Having arranged certain portly deep-cushioned chairs into the orderly disorder that invites social groupings, and having disposed various other articles of furniture according to those notions of domestic landscape so popular at the present day, he stirred the fire and withdrew,—all these motions being performed with the noiseless decorum of a church.
A glance at the apartment, even by the fitful light of the coal-fire, showed that it was richly, even magnificently, furnished. The looking-glasses were immense in size, and framed with all that the most lavish art of the carver could display. The hangings were costly Lyons silk, the sofas, tables, and cabinets were all exquisite specimens of modern skill and elegance, while the carpet almost rose above the foot in the delicate softness of its velvet pile. A harp, a grand pianoforte, and several richly-bound and gilded volumes strewed about gave evidence of tastes above the mere voluptuous enjoyment of ease, and in one window stood an embroidery-frame, with its unfinished labor, from which the threads depended in that fashion, that showed it had lately occupied the fair hands of the artist.
This very enviable apartment belonged to Mr. Mountjoy Kennyfeck, the leading solicitor of Dublin, a man who, for something more than thirty years, had stood at the head of his walk in the capital, and was reputed to be one of its most respected and richest citizens. Mrs. Mountjoy Kennyfeck—neither for our own nor our reader's convenience dare we omit the “prénom”—was of a western family considerably above that of her liege lord and master in matter of genealogy, but whose quarterings had so far survived the family acres that she was fain to accept the hand of a wealthy attorney, after having for some years been the belle of her county, and the admired beauty of Castle balls and drawing-rooms.
It had been at first, indeed, a very hard struggle for the O'Haras to adopt the style and title of Kennyfeck, and poor Matilda was pitied in all the moods and tenses for exchanging the riotous feudalism of Mayo for the decorous quietude and wealthy insouciance of a Dublin mansion; and the various scions of the house did not scruple to express very unqualified opinions on the subject of her fall; but Time—that heals so much—Time and Mr. Kennyfeck's claret, of which they all drank most liberally during the visits to town, assuaged the rancor of these prejudices, and “Matty,” it was hinted, might have done worse; while some hardy spirit averred that “Kennyfeck, though not one of ourselves, has a great deal of the gentleman about him, notwithstanding.”
A word of Mr. Kennyfeck himself, and even a word will almost suffice. He was a very tall, pompous-looking personage, with a retiring forehead and a large prominent nose; he wore a profusion of powder, and always dressed in the most scrupulous black; he spoke little, and that slowly; he laughed never. It was not that he was melancholy or depressed; it seemed rather that his nature had been fashioned in conformity with the onerous responsibilities of his pursuit, and that he would have deemed any exhibition of mirthful emotion unseemly and unbecoming one who, so to say, was a kind of high priest in the temple of equity. Next to the Chancellor's he venerated the decisions of Mrs. Kennyfeck; after Mrs. Kennyfeck came the Master of the Rolls. This was his brief and simple faith, and it is astonishing in what simple rules of guidance men amass vast fortunes, and obtain the highest suffrages of civic honor and respect!
Mr. Kennyfeck's family consisted of two daughters: the eldest had been a beauty for some years, and, even at the period our tale opens, had lost few of her attractions. She was tall, dark-haired, and dark-eyed, with an air of what in the Irish capital is called “decided fashion” about her, but in less competent circles might have been called almost effrontery. She looked strangers very steadily in the face, spoke with a voice full, firm, and unabashed,—no matter what the subject, or who the audience,—and gave her opinions on people and events with a careless indifference to consequences that many mistook for high genius rebellious against control.
Olivia, three years younger than her sister, had just come out; and whether that her beauty—and she was very handsome—required a different style, or that she saw more clearly “the mistake” in Miss Kennyfeck's manner, but she took a path perfectly her own. She was tenderness itself; a delicacy too susceptible for this work-a-day world pervaded all she said and did,—a retiring sensitiveness that she knew, as she plaintively said, would never “let her be loved,” overlaid her nature, and made her the victim of her own feelings. Her sketches, everlasting Madonnas dissolved in tears; her music, the most mournful of the melodies; her reading, the most disastrously ending of modern poems,—all accorded with this tone, which, after all, scarcely consorted well with a very blooming cheek, bright hazel eyes, and an air and carriage that showed a full consciousness of her captivations, and no small reliance on her capacity to exercise them.
A brief interval after the servant left the room, the door opened, and Mrs. Kennyfeck entered. She was dressed for dinner, and if not exactly attired for the reception of a large company, exhibited, in various details of her costume, unequivocal signs of more than common care. A massive diamond brooch fastened the front of her dark velvet dress, and on her fingers several rings of great value glittered. Miss Kennyfeck, too, who followed her, was, though simply, most becomingly dressed; the light and floating material of her robe contrasting well with the more stately folds of the matronly costume of her mother.
“I am surprised they are not here before this,” said Mrs. Kennyfeck, lying back in the deep recess of a luxurious chair, and placing a screen between herself and the fire. “Your father said positively on the 5th, and as the weather has been most favorable, I cannot understand the delay. The packets arrive at four, I think?”
“Yes, at four, and the carriage left this at three to fetch them.”