He was, the world said, a jovial fellow,
Who ne'er was known at Fortune to repine;
Increasing years had rendered him more mellow,
And age improved him—as it did his wine.
Sir Gavin Gwynne.

The Shannon, after expanding into that noble sheet of water called Lough Derg, suddenly turns to the southward, and enters the valley of Killaloe, one of the most beautiful tracts of country which Ireland, so rich in river scenery, can boast. The transition from the wide lake, with its sombre background of gray mountain and rocky islands, bleak and bare, to the cultivated aspect of this favored spot, is like that experienced in passing from beneath the gloom of lowering thunder-clouds into light and joyous sunshine. Rich waving woods of every tint and hue of foliage, with here and there some spreading lawns of deepest green, clothe the mountains on either side, while in bright eddies the rapid river glides in between, circling and winding as in playful wantonness, till in the far distance it is seen passing beneath the ancient bridge of Killaloe, whose cathedral towers stand out against the sky.

On first emerging from the lake, the river takes an abrupt bend, round a rocky point, and then, sweeping back again in a bold curve, forms a little bay of deep and tranquil water, descending towards which the rich meadows are seen, dotted with groups of ancient forest trees, and backed by a dense skirting of timber. At one spot, where the steep declivity of the ground scarce affords footing for the tall ash-trees, stands a little cottage, at the extremity of which is an old square tower; this is Tubber-beg.

As you sail down the river you catch but one fleeting glance at the cottage, and when you look again it is gone! The projecting headlands, with the tall trees, have hidden it, and you almost fancy that you have not seen it. If you enter the little bay, however, and, leaving the strong current, run into the deep water under shore, you arrive at a spot which your memory will retain for many a day after.

In front of the cottage, and descending by a series of terraces to which art has but little contributed, are a number of flower-plots, whose delicious odors float over the still water, while in every gorgeous hue are seen the camellia, the oleander, and the cactus, with the tulip, the ranunculus, and the carnation,—all flourishing in a luxuriance which care and the favored aspect of this sheltered nook combine to effect. Behind and around, on either side, the dark-leaved holly, the laurustinus, and the arbutus are seen in all the profusion of leaf and blossom a mild, moist air secures, and forming a framework in which stands the cottage itself, its deep thatched eave, and porch of rustic-work trellised and festooned with creeping plants, almost blending its color with the surrounding foliage. Through the open windows a peep within displays the handsomely disposed rooms, abounding in all the evidences of cultivated taste and refinement. Books in several of the modern languages are scattered on the table, music, drawings of the surrounding scenery, in water-color or pencil,—all that can betoken minds carefully trained and exercised, and by their very diversity showing in what a world of self-stored resources their possessors must live; the easel, the embroidery-frame, the chess-board, the half-finished manuscript, the newly copied music, the very sprig of fern which marks the page in the little volume on botany,—slight things in themselves, but revealing so much of daily life!

If the cottage be an almost ideal representation of rustic elegance and simplicity, its situation is still more remarkable for beauty; for while Art has developed all the resources of the ground, Nature, in her own boundless profusion, has assembled here almost every ingredient of the picturesque, and as if to impart a sense of life and motion to the stilly calm, a tumbling sheet of water gushes down between the rocks, and in bounding leaps descends towards the Shannon, of which it is a tributary.

A narrow path, defended by a little railing of rustic-work, separates the end of the cottage from the deep gorge of the waterfall; but through the open window the eye can peer down into the boiling abyss of spray and foam beneath, and catch a glimpse of the bridge which, formed of a fallen ash-tree, spans the torrent.

Traversed in every direction by paths, some galleried along the face, others cut in the substance of the rock, you can pass hours in rambling among these wild and leafy solitudes, now lost in shade, now emerging again, to see the great river gliding along, the white sails dotting its calm surface.

Well did Mr. Kennyfeck observe to Roland Cashel that it was the most beautiful feature of his whole demesne, and that its possession by another not only cut him off from the Shannon in its handsomest part, but actually deprived the place of all pretension to extent and grandeur. The spreading woods of Tubbermore were, as it seemed, the background to the cottage scene, and possessed no character to show that they were the property of the greater proprietor.

The house itself was not likely to vindicate the claim the locality denied. It was built with a total disregard to aspect or architecture. It was a large four-storied edifice, to which, by way of taking off from the unpicturesque height, two wings had been planned: one of these only was finished; the other, half built, had been suffered to fall into ruin. At the back, a high brick wall enclosed a space intended for a garden, but never put into cultivation, and now a mere nursery of tall docks and thistles, whose gigantic size almost overtopped the wall. All the dirt and slovenliness of a cottier habitant—for the house was occupied by what is misnamed “a caretaker”—were seen on every hand. One of the great rooms held the family; its fellow, on the opposite side of the hall, contained a cow and two pigs; cabbage-stalks and half-rotting potato-tops steamed their pestilential vapors beneath the windows; while half-naked children added the discord, the only thing wanting to complete the sum of miserable, squalid discomfort, so sadly general among the peasantry.