The Great Book-Collectors

by Charles Isaac Elton; Mary Augusta Elton

The catalogue shows that the Duke's store had consisted mainly of the writings of the Fathers and Arabian works on science: there were a few classics, including a Quintilian, and Aristotle and Plato in Latin: the works of Capgrave and Higden were the only English chronicles; but the Duke was a devotee of the Italian learning, and his gifts to Oxford included more than one copy of the Divina Commedia, three separate copies of Boccaccio, and no less than seven of Petrarch.

The fate of the libraries founded by De Bury and Duke Humphrey of Gloucester was to perish at the hands of the mob. Bishop Bale has told the sad story of the destruction of the monastic libraries. The books were used for tailors' measures, for scouring candlesticks and cleaning boots; 'some they sold to the grocers and soap-sellers'; some they sent across the seas to the book-binders, 'whole ships-full, to the wondering of foreign nations': he knew a merchant who bought 'two noble libraries' for 40s., and got thereby a store of grey paper for his parcels which lasted him for twenty years. The same thing happened at Oxford. The quadrangle of one College was entirely covered 'with a thick bed of torn books and manuscripts.' The rioters in the Protector Somerset's time broke into the 'Aungerville Library,' as De Bury's collection was called, and burnt all the books. Some of De Bury's books had been removed into Duke Humphrey's Library, and met the same fate at the Schools, with almost every other volume that the University possessed. So complete was the destruction that in 1555 an order was made to sell the desks and book-shelves, as if it were finally admitted that Oxford would never have a library again.

Some few of the Duke's books escaped the general destruction. Of the half-dozen specimens in the British Museum three are known by the ancient catalogues to have been comprised in his gifts to the University. Two more remain at Oxford in the libraries of Oriel and Corpus Christi. We learn from Mr. Macray that only three out of the whole number of his mss. are now to be found in the Bodleian. One of them contains the Duke's signature: another is of high interest as being a translation out of Aristotle by Leonardo Aretino, with an original dedication to the Duke. The third is a magnificent volume of Valerius Maximus prepared, as we know from the monastic annals, under the personal supervision of Abbot Whethamstede, the 'passionate bibliomaniac' of St. Alban's. It contains inscriptions, says Mr. Macray, recording its gift for the use of the scholars, with anathemas upon all who should injure it. 'If any one steals this book,' says the Abbot, 'may he come to the gallows or the rope of Judas.'

THE DUKE OF BEDFORD PRAYING BEFORE ST. GEORGE.

(From the "Bedford Missal.")

Many of the Duke of Gloucester's books had come to him from the library of the French Kings at the Louvre, which had been purchased and dispersed by John, Duke of Bedford. The Duke himself was in the habit of ordering magnificently illuminated books of devotion, which he gave as presents to his friends. The famous 'Bedford Missal' (really a Book of Hours) was offered by the Duchess in his name to Henry vi.; and Mr. Quaritch possesses another Book of Hours, which the Duke presented to Talbot, Earl of Shrewsbury, as a wedding gift. The House of Valois was always friendly to literature. King John, who fought at Creçy, began a small collection: he had the story of the Crusades, a tract on the game of chess, and a book containing a French version of Livy, which seems to have belonged afterwards to Duke Humphrey, and to have found its way later into the Abbey of St. Geneviève. His son Charles le Sage was the owner of about 900 volumes, which he kept in his castle at the Louvre. The first librarian was Gilles Malet, who prepared a catalogue in 1373, which is still in existence. Another was compiled a few years afterwards by Antoine des Essars, and a third was made for Bedford when he purchased about 850 volumes out of the collection in the year 1423. These lists were so carefully executed that we can form a very clear idea of the library itself and the books in their gay bindings on the shelves. We are told that the King was so devoted to his 'Belle Assemblée,' as Christina of Pisa calls it, that not only authors and booksellers, but the princes and nobles at the court, all vied in making offerings of finely illuminated manuscripts.

They were arranged in the three rooms of the Library Tower. The wainscots were of Irish yew, and the ceilings of cypress. The windows were filled with painted glass, and the rooms were lit at night with thirty chandeliers and a great silver lamp. On entering the lowest room the visitor saw a row of book-cases low enough to be used as desks or tables. A few musical instruments lay about; one of the old lists tells us of a lute, and guitars inlaid with ivory and enamel, and 'an old rebec' much out of repair. There were 269 volumes in the book-cases. We will only mention a few of the most remarkable. There was Queen Blanche's Bible in red morocco, and another in white boards, Thomas Waley's rhymes from Ovid with splendid miniatures, and Richard de Furnival's Bestiaire d'Amour. One life of St. Louis stood in a 'chemise blanche,' and another in cloth of gold. St. Gregory and Sir John Mandeville were clothed in indigo velvet. John of Salisbury had a silk coat and long girdle, and most of the Arabians were in tawny silk ornamented with white roses and wreaths of foliage. Some bindings are noticed as being in fine condition, and others as being shabby or faded. The clasps are minutely described. They would catch a visitor's eye as the books lay flat on the shelves: and we suppose that the librarian intended to show the best way of knowing the books apart rather than to dwell on their external attractions. The Oxford fashion was to catalogue according to the last word on the first leaf, or the first word over the page; but it was also a common custom to distinguish important volumes by such names as The Red Book of the Exchequer, or The Black Book of Carnarvon.

We need not proceed to describe the other rooms. On the first floor there were 260 books, consisting for the most part of romances with miniature illuminations. One of these was the Destruction de Thèbes, which at one time belonged to the Duc de la Vallière, and is now in the National Library at Paris. The upper floor contained nearly six hundred volumes mostly concerned with astronomy and natural science.

It appears from the memoranda in the lists that there had been a habit of lending books to public institutions and to members of the royal family from the time when the library was first established; and it is estimated that about two hundred of the books must have been saved in this way to form the beginning of a new library in the Louvre, which, after the expulsion of the English, began to attain some importance in the reign of Louis xi.