DUBLIN.

Florence.

My dear Bob,—If you only knew how difficult it is to obtain even five minutes of quiet leisure in this same capital, you 'd at once absolve me from all the accusations in your last letter. It is pleasure at a railroad pace, from morning till night, and from night till morning. Perhaps, after all, it is best there should be no time for reflection, since it would be like one waiting on the rails for an express train to run over him!

I can give you no better nor speedier illustration of the kind of life we lead here, than by saying that even the governor has felt the fascination of the place, and goes the pace, signing checks and drawing bills without the slightest hesitation, or any apparent sense of a coming responsibility. He plays, too, and loses his money freely, and altogether comports himself as if he had a most liberal income, or—terrible alternative—not a sixpence in the world. I own to you, Bob, that this recklessness affrights me far more than all his former grumbling over our expensive and wasteful habits. He seems to have adopted it, too, with a certain method that gives it all the appearance of a plan, though I confess what possible advantage could redound from it is utterly beyond my power of calculation.

Meanwhile our style of living is on a scale of splendor that might well suit the most ample fortune. Tiverton says that for a month or two this is absolutely necessary, and that in society, as in war, it is the first dash often decides a campaign. And really, even my own brief experience of the world shows that one's friends, as they are conventionally called, are far more interested in the skill of your cook than in the merits of your own character; and that he who has a good cellar may indulge himself in the luxury of a very bad conscience. You, of course, suspect that I am now speaking of a class of people dubious both in fortune and position, and who have really no right to scrutinize too closely the characters of those with whom they associate. Quite the reverse, Bob, I am actually alluding to our very best and most correct English, and who would not for worlds do at home any one of the hundred transgressions they commit abroad. For instance, we have, in this goodly capital of debt and divorce celebrity, a certain house of almost princely splendor; the furniture, plate, pictures, all perfection; the cook, an artist that once pampered royal palates; in a word, everything, from the cellar to the conservatory, a miracle of correct taste. The owner of all this magnificence is—what think you?—a successful swindler!—the hero of a hundred bubble speculations,—the spoliator of some thousands of shareholders,—a fellow whose infractions have been more than once stigmatized by public prosecution, and whose rascalities are of European fame! You 'd say that with all these detracting influences he was a man of consummate social tact, refined manners, and at least possessing the outward signs of good breeding. Wrong again, Bob. He is coarse, uneducated, and vulgar; he never picked up any semblance of the class from whom he peculated; and has lived on, as he began, a "low comedy villain," and no more. Well, what think you, when I tell you that is "the house," par excellence, where all strangers strive to be introduced,—that to be on the dinner-list here is a distinction, and that even a visitor enjoys an envied fortune,—and that at the very moment I write, the Dodd family are in earnest and active negotiation to attain to this inestimable privilege? Now, Bob, there's no denying that there must be something rotten, and to the core too, where such a condition of things prevails. If this man fed the hungry and sheltered the houseless, who had no alternative but his table or no food, the thing requires no explanation; or if his hospitalities were partaken of by that large floating class who in every city are to be found, with tastes disproportionate to their fortunes, and who will at any time postpone their principles to their palates, even then the matter is not of difficult solution; but what think you that his company includes some of the very highest names of our stately nobility, and that the titles that resound through his salon are amongst the most honored of our haughty aristocracy! These people assuredly stand in no want of a dinner. They are comfortably lodged, and at least reasonably well fed at the "Italie" or the "Grande Bretagne." Why should they stoop to such companionship? Who can explain this, Bob? Assuredly, I am not the Ædipus!

I am nothing surprised that people like ourselves, for instance, seek to enjoy even this passing splendor, and find themselves at a princely board, served with a more than royal costliness. One of these grand dinners is like a page of the Arabian Nights to a man of ordinary condition; but surely his Grace the Duke, or the most Noble the Marquis has no such illusions. With him it is only a question whether the Madeira over-flavored the soup, or that the ortolans might possibly have been fatter. He dines pretty much in the same fashion every day during the London season, and a great part of the rest of the year afterwards. Why then should he descend to any compromise to accept Count "Dragonards's" hospitality? for I must tell you that "Dives" is a Count, and has orders from the Pope and the Queen of Spain.

With the explanation, as I have said, I have nothing to do. It is beyond and above me. For the fact alone I am guarantee; and here comes Tiverton in a transport of triumph to say that "Heaven is won," or, in humbler phrase, "Monsieur le Comte de Dragonards prie Phonneur," &c, and that Dodd père and Dodd mère are requested to dine with him on Tuesday, the younger Dodds to assist at a reception in the evening.

Tiverton assures me that by accepting with a good grace the humbler part of a "refresher," I am certain of promotion afterwards to a higher range of character; and in this hope I live for the present.

It is likely I shall not despatch this without being able to tell you more of this great man's house; meanwhile—"majora cantamus"—I am in love, Bob! If I did n't dash into the confession at once, as one springs into the sea of a chilly morning, I'd even put on the clothes of secrecy, and walk off unconfessed. She is lovely, beyond anything I can give you an idea of,—pale as marble; but such a flesh tint! a sunset sleeping upon snow, and with lids fringed over a third of her cheek. You know the tender, languid, longing look that vanquishes me,—that's exactly what she has! A glance of timid surprise, like an affrighted fawn, and then a downcast consciousness,—a kind of self-reproaching sense of her own loveliness,—a sort of a—what the devil kind of enchantment and witchery, Bob? that makes a man feel it's all no use struggling and fighting,—that his doom is there! that the influence which is to rule his destiny is before him, and that, turn him which way he will, his heart has but one road—and will take it!

She was in Box 19, over the orchestra! I caught a glimpse of her shoulder—only her shoulder—at first, as she sat with her face to the stage, and a huge screen shaded her from the garish light of the lustre. How I watched the graceful bend of her neck each time she saluted—I suppose it was a salutation—some new visitor who entered! The drooping leaves and flowers of her hair trembled with a gentle motion, as if to the music of her soft voice. I thought I could hear the very accents echoing within my heart! But oh! my ecstasy when her hand stole forth and hung listlessly over the cushion of the box! True it was gloved, yet still you could mark its symmetry, and, in fancy, picture the rosy-tipped fingers in all their graceful beauty.