I turned towards Hammersley. He was standing high in his stirrups, and as he looked towards the yawning fence, down which the dogs were tumbling in masses, I thought (perhaps it was but a thought) that his cheek was paler. I looked again; he was pulling at his horse. Ha! it was true then; he would not face it. I turned round in my saddle, looked him full in the face, and as I pointed with my whip to the leap, called out in a voice hoarse with passion, “Come on!” I saw no more. All objects were lost to me from that moment. When next my senses cleared, I was standing amidst the dogs, where they had just killed. Badger stood blown and trembling beside me, his head drooping and his flanks gored with spur-marks. I looked about, but all consciousness of the past had fled; the concussion of my fall had shaken my intellect, and I was like one but half-awake. One glimpse, short and fleeting, of what was taking place shot through my brain, as old Brackely whispered to me, “By my soul, ye did for the captain there.” I turned a vague look upon him, and my eyes fell upon the figure of a man that lay stretched and bleeding upon a door before me. His pale face was crossed with a purple stream of blood that trickled from a wound beside his eyebrow; his arms lay motionless and heavily at either side. I knew him not. A loud report of a pistol aroused me from my stupor; I looked back. I saw a crowd that broke suddenly asunder and fled right and left. I heard a heavy crash upon the ground; I pointed with my finger, for I could not utter a word.
“It is the English mare, yer honor; she was a beauty this morning, but she’s broke her shoulder-bone and both her legs, and it was best to put her out of pain.”
CHAPTER V.
THE DRAWING-ROOM.
On the fourth day following the adventure detailed in the last chapter, I made my appearance in the drawing-room, my cheek well blanched by copious bleeding, and my step tottering and uncertain. On entering the room, I looked about in vain for some one who might give me an insight into the occurrences of the four preceding days; but no one was to be met with. The ladies, I learned, were out riding; Matthew was buying a new setter, Mr. Blake was canvassing, and Captain Hammersley was in bed. Where was Miss Dashwood?—in her room; and Sir George?—he was with Mr. Blake.
“What! Canvassing, too?”
“Troth, that same was possible,” was the intelligent reply of the old butler, at which I could not help smiling. I sat down, therefore, in the easiest chair I could find, and unfolding the county paper, resolved upon learning how matters were going on in the political world. But somehow, whether the editor was not brilliant or the fire was hot or that my own dreams were pleasanter to indulge in than his fancies, I fell sound asleep.
How differently is the mind attuned to the active, busy world of thought and action when awakened from sleep by any sudden and rude summons to arise and be stirring, and when called into existence by the sweet and silvery notes of softest music stealing over the senses, and while they impart awakening thoughts of bliss and beauty, scarcely dissipating the dreamy influence of slumber! Such was my first thought, as, with closed lids, the thrilling chords of a harp broke upon my sleep and aroused me to a feeling of unutterable pleasure. I turned gently round in my chair and beheld Miss Dashwood. She was seated in a recess of an old-fashioned window; the pale yellow glow of a wintry sun at evening fell upon her beautiful hair, and tinged it with such a light as I have often since then seen in Rembrandt’s pictures; her head leaned upon the harp, and as she struck its chords at random, I saw that her mind was far away from all around her. As I looked, she suddenly started from her leaning attitude, and parting back her curls from her brow, she preluded a few chords, and then sighed forth, rather than sang, that most beautiful of Moore’s melodies,—
“She is far from the land where her young hero sleeps.”