For Joseph Nelligan, however, we claim a parting word. He was the first of an order of men who have contributed no small share to the great social revolution of Ireland in late years. With talents fully equal to the best in the opposite scale of party, and a character above all reproach, he stood a rebuking witness to all the taunts and sarcasms once indiscriminately levelled at his class; and, at the same time, inspired his own party with the happy knowledge that there was a nobler and more legitimate road to eminence than by factious display and popular declamation.
We do not wish to inquire how far the one great blow to his happiness—the disappointment of his early life—contributed to his success by concentrating his ambition on his career. Certain is it, no man achieved a higher or more rapid elevation, and old Dan lived to receive at his board the Chief Justice of the Queen's Bench in the person of his own son.
Poor Simmy Crow! for if we would forget him, he has taken care that oblivion is not to be his fate. He has sent from the Rocky Mountains, where he is now wandering with Barry Martin, some sketches of Indian Life to the Irish Art Exhibition.
If it be a pleasure to trace in our friends the traits we have admired in them in youth, and remark the embers of the fires that once wanned their hearts, Simmy affords us this gratification, since his drawings reveal the inspirations that first filled his early mind. The Chief in his war-paint has a fac-simile likeness to his St. John in the Wilderness; and as for the infant the squaw is bathing in the stream, we can produce twelve respectable witnesses to depose that it is “Moses.”
We are much tempted to add a word about the Exiles themselves, but we abstain. It is enough to say that all the attractive prospects of ambition held out by friends, all the seductions of generous offers from family, have never tempted them to return to the Old World; but that they live on happily, far away from the jarring collisions of life, the tranquil existence they had longed for.
THE END.