‘JACK HINTON’
The favour with which the public received ‘Charles O’Malley,’ and the pleasant notices forwarded to me by my publisher, gave me great courage; and when asked if I could be ready by a certain date with a new story, I never hesitated to say Yes. My first thought was that in the campaign of the Great Napoleon I might find what would serve as a “pendant” to the story I had just completed, and that by making—as there would be no impropriety in doing—an Irishman a soldier of France, I could still have on my side certain sympathies of my reader which would not so readily attach to a foreigner. I surrounded myself at once with all the histories and memoirs I could find of the Consulate and the Empire; and, so far as I could, withdrew my mind from questions of home interest, and lived entirely amidst the mighty events that began at Marengo and ended at Waterloo. Whether I failed to devise such a narrative as I needed, or whether—and I suspect this must have been the real reason—I found that the vast-ness of the theme overpowered me, I cannot at this distance of time remember. But so it was, that I found much time had slipped over, and that beyond some few notes and some scattered references, I had actually done nothing; and my publisher had applied to me for the title of my story for advertisement before I had begun or written a line of it. Some disparaging remarks on Ireland and Irishmen in the London press, not very unfrequent at the time, nor altogether obsolete now, had provoked me at the moment; and the sudden thought occurred of a reprisal by showing the many instances in which the Englishman would almost of necessity mistake and misjudge my countrymen, and that out of these blunders and misapprehensions, situations might arise that, if welded into a story, might be made to be amusing. I knew that there was not a class nor a condition in Ireland which had not marked differences from the correlative rank in England; and that not only the Irish squire, the Irish priest, and the Irish peasant were unlike anything in the larger island, but that the Dublin professional man, the official, and the shopkeeper, had traits and distinctions essentially their own. I had frequently heard opinions pronounced on Irish habits which I had easily traced to that quizzing habit of my countrymen, who never can deny themselves the enjoyment of playing on the credulity of the traveller,—all the more eagerly when they see his note-book taken out to record their shortcomings and absurdities. These thoughts suggested ‘Jack Hinton,’ and led me to turn from my intention to follow the French arms, or rather to postpone the plan, for it had got too strong a hold on me to be utterly abandoned. I have already acknowledged that I strayed from the path I had determined on, and, with very little reference to my original intention, suffered my hero to take his chance among the natives. Indeed I soon found him too intensely engaged in the cares of self-preservation to have much time or taste for criticism on his neighbours. I have owned elsewhere that for Mr Paul Rooney, Father Tom Loftus, Bob Mahon, O’Grady, Tipperary Joe, and even Corny Delaney, I had not to draw on imagination, but I never yet heard one correct guess as to the originals. While on this theme, I may recall an incident which occurred about three years after the story was published, and which, if only for the trait of good-humour it displayed, is worth remembering. I was making a little rambling tour through Ireland with my wife, following for the most part the sea-board, and only taking such short cuts inland as should bring us to some spot of especial interest. We journeyed with our own horses, and consequently rarely exceeded five-and-twenty or thirty miles in a day. While I was thus refreshing many an old memory, and occasionally acquiring some new experience, the ramble interested me much. It was in the course of this almost capricious journey—for we really had nothing like a plan—we reached the little town of Gort, where, to rest our horses, we were obliged to remain a day. There was not much to engage attention in the place. It was perhaps less marked by poverty than most Irish towns of its class, and somewhat cleaner and more orderly; but the same distinctive signs were there of depression, the same look of inertness that one remarks almost universally through the land. In strolling half listlessly about on the outskirts of the town, we were overtaken by a heavy thunder-storm, and were driven to take shelter in a little shop where a number of other people had also sought refuge. As we stood there, an active-looking but elderly man in the neat black of an ecclesiastic, and with a rosette in his hat, politely addressed us, and proposed that, instead of standing there in the crowd, we would accept the hospitality of his lodging, which was in the same house, till such time as the storm should have passed over. His manner, his voice, and his general appearance convinced me he was a dignitary of our Church. I thanked him at once for his courtesy, and accepted his offer. He proceeded to show us the way, and we entered a very comfortably-furnished sitting-room, where a pleasant fire was burning, and sat down well pleased with our good fortune. While we chatted freely over the weather and the crops, some chance expression escaped me to show that I had regarded him as a clergyman of the Established Church. He at once, but with peculiar delicacy, hastened to correct my mistake, and introduce himself as the Roman Catholic Dean O’Shaughnessy. “I am aware whom I am speaking to,” added he, pronouncing my name. Before I could express my surprise at being recognised where I had not one acquaintance, he explained that he had read—in some local paper which described our mode of travelling—of my being in the neighbourhood, and this led him at once to guess our identity. After a few flattering remarks on the pleasure something of mine had afforded him, he said, “You are very hard upon us, Mr Lever. You never let us off easily, but I assure you for all that we bear you no ill-will. There is a strong national tie between us, and we can stand a good deal of quizzing for the sake of that bond.” I knew he was alluding to his order; and when I said something—I cannot remember what—about the freedoms that fiction led to, he stopped, saying, “Well, well! the priests are not angry with you after all, if it wasn’t for one thing.”
