Samuel Lover described this visit as being a round of boisterous merriment. Their host introduced the two artists to Commissary-General Mayne, who was the prototype of Major Monsoon in ‘Charles O’Malley.’ Mayne dined with them daily, and they “laughed themselves sick” over his stories. They held a ceremony of installation of “The Knights of Alacantra,”—Lever, Lover, and Phiz being made Grand Crosses of the order. There was music and a procession and a grand ballet. Writing to M’Glashan shortly after the Lover-Phiz visitation, the author of ‘Charles O’Malley’ said: “If I have a glass of champagne left—we finished nine dozen in the sixteen days Lover and Phiz spent here—I’ll drink it to your health.”

To Mr Alexander Spencer.

Nov. 2, 1841.

“I have been daily, for some weeks past, hoping to have some news to tell you respecting your MS., and at last am forced to write without. I sent it over to Bentley with a pressing letter, for in my avarice his £12, 12s. per sheet tempted me, instead of the miserable pay of the D. U. M., which gives but £7 for nearly double the quantity. He kept me waiting his reply for six weeks, and then I hear that the press of literary matter is such that no article can be read for some time to come. I have, of course, written to get it back, and yesterday wrote to Chambers to secure it a berth in the ‘Journal,’ where, if I succeed, the pay is still better than ‘Dublin,’ and the road for future contributions more open and available.

“Though I know you will attribute this delay not to any lukewarmness of mine, yet am I not the less provoked. All these things require patience in the beginning, however, and had I been discouraged, as I confess I very nearly was, I should never have written a second chapter of ‘Lorrequer,’ much less what followed it.

“Indeed, to give you an idea of editorial discernment: the story most quoted and selected by reviewers for praise was, three years and a half before I began the ‘Confessions,’ sent up to the D. U. M., and rejected by Butt as an unworthy contribution. And this [story] was afterwards pronounced by ‘Fraser’s Magazine’ the best bit of modern humour. So much for one critic or author.

“There are many things daily coming out in the French press I wish you would attack. Are you aware that Mrs Gore’s novels, bought for £500 each set (3 vols.), are only translations with a newly invented title? Such is the fact. My time latterly has been tolerably occupied by finishing ‘O’Malley,’ which required a double No. for December, and making the début of my new hero Jack Hinton—besides which doctoring, and occasionally scribbling short articles for the ‘University.’ I wish much you had seen the first volume of ‘Our Mess.’ I am more than usually nervous about its success. Every new book is a new effort, and the world is often discontented with the forthcoming work of a man whom their own flattery induced to commit himself at first.

“My idea of Jack Hinton is of an exceedingly English young Guardsman coming over to Ireland at the period of the Duke of Richmond’s vice-royalty, when every species of rackety [? doings] was in vogue. The contrasts of the two countries as exhibited in him, and those about him, form the tableaux of the book. The story is a mere personal narrative.

“Browne (Phiz) has been with us for the last few weeks making arrangements about the illustrations, and I think this part, at least, will be better than heretofore. M’Glashan is very fair about the whole concern, and promises liberally in the event of success.”

To Mr Alexander Spencer.