It is very far from my intention to say that Mary Martin was not over and over again the dupe of some artifice or other of the crafty and subtle natures that surrounded her. Mock misery, mock industry, mock enlightenment, mock conviction, even mock submission and resignation, had all their partial successes; and she was entrapped by many a pretence that would have had no chance of imposing on Mr. Henderson. Still there was a credit side to this account, wherein his name would not have figured. There were traits of the people, which he neither could have understood or valued. There were instincts—hard struggling efforts, fighting their way through all the adverse circumstances of their poverty—that he never could have estimated, much less could he have speculated on the future to which they might one day attain.
If Mary was heart and soul devoted to her object,—if she thought of nothing else,—if all her dreams by night and all her daily efforts were in the cause, she was by no means insensible to the flattery which constantly beset her. She accepted it readily and freely, laughing at what she persuaded herself to believe was the mere exuberance of that national taste for praise. Like most warm and impulsive natures, she was greedy of approbation; even failure itself was consoled by a word of encomium on the effort. She liked to be thought active, clever, and energetic. She loved to hear the muttered voices which at any moment of difficulty said, “Faix, Miss Mary will find the way to it;” or, “Sure it won't baffle her, anyhow.” This confidence in her powers stimulated and encouraged her, often engendering the very resources it imputed.
She might have made many a mistake in the characters of those for whom she was interested,—conceived many a false hope,—nurtured many a delusive expectation; but in the scheme of life she had planned out for herself, the exalting sense of a duty more than recompensed her for every failure: and if any existence could be called happy, it was hers,—the glorious excitement of an open-air life, with all its movements and animation. There was that amount of adventure and enterprise which gave a character of romantic interest to her undertakings, and thus elevated her to a degree of heroism to herself, and then, knowing no fatigue, she was again in the saddle, and, straight as the crow flies, over the county to Kyle's Wood.
A solitary cabin or two stood in the midst of the wild, bleak plain, and by these she paused for a few minutes. The watchful eyes that followed her as she went, and the muttered blessings that were wafted after her, proclaimed what her mission had been, and showed how she had for a brief space thrown a gleam of sunshine over the darksome gloom of some sad existence.
“God bless her! she's always cheerful and light-hearted,” said the poor peasant, as he leaned on his spade to look after her; “and one feels better the whole day after the sight of her!”
CHAPTER II. KILKIERAN BAY
In one of the many indentures of Kilkieran Bay,—favored by a southerly aspect and a fine sandy beach, sheltered by two projecting headlands,—stood a little row of cabins, originally the dwellings of poor fishermen, but now, in summer-time, the resort of the neighboring gentry, who frequented the coast for sea-bathing. There was little attempt made by the humble owners to accommodate the habits of the wealthy visitors. Some slight effort at neatness, or some modest endeavor at internal decoration, by a little window-curtain or a rickety chest of drawers, were the very extent of these pretensions. Year by year the progress of civilization went thus lazily forward; and, far from finding fault with this backwardness, it was said that the visitors were just as well satisfied. Many hoped to see the place as they remembered it in their own childhood, many were not sorry to avail themselves of its inexpensive life and simple habits, and some were more pleased that its humble attractions could draw no strangers to sojourn there to mock by their more costly requirements the quiet ways of the old residents.
Under the shelter of a massive rock, which formed the northern boundary of the little bay, stood one building of more pretension. It was a handsome bathing-lodge, with a long veranda towards the sea, and an effort, not very successful, however, at a little flower-garden in front. The spacious bay-windows, which opened in French fashion, were of plate-glass; the deep projecting eave was ornamented with a handsome cornice; and the entire front had been richly decorated by entablatures in stucco and common cement. Still, somehow, there seemed to be a spiteful resistance in the climate to such efforts at embellishment. The wild hurricanes that swept over the broad Atlantic were not to be withstood by the frail timbers of the Gothic veranda. The sweeping gusts that sent foaming spray high over the rocky cliffs shattered the costly panes, and smashed even the mullions that held them; while fragments of carving, or pieces of stuccoed tracery, together with broken vases and uprooted shrubs, littered the garden and the terrace. The house was but a few years built, and yet was already dilapidated and ruinous-looking. A stout stone wall had replaced the trellised woodwork of one side of the porch; some of the windows were firmly barricaded with boards on the outside; and iron cramps and other appliances equally unsightly on the roof, showed by what means the slates were enabled to resist the storms.
The aspect of consistent poverty never inspires ridicule. It is shabby gentility alone that provokes the smile of sarcastic meaning; and thus the simple dwellings of the fishermen, in all their humility, offered nothing to the eye of critical remark. There seemed abundant absurdity in this attempt to defy climate and aspect, place and circumstance; and every effort to repair an accident but brought out the pretension into more glaring contrast. The “Osprey's Nest,” as Lady Dorothea Martin had styled her bathing-lodge, bore, indeed, but a sorry resemblance to its water-colored emblem in the plan of the architect; for Mr. Kirk had not only improvised a beautiful villa, with fuchsias and clematis and moss-roses clustering on it, but he had invented an Italian sky, and given a Lago Maggiore tint to the very Atlantic. Your fashionable architect is indeed a finished romancer, and revels in the license of his art with a most voluptuous abandonment.