“Oh, I know,” cried I, “that stupid story of Father D’Array and the Pope.” *
“No, no, not that; we laughed at that as much as any Protestant of you all. What we could not bear so well was an ugly remark you made in ‘Harry Lorrequer,’ where—when there was a row at a wake and the money was scattered over the floor—you say that the priest gathered more than his share because—and here was the bitterness—old habit had accustomed him to scrape up his corn in low places! Now, Mr Lever, that was not fair; it was not generous, surely!” The good temper and the gentleman-like quietness of the charge made me very uncomfortable at the time; and now, after many years, I recall the incident to show the impression it made on me—the only atonement I can make for the flippancy. I had begun this story of ‘Jack Hinton’ at Brussels, but on a proposition made to me by the publisher and proprietor of ‘The Dublin University Magazine’ to take the editorship of that periodical, I determined to return to Ireland. To do this, I was not alone to change my abode and my country, but to alter the whole destiny of my life. I was at the time a practising physician attached to the British Legation, with the best practice of any Englishman in the place, a most pleasant society, and, what I valued not less than them all, the intimacy of the most agreeable and companionable man** I ever knew in my life, whose friendship I have never ceased to treasure with pride and affection.
* A story told in ‘Harry Lorrequer.’
** Sir George Hamilton Seymour.
I dedicated to him my first book, and it is with deep gratitude and pleasure I recall him while I give the last touches to these volumes. There is one character in this story to which imagination contributed scarcely anything in the portraiture, though I do not pretend to say that the situations in which I have placed him are derived from facts. Tipperary Joe was a real personage; and if there are, among my readers, any who remember the old coaching days between Dublin and Kilkenny, they cannot fail to recall the curious figure, clad in a scarlet hunting-coat and black velvet cap, who used, at the stage between Carlow and the Royal Oak, to emerge from some field beside the road, and, after a trot of a mile or so beside the horses, crawl up at the back of the coach and over the roof, collecting what he called his rent from the passengers,—a very humble tribute generally, but the occasion of a good deal of jest and merriment, not diminished if by any accident an English traveller were present, who could neither comprehend the relations between Joe and the gentlemen, nor the marvellous freedom with which this poor ragged fellow discussed the passengers and their opinions. Joe—I must call him so, for his real name has escaped me—once came to see me in Trinity College, and was curious to visit the Chapel, the Library, and the Examination Hall. I will not pretend that I undertook my office of cicerone without some misgivings, for though I was prepared to endure all the quizzings of my friends and acquaintances, I was not quite at my ease as to how the authorities—the dons, as they are called elsewhere—would regard this singular apparition within academic precincts. Joe’s respectful manner, and an air of interest that bespoke how much the place engaged his curiosity, soon set me at my ease; while the ready tact with which he recognised and uncovered to such persons as held rank or station at once satisfied me that I was incurring no risk whatever in my office as guide. The kitchen and the sight of those gigantic spits, on which a whole series of legs of mutton were turning slowly, overcame all the studied reserve of his manner, and he burst into a most enthusiastic encomium on the merits of an institution so admirably suited to satisfy human requirements. When he learned, from what source I do not know, that I had put him in a book, he made it—not unreasonably, perhaps—the ground of a demand on my purse; and if the talented artist who had illustrated the tale had been accessible to him, I suspect that he, too, would have had to submit to the levy of a blackmail, all the more heavily as Joe was by no means pleased with a portrait which really only self-flattery could have objected to. Hablot K. Browne never saw him, and yet in his sketch of him standing to say his “good-bye” to Jack Hinton at Kingston, he has caught the character of his figure and the moping lounge of his attitude to perfection. Indeed, though there is no resemblance in the face to Joe, the pose of the head and the position of the limbs recall him at once. I have already said elsewhere that the volume amused me while I was writing it. Indeed I had not at the time exhausted, if I had even tapped, the cask of a buoyancy of temperament which carried me along through my daily life in the sort of spirit one rides a fresh horse over a swelling sward. If this confession will serve to apologise for the want of studied coherency in the narrative, and the reckless speed in which events succeed events throughout, I shall deem myself indebted to the generous indulgence of my readers.
