CHAPTER XXXVI. MURRANAKILTY
If my kind reader is not already tired of the mountain-road and the wild west, may I ask him—dare I say her?—to accompany me a little farther, while I present another picture of its life?
You see that bold mountain, jagged and rugged in outline, like the spine of some gigantic beast, that runs far out into the Atlantic, and ends in a bold, abrupt headland, against which the waves, from the very coast of Labrador, are beating without one intervening rock to break their force? Carry your eye along its base, to where you can mark a little clump of alder and beech, with here and there a taper poplar interspersed, and see if you cannot detect the gable of a long, low, thatched house, that lies almost buried in the foliage. Before the door a little patch of green stretches down to the shore, where a sandy beach, glowing in all the richness of a morning sun, glitters with many a shell and brilliant pebble. That, then, is Murranakilty.
But approach, I beg you, a little nearer. Let me suppose that you have traced the winding of that little bay, crossing the wooden bridge over the bright trout stream, as it hastens on to mingle its waters with the ocean; you have climbed over the rude stile, and stopped for an instant to look into the holy well, in whose glassy surface the little wooden crucifix above is dimly shadowed, and at length you stand upon the lawn before the cottage. What a glorious scene is now before you! On the opposite side of the bay, the mountain, whose summit is lost among the clouds, seems as it were cleft by some earthquake force; and through its narrow gorge you can trace the blue water of the sea passing in, while each side of the valley is clothed with wood. The oak of a hundred years, here sheltered from the rude wind of the Atlantic, spreads its luxuriant arms, while the frothy waves are breaking at its feet. High, however, above their tops you may mark the irregular outline of a large building, with battlements and towers and massive walls, and one tall and loopholed turret, that rises high into the air, and around whose summit the noisy rooks are circling in their flight. That is Kilmorran Castle, the residence of Sir Simon Bellew. There, for centuries past, his ancestors were born and died; there, in the midst of that wild and desolate grandeur, the haughty descendants of an ancient house lived on from youth to age, surrounded by all the observances of feudal state, and lording it far and near, for many a mile, with a sway and power that would seem to have long since passed away.
You carry your eye seaward, and I perceive your attention is fixed upon the small schooner that lies anchored in the offing; her topsail is in the clews, and flaps lazily against the mast, as she rolls and pitches in the breaking surge. The rake of her low masts and the long boom that stretches out far beyond her taffrail have, you deem it, a somewhat suspicious look; and you are right. She is La Belle Louise, a smuggling craft from Dieppe, whose crew, half French, half Irish, would fight her to the gunwale, and sink with but never surrender her. You hear the plash of oars, and there now you can mark the eight-oared gig springing to the stroke, as it shoots from the shore and heads out to sea. Sir Simon loves claret, and like a true old Irish gentleman he drinks it from the wood; there may, therefore, be some reason why those wild-looking red-caps have pulled in shore.
But now I'll ask you to turn to an humbler scene, and look within that room where the window, opened to the ground, is bordered by blossoming honeysuckle. It is the priest's parlour. At a little breakfast-table, whose spotless cloth and neat but simple equipage has a look of propriety and comfort, is seated one whose gorgeous dressing-gown and lounging attitude seem strangely at variance with the humble objects around him. He seems endeavouring to read a newspaper, which ever and anon he lays down beside him, and turns his eyes in the direction of the fire; for although it is July, yet a keen freshness of the morning air makes the blazing turf by no means objectionable. He looks towards the fire, perhaps you would say, lost in his own thoughts and musings; but no, truth must out, and his attention is occupied in a very different way. Kneeling before the fire is a young and lovely country-girl, engaged in toasting a muffin for the priest's breakfast. Her features are flushed, partly with shame, partly with heat; and as now and then she throws back her long hair from her face with an impatient toss of her head, she steals a glance at the stranger from a pair of eyes so deeply blue that at first you were unjust enough to think them black.
Her dress is a low bodice, and a short skirt of that brilliant dye the Irish peasant of the west seems to possess the secret for. The jupe is short, I say; and so much the better for you, as it displays a pair of legs which, bare of shoe or stocking, are perfect in their symmetry—the rounded instep and the swelling ankle chiselled as cleanly as a statue of Canova.
And now, my good reader, having shown you all this, let me proceed with my narrative.
'And sure now, sir, wouldn't it be better for you, and you sickly, to be eating your breakfast, and not be waiting for Father Tom? Maybe he wouldn't come in this hour yet.'