Mr. Softly next withdrew, his leave-taking having all the blended humility and cordiality of his first arrival; and now Mr. Kennyfeck was awakened out of a very sound nap by his wife saying in his ear, “Will you ask Mr. Cashel if he 'll take a biscuit and a glass of wine before he retires?”
The proposition was politely declined, and after a very cordial hand-shaking with all the members of the family, Cashel said his good-night and retired.
CHAPTER VII. PEEPS BEHIND THE CURTAIN.
Ich möchte ihn im Schlafrock sehen.
Der Reisende Teufel.
(I 'd like to see him in his robe-de-chambre.)
(The Travelling Devil.)
There has always appeared to us something of treachery, not to speak of indelicacy, in the privileges authors are wont to assume in following their characters into their most secret retirement, watching there their every movement and gesture, overhearing their confidential whisperings,—nay, sometimes sapping their very thoughts, for the mere indulgence of a prying, intrusive curiosity.
For this reason, highly appreciating, as we must do, the admirable wit of the “Diable Boiteux,” and the pleasant familiar humor of the “Hermite de la Chaussée d'Antin,” we never could entirely reconcile ourselves to the means by which such amusing views of life were obtained, while we entertain grave doubts if we,—that is, the world at large,—have any right to form our judgments of people from any other evidence than what is before the public. It appears to us somewhat as if, that following Romeo or Desdemona into the Green-room, we should be severe upon the want of keeping which suggested the indulgence of a cigar or a pot of porter, and angry at the high-flown illusions so grossly routed and dispelled.
“Act well your part; there all the honour lies,” said the poet moralist; but it's rather hard to say that you are to “act” it off as well as on the stage; and if it be true that no man is a hero to his valet, the valet should say nothing about it; and this is the very offence we think novel-writers commit, everlastingly stripping off the decorations and destroying the illusions they take such trouble to create, for little else than the vain boastfulness of saying, See, upon what flimsy materials I can move you to sentiments of grief, laughter, pity, or contempt. Behold of what vulgar ingredients are made up the highest aspirations of genius,—the most graceful fascinations of beauty.
Having denounced, by this recorded protest, the practice, and disclaiming, as we must do, all desire to benefit by its enjoyment, we desire our reader, particularly if he be of the less worthy gender, to feel a due sense of the obligation he owes us, if we claim his company for half an hour on such a voyage of discovery. Step softly, there is no excuse for noise, as the stair-carpet is thick, and not a sound need be heard. Gently, as you pass that green door,—that is the bedroom of Mr. and Mrs. Kennyfeck. We will not linger there, nor invade the sanctity of those precincts, within which the monotonous tones of Mrs. K. are heard, revelling in that species of domestic eloquence which, like the liberty of the press, is oftener pleasant to those who employ, than to those who receive its judgments. Here for a few minutes let us stay. This is Roland Cashel's apartment; and, strange enough, instead of sleeping, he is up at his table, writing, too,—he, of all men the least epistolary. There may be no great indication of character in mere handwriting, but the manner, the gesture, the degree of rapidity of the writer, as seen at the moment, are all full of individuality. Mark, then, with what speed his pen moves; not the daisy-cutting sling of the accomplished rider, but the slashing gallop of the heavy charger. Many a blot, never an erasure,—so, there it goes,—“Yours ever, Roland Cashel.” And now, he begins another.
Come, these are no times for squeamishness. Let us anticipate “Sir James,” and read before he seals it.