‘THE O’DONOGHUE.’
It was in wandering through the south of Ireland I came to visit the wild valley of Glennesk—a scene of loneliness and desolation with picturesque beauty I have never seen surpassed. The only living creature I met for miles of the way was a very old man, whose dress and look bespoke extreme poverty, but who, on talking with him, I discovered to be the owner of four cows that were grazing on the rocky sides of the cliff. He had come some miles, he told me, to give his cows the spare herbage that cropped up amongst the granite boulders. As I had seen no house or trace of habitation as I came along, I was curious to know where he lived, but his answer, as he pointed to the mountain, was, “There, alone,” and this with evident unwillingness to be more freely communicative. Though not caring to be interrogated, nor, like most Irish peasants, much inclined to have a talk with a stranger, he made no scruple to ask for alms, and pleaded his wretched rags—and they were very miserable—as a proof of his poverty. I did not think that the pittance I gave him exactly warranted me in asking how the owner of the cows we saw near us could be in that condition of want he represented; at all events I preferred not to dash the pleasure I was giving him by the question. We parted, therefore, on good terms, but some miles farther on in the glen I learned from a woman, who was “bulling” her clothes in the river, that “ould Mat,” as she called him, was one of the most well-to-do farmers in that part of the country; that he had given his daughters, of whom he had several, good marriage portions, and that his son was a thriving attorney in the town of Tralee. “Maybe yer honor’s heard of him,” said the woman,—“Tim O’Donoghue.” It was no new thing to me to know the Irish peasant in his character as a hoarder and a saver. There is no one trait so indicative of the Celt as acquisitiveness, nor does Eastern story contain a man more given to the castle-building that grows out of some secret hoard—however small—than Paddy. He is to add half an acre to his potato-garden, or to buy another pig, or to send the “gossoon” to a school in the town, or to pay his passage to New York. This tendency to construct a future, so strong in the Irish nature, has its rise in a great reliance on what he feels to be the goodness of God: a firm conviction that all his struggles are watched and cared for, and that every little turn of good fortune has been given him by some especial favour, lies deep in his nature, and suggests an amount of hope to him which a less sanguine spirit could never have conceived. While I thought over the endless contrarieties of this mysterious national character, where good and evil eternally lay side by side, I wondered within myself whether the new civilisation of latter years was likely to be successful in dealing with men whose temperaments and manners were so unlike the English, or were we right in extinguishing the old feudalism that bound the peasant to the landlord, ere we had prepared each for the new relations of mere gain and loss that were in nature to subsist between them? Between the great families—the old houses of the land and the present race of proprietors—there lay a couple of generations of men who, with all the traditions and many of the pretensions of birth and fortune, had really become in ideas, modes of life, and habits, very little above the peasantry about them. They inhabited, it is true, the “great house,” and they were in name the owners of the soil, but, crippled by debt and overborne by mortgages, they subsisted in a shifty conflict with their creditors, rack-renting their miserable tenants to maintain it. Survivors of everything but pride of family, they stood there like stumps, blackened and charred, the last remnants of a burnt forest, their proportions attesting the noble growth that preceded them. What would the descendants of these men prove when, destitute of fortune and helpless, they were thrown upon a world that actually regarded them as blamable for the unhappy condition of Ireland? Would they stand by “their order” in so far as to adhere to the cause of the gentry? Or would they share the feelings of the peasant to whose lot they had been reduced, and charging on the Saxons the reverses of their fortune, stand forth as rebels to England? Here was much food for speculation and something for a story. For an opening scene what could I desire finer than the gloomy grandeur and the rugged desolation of Glenflesk! And if some patches of bright verdure here and there gleamed amidst the barrenness,—if a stray sunbeam lit up the granite cliffs and made the heather glow,—might there not be