household labour is the preparation of the rice. After breakfast they proceed to spread out PADI on mats on the open platforms adjoining the gallery. While the PADI is being dried by the exposure to sun and wind on these platforms, it must be protected from the domestic fowls by a guardian who, sitting in the gallery, drives them away by means of a long bamboo slung by a cord above the platform. Others fill the time between breakfast and the noonday dinner by bathing themselves and the children in the river, making and repairing clothing, mats, and baskets, fetching more water, cleaning the rooms and preparing dinner. This meal consists of boiled rice with perhaps a piece of fish, pork, or fowl, and, like breakfast and supper, is eaten in the private rooms.
As soon as dinner is over the pounding of the PADI begins (Frontispiece, Vol. II.). Each mortar usually consists of a massive log of timber roughly shaped, and having sunk in its upper surface, which is a little hollowed, a pit about five inches in diameter and nine inches in depth. Into this pit about a quarter of a bushel of PADI is put. Two women stand on the mortar facing one another on either side of the pit, each holding by the middle a large wooden pestle. This is a solid bar of hardwood about seven feet long, about two inches in diameter in the middle third, and some three or four inches in diameter in the rest of its length. The two ends are rounded and polished by use. Each woman raises her pestle to the full height of her reach, and brings it smartly down upon the grain in the pit, the two women striking alternately with a regular rhythm. As each one lifts her pestle, she deftly sweeps back into the pit with her foot the grain scattered by her stroke.
After pounding the PADI for some minutes without interruption, one woman takes a winnowing pan, a mat made in the shape of an English housemaid's dustpan, but rather larger than this article, and receives in it the pounded grain which the other throws out of the pit with her foot.