A NUT FOR THE LAWYERS.
Authors have long got the credit of being the most accomplished persons going—thoroughly conversant not only with the features of every walk and class in life, but also with their intimate sentiments, habits of thought, and modes of expression. Now, I have long been of opinion, that in all these respects, lawyers are infinitely their superiors. The author chooses his characters as you choose your dish, or your wine at dinner—he takes what suits, and leaves what is not available to his purpose. He then fashions them to his hand—finishing off this portrait, sketching that one—now bringing certain figures into strong light, anon throwing them into shadow: they are his creatures, who must obey him while living, and even die at his command. Now, the lawyer is called on for all the narrative and descriptive powers of his art, at a moment's notice, without time for reading or preparation; and worse than all, his business frequently lies among the very arts and callings his taste is most repugnant to. One day he is to be found creeping, with a tortoise slowness through all the wearisome intricacy of an equity case—the next he is borne along in a torrent of indignant eloquence, in defence of some Orange processionist or some Ribbon associate: now he describes, with the gravity of a landscape gardener, the tortuous windings of a mill-stream; now expatiating in Lytton Bulwerisms over the desolate hearth and broken fortunes of some deserted husband. In one court he attempts to prove that the elderly gentleman whose life was insured for a thousand at the Phoenix, was instrumental to his own decease, for not eating Cayenne with his oysters; in another, he shows, with palpable clearness, that being stabbed in the body, and having the head fractured, is a venial offence, and merely the result of “political excitement” in a high-spirited and warm-hearted people.
These are all clever efforts, and demand consummate powers, at the hand of him who makes them; but what are they to that deep and critical research with which he seems, instinctively, to sound the depths of every scientific walk in life, and every learned profession. Hear him in a lunacy case—listen to the deep and subtle distinctions he draws between the symptoms of mere eccentricity and erring intellect—remark how insignificant the physician appears in the case, who has made these things the study of a life long—hear how the barrister confounds him with a hail-storm of technicals—talking of the pineal gland as if it was an officer of the court, and of atrophy of the cerebral lobes, as if he was speaking of an attorney's clerk. Listen to him in a trial of supposed death by poison; what a triumph he has there, particularly if he be a junior barrister—how he walks undismayed among all the tests for arsenic—how little he cares for Marsh's apparatus and Scheele's discoveries—hydro-sulphates, peroxydes, iodurates, and proto-chlorides are familiar to him as household words. You would swear that he was nursed at a glass retort, and sipped his first milk through a blow-pipe. Like a child who thumps the keys of a pianoforte, and imagines himself a Liszt or Moschelles, so does your barrister revel amid the phraseology of a difficult science—pelting the witnesses with his insane blunders, and assuring the jury that their astonishment means ignorance.
Nothing in anatomy is too deep—nothing in chemistry too subtle—no fact in botany too obscure—no point in metaphysics too difficult. Like Dogberry, these things are to him but the gift of God; and he knows them at his birth. Truly, the chancellor is a powerful magician; and the mystic words by which he calls a gentleman to the bar, must have some potent spell within them.