If Cattaro was more picturesque and strange-looking than the Bramleighs had expected, it was also far more poverty-stricken and desolate. The little town, escarped out of a lofty mountain, with the sea in front, consisted of little more than one straggling street, which followed every bend and indentation of the shore. It is true, wherever a little plateau offered on the mountain, a house was built; and to these small winding paths led up, through rocks bristling with the cactus, or shaded by oleanders large as olive-trees. Beautiful little bits of old Venetian architecture, in balconies or porticos, peeped out here and there through the dark foliage of oranges and figs; and richly ornamented gates, whose arabesques yet glistened with tarnished gilding, were festooned with many a flowery creeper, and that small banksia-rose, so tasteful in its luxuriance. From the sea it would be impossible to imagine anything more beautiful or more romantic. As you landed, however, the illusion faded, and dirt, misery, and want stared at you at every step. Decay and ruin were on all sides. Palaces, whose marble mouldings and architraves were in the richest style of Byzantine art, were propped up by rude beams of timber that obstructed the footway, while from their windows and balconies hung rags and tattered draperies, the signs of a poverty within great as the ruin without. The streets were lined with a famished, half-clothed population, sitting idly or sleeping. A few here and there affected to be vendors of fruit and vegetables; but the mass were simply loungers reduced to the miserable condition of an apathy which saw nothing better to be done with life than dream it away. While Bramleigh and L'Estrange were full of horror at the wretchedness of the place, their sisters were almost wild with delight at its barbaric beauty, its grand savagery, and its brilliantly picturesque character. The little inn, which probably for years had dispensed no other hospitalities than those of the café, that extended from the darkly columned portico to half across the piazza, certainly contributed slightly to allay the grumblings of the travellers. The poorly furnished rooms were ill kept and dirty, the servants lazy, and the fare itself the very humblest imaginable.
Nothing short of the unfailing good temper and good spirits of Julia and Nelly could have rallied the men out of their sulky discontent; that spirit to make the best of everything, to catch at every passing gleam of sunlight on the landscape, and even in moments of discouragement to rally at the first chance of what may cheer and gladden,—this is womanly, essentially womanly. It belongs not to the man's nature; and even if he should have it, he has it in a less discriminative shape and in a coarser fashion.
While Augustus and L'Estrange then sat sulkily smoking their cigars on the sea-wall, contemptuously turning their backs on the mountain variegated with every hue of foliage, and broken in every picturesque form, the girls had found out a beautiful old villa, almost buried in orange-trees in a small cleft of the mountain, through which a small cascade descended and fed a fountain that played in the hall; the perfect stillness, only broken by the splash of the falling water, and the sense of delicious freshness imparted by the crystal circles eddying across the marble fount, so delighted them that they were in ecstasies when they found that the place was to be let, and might be their own for a sum less than a very modest “entresol” would cost in a cognate city.
“Just imagine, Gusty, he will let it to us for three hundred florins a year; and for eighteen hundred we may buy it out and out, forever.” This was Nelly's salutation as she came back, full of all she had seen, and glowing with enthusiasm over the splendid luxuriance of the vegetation and the beauty of the view.
“It is really princely inside, although in terrible dilapidation and ruin. There are over two of the fireplaces the Doge's arms, which shows that a Venetian magnate once lived there.”
“What do you say, George?” cried Bramleigh. “Don't you think you 'd rather invest some hundred florins in a boat to escape from this dreary hole than purchase a prison to live in?”
“You must come and see the 'Fontanella'—so they call it—before you decide,” said Julia. “Meanwhile here is a rough sketch I made from the garden side.”
“Come, that looks very pretty, indeed,” cried George. “Do you mean to say it is like that?”
“That's downright beautiful!” said Bramleigh. “Surely these are not marble,—these columns!”
“It is all marble,—the terrace, the balconies, the stairs, the door-frames; and as to the floors, they are laid down in variegated slabs, with a marvellous instinct as to color and effect. I declare I think it handsomer than Castello,” cried Nelly.