It was at this moment the glorious panorama of Clue Bay broke forth before Forester's astonished eyes. He looked with rapture on that spacious sheet of water, which, in all the majesty of the great ocean, came heaving and swelling against the rocky coast, or pouring its flood of foam through the narrow channels between the islands. Of these, the diversity seemed endless, some rich and verdant, teeming with abundance and dotted with cottages; others, less fertile, were covered with sheep or goats; while some, rugged and barren, frowned gloomily amid the watery waste, and one, far out to sea, a bold and lofty cliff, showed a faint twinkling star upon its side, the light for the homeward-bound ships over the Atlantic.
“That's Clare Island yonder,” said Bagenal Daly, as he observed the direction of Forester's gaze; “I must show you the great cliff there. What say you if we go to-morrow?”
“To-morrow!” repeated Forester, smiling faintly; “perhaps so.”
CHAPTER VII. A MOTHER AND DAUGHTER
When speaking of Gwynne Abbey to our readers, we omitted to mention a very beautiful portion of the structure,—a small building which adjoined the chapel, and went, for some reason or other, by name of the “Sub-Prior's house.” More recent in date than the other parts of the abbey, it seemed as if here the architect had expended his skill in showing of how much ornament and decoration the Gothic was capable. The stone selected was of that pinkish hue that is seen in many of the cathedrals in the North of England,—a material peculiarly favorable to the labors of the chisel, and when protected from the rude influence of weather possessing qualities of great endurance. This building was surrounded on three sides by a flower-garden, which descended by successive terraces to the edge of a small river pursuing its course to the sea, into which it emerged about a mile distant. A very unmindful observer would have been struck at once with the aspect of greater care and cultivation bestowed here than on other portions of the abbey grounds. The trim and orderly appearance of everything, from the flowering shrubs that mingled their blossoms with the rich tracery of the architraves, to the bright gravel of the walks, denoted attention, while flowers of rare beauty, and plants of foreign growth, were seen blending their odors with the wild heaths that shed their perfume from the mountain side. The brilliant beauty of the spot was, indeed, heightened by the wild and rugged grandeur of the scene, like a diamond glittering brighter amid the dark dross of the mine.
On the side nearest to the bay, and with a view extending to the far-off Island of Achill, an apartment opened by three large windows, the upper compartments of which exhibited armorial bearings in stained glass. If the view without presented a scene of the most grand and varied loveliness, within this chamber art seemed to have vied in presenting objects the most strange and beautiful. It was furnished in all the gorgeous taste of the time of Louis XV. The ceiling, a deep mass of carving relieved by gold, presented masses of fruit and flowers fantastically interwoven, and hanging, as though suspended, above the head. The walls were covered with cabinet pictures of great price, the very frames objects of wonder and admiration. Large vases of Dresden and Sèvres porcelain stood on brackets of massive silver, and one great cabinet of ebony, inlaid with gold and tortoiseshell, displayed an inscription that showed it was a present from the great Louis XIV. himself.
It is not, however, to linger over the objects of rare and costly excellence which here abounded that we have conducted our reader to this chamber, and whither we would beg of him to accompany us about two hours later than the events we have narrated in our last chapter.
At a breakfast-table whose equipage was, in price and elegance, in exact keeping with all around, were two ladies. The elder of the two was advanced in life, and although her hair was perfectly white, her regular features and finely pencilled brow bore, even yet, great marks of beauty. If the expression of the face was haughty, it was so without anything of severity; it was a look of pride that denoted rather a conscious sense of position and its duties, than any selfish assumption of personal importance. Habitual delicacy of health contributed to strengthen this expression, lending to it a character which, to an incautious observer, might convey the notion of weariness or ennui. The tones of her voice were low and measured, and perfectly devoid of any peculiar accent. If to those more familiar with the cordial familiarity of Irish manner, Lady Eleanor Darcy might seem cold and frigid, such as knew more of the world at large, and were more conversant with the general habits of society, could detect, through all the seeming impassive-ness of her air, that desire to please, that anxiety to make a favorable impression, which marked the character of one who in early life had been the beauty of her circle. Even now, as she lay back indolently within the deep recess of a cushioned chair, her attitude evinced a gracefulness and ease which long habit seemed to have identified with her nature.
At the opposite side of the table, and busy in the preparation of the breakfast, stood a young girl whose age could not have been more than eighteen. So striking was the resemblance between them that the least acute of physiognomists must have pronounced her the daughter. She was dressed with remarkable simplicity; but not all the absence of ornament could detract from the first impression her appearance conveyed, that she was one of birth and station. Her beauty was of that character which, although attributed peculiarly to the Celtic race, seems strangely enough to present its most striking examples among the Anglo-Irish. Rich auburn hair, the color varying from dark brown to a deep golden hue as the light falls more or less strongly on it, was braided over a brow of classic beauty; her eyes were of blue, that deep color which, in speaking or in moments of excitement, looks like dark hazel or even black; these were fringed with long dark lashes which habitually hung heavily over the eyes, giving them a character of sleepy, almost indolent, beauty. The rest of her features, in unison with these, were of that Greek mould which our historians attribute to the Phoenician origin of our people,—a character by no means rare to be seen to this day among the peasantry. If the mild and gentle indications of womanly delicacy were told in every lineament of her face, there were traits of decision and determination when she spoke not less evident. From her mother she inherited the placid tenderness of English manner, while from her father her nature imbibed the joyous animation and buoyant light-heartedness of the Irish character.