certain reliefs of human tenderness and love to show that no scene in which man has a part is utterly destitute of those affections whose home is the heart? I had now got my theme and my locality. For my name I took ‘The O’Donoghue’; it had become associated in my mind with Glenflesk, and would not be separated from it. Here, then, in one word, is the history of this book. If the performance bears but slight relation to the intention,—if, indeed, my story seems to have little reference to what suggested it,—it will only be another instance of a waywardness which has beset me through life, and left me never sure when I started for Norway that I might not find myself in Naples. It is not necessary, perhaps, for me to say that no character in this tale was drawn from a model. I began the story, in so far as a few pages went, at a little inn at Killarney, and I believe I stole the name of Kerry O’Leary from one of the boatmen on the lake; but, so far as I am aware, it is the only theft in the book. I believe that the very crude notions of an English tourist for the betterment of Ireland, and some exceedingly absurd comments he made me on the habits of people which an acquaintanceship of three weeks enabled him to pronounce on, provoked me to draw the character of Sir Marmaduke; but I can declare that the traveller aforesaid only acted as tinder to a mine long prepared, and afforded me a long-sought-for opportunity—not for exposing, for I did not go that far, but—for touching on the consummate effrontery with which a mere passing stranger can settle the difficulties and determine the remedies for a country in which the resident sits down overwhelmed by the amount, and utterly despairing of a solution. I have elsewhere recorded that I have been blamed for the fate I reserved for Kate O’Donoghue, and that she deserved something better than to have her future linked to one who was so unworthy of her in many ways. Till I re-read the story after a long lapse of years, I had believed that this charge was better founded than I am now disposed to think it. First of all, judging from an Irish point of view, I do not consent to regard Mark O’Donoghue as a bad fellow. The greater number of his faults were the results of neglected training, irregular—almost utter want of—education, and the false position of an heir to a property so swamped by debt as to be valueless. I will not say these are the ingredients which go to the formation of a very regular life or a very perfect husband, but they might all of them have made a worse character than Mark’s if he had not possessed some very sterling qualities as a counterbalance. Secondly, I am not of those who think that the married life of a man is but the second volume of his bachelor existence. I rather incline to believe that he starts afresh in life under circumstances very favourable to the development of whatever is best, and to the extinguishment of what is worst in him. That is, of course, where he marries well, and where he allies himself to qualities of temper and tastes which will serve as the complement, or, at times, the correctives, of his own. Now Kate O’Donoghue would instance what I mean in this case. Then I keep my best reason for the last: they liked each other. This, if not a guarantee for their future happiness, is still the best “martingale” the game of marriage admits of. I am free to own that the book I had in my head to write was a far better one than I have committed to paper, but as this is a sort of event which has happened to better men than myself, I bear it as one of the accidents that authorship is heir to. A French critic—one far too great to have his dicta despised—has sneered at my making a poor ignorant peasant child find pleasure in the resonance of a Homeric verse; but I could tell him of barefooted boys in the South, running errands for a scanty subsistence, with a knowledge of classical literature which would puzzle many a grown student to cope with.
‘THE KNIGHT OF GWYNNE.’
I wrote this story in the Tyrol.* The accident of my residence there was in this wise: I had travelled about the Continent for a considerable time, in company with my family, and with my own horses. Our carriage was a large and comfortable calèche, and our team four horses, the leaders of which, well-bred and thriving-looking, served as saddle-horses when needed. There was something very gipsy-like in this roving uncertain existence (that had no positive bent or limit, and left every choice of place an open question) which gave me intense enjoyment. It opened to me views of Continental life, scenery, people, and habits which I should certainly never have attained by other modes of travel.