Every traveller in the Tyrol must have remarked, that, wherever the way is difficult of access, or dangerous to traverse, some little shrine or statue is always to be seen, reminding him that a higher Power than his own watches over his safety, and suggesting the fitness of an appeal to Him who is “A very present help in time of trouble.”
Sometimes a rude painting upon a little board, nailed on a tree, communicates the escape and gratitude of a traveller; sometimes a still ruder fresco, on the very rock, tells where a wintry torrent had swept away a whole family, and calling on all pious Christians who pass that way to offer a prayer for the departed. There is an endless variety in these little “Votive Tablets,” which are never more touching than when their very rude poverty attests the simplest faith of a simple people. The Tyrolers are indeed such. Perhaps alone, of all the accessible parts of Europe, the Tyrol has preserved its primitive habits and tastes for centuries unchanged. Here and there, throughout the continent, to be sure, you will find some little “Dorf,” or village, whose old-world customs stand out in contrast to its neighbours; and where in their houses, dress, and bearing, the inhabitants seem unlike all else around them. Look more closely, however, and you will see that, although the grandmother is clothed in homespun, and wears her leathern pocket at her girdle, all studded with copper nails, that her grandaughter affects a printed cotton or a Swiss calico; and instead of the broad-brimmed and looped felt of the old “Bauer,” the new generation sport broad-cloth and beaver.
Such hamlets are, therefore, only like the passengers left behind by their own coach, and waiting for the next conveyance that passes to carry them on their journey.
In the Tyrol, however, such evidences of progress—as it is the fashion to call it—are rare. The peasantry seem content to live as their fathers have done, and truly he must be sanguine who could hope to better a condition, which, with so few prorations, comprises so many of life’s best and dearest blessings. If the mountain peaks be snow-clad, even in midsummer, the valleys (at least all in South Tyrol) are rich in vineyards and olive groves; and although wheat is seldom seen, the maize grows every where; the rivers swarm with trout; and he must be a poor marksman who cannot have venison for his dinner. The villages are large and well built; the great wooden houses, with their wide projecting roofs and endless galleries, are the very types of comfort. Vast piles of fire-wood, for winter use, large granaries of forage for the cattle—the cattle themselves with great silver bells hanging to their necks—all bespeak an ease, if not an actual affluence, among the peasantry. The Tyrolers are, in a word, all that poets and tourists say the Swiss are, and of which they are exactly the reverse.
It would be difficult to find two nations so precisely alike in all external circumstances, and so perfectly dissimilar in every feature of character. Even in their religious feelings, Romanism, generally so levelling, has not been able to make them of the same measure here. The Swiss Catholic—bigotted, overbearing, and plotting—has nothing in common with the simple-minded Tyroler, whose faith enters into all the little incidents of his daily life, cheering, exalting, and sustaining, but never suggesting a thought save of charity and good will to all.
That they have interwoven, so to say, their religious belief into all their little worldly concerns, if not making their faith the rule, at least establishing it as the companion of their conduct, is easily seen. You never overtake a group, returning from fair or market, that all are not engaged in prayer, repeating together some litany of the Church; and as each new arrival joins the party, his voice chimes in, and swells the solemn hum as naturally as if prearranged or practised.
If you pass a village, or a solitary farmhouse, at sunset, the same accents meet your ears, or else you hear them singing some hymn in concert. Few “Bauer” houses, of any pretension, are without the effigy of a patron saint above the door, and even the humblest will have a verse of a psalm, or a pious sentence, carved in the oaken beam. Their names are taken from the saintly calendar, and every thing, to the minutest particular, shews that their faith is an active working principle, fashioning all their actions, and mingling with all their thoughts. Their superstitions, like all simple-minded and secluded people’s, are many; their ignorance is not to be denied; mayhap the Church has fostered the one, and done little to enlighten the other: still, if Romanism had no heavier sin to account for, no darker score to clear up, than her dealings in these mountains, there would be much to forgive in a creed that has conferred so many good gifts, and sowed the seeds of so few bad ones.
These pious emblems find their way, too, into places where one would scarce look for them—over the doors of village inns, and as signs to little wine and beer-houses: and frequently the Holy personages are associated with secular usages, strangely at variance with the saintly character. Thus I have seen, in the village beside me, a venerable St. Martin engaged in the extraordinary operation of shoeing a horse; though what veterinary tastes the saint ever evinced, or why he is so represented, I can find no one to inform me. On the summit of steep passes, where it is usual, by a police regulation, to prescribe the use of a drag to all wheel carriages, the board which sets forth the direction is commonly ornamented by a St. Michael, very busily applying the drag to a heavy waggon, while the driver thereof is on his knees hard by, worshipping the saint, in evident delight at his dexterity. In the same way many venerable and holy men are to be seen presiding over savoury hams and goblets of foaming beer, and beaming with angelic beatitude at a party of hard-drinking villagers in the distance. Our present business is, however, less with the practice in general, than a particular instance, which is to be met with in the Bavarian Tyrol, mid-way between the villages of Murnou and Steingaden, where over the door of a solitary little way-side inn hangs a representation of the Virgin, with a starling perched upon her wrist. One has only to remark the expression of unnatural intelligence in the bird’s look, to be certain that it was not a mere fancy of the artist to have placed her thus, but that some event of village tradition, or history, is interwoven with her presence.
The motto contributes nothing to the explanation. It is merely a line from the Church Litany, “Maria, Mutter Grottes, hülf uns,—Mary, Mother of God, help us!”
There is then a story connected with the painting, and we shall, with your leave, tell it; calling our tale by the name of the little inn,