The Pagan Tribes of Borneo / A Description of Their Physical Moral and Intellectual Condition, with Some Discussion of Their Ethnic Relations

by Charles Hose; William McDougall

Fig. 9. — Kenyah modification of the dog design, but known as the "prawn" (ORANG) pattern. From a tatu-block in the Sarawak Museum. (No. 1054.89.)

Plate 138.

Fig. 1. — Kayan three-line pattern (IDA TELO) for back of thigh of woman of slave class. From a tatu-block in the Sarawak Museum. (No. 166A Brooke Low Coll.)

Fig. 2. — Kayan four-line pattern (IDA PAT) for back of thigh of woman of middle class. From a tatu-block in the Sarawak Museum. (No. 1434.)

Fig. 3. — Kayan (Rejang R.) three-line pattern (IDA TELO) for back of thigh of women of upper and middle classes. From a tatu-block in the Sarawak Museum. (No. 1054.2.)

Fig. 4. — Kayan (Uma Pliau) design for front and sides of thigh of high class women. A = TUSHUN TUVA, tuba root; B = JALAUT, fruit of PLUKENETIA CORNICULATA; D = KOWIT, interlocking hooks. From a tatu-block in coll. C. Hose.

Fig. 5. — Kayan design for front of thigh of woman of high class. A = TUSHUN TUVA; B = DULANG HAROK, bows of a boat; C = ULU TINGGANG, hornbill's head; D = BELILING BULAN, full moons. From a tatu-block in the Sarawak Museum. (No. 1432.)

Fig. 6. — Barawan design for the shoulder or breast of men. From a drawing.

Fig. 7. — Design of uncertain origin, on the calf of the leg of an
Ukit man.

Plate 139.