“Indeed, Darby! What is it?”
“Oh! you couldn't understand it well. But it's just as if we war n't to have anything to say to governing ourselves; only to be made slaves of, and sent abroad to fight for the English, that always hate us and abuse us.”
“And are we going to bear with this?” cried I, passionately.
“No,” said Darby, laying his hand on my shoulder,—“no; not at least if we had twenty thousand like you, my brave boy. But you'll hear everything yourself soon. And now, let me attend to your education a bit, for we're not out of the enemy's country.”
Darby now commenced his code of instruction to me, by which I learned that I was to perform a species of second to him in all minstrelsy; not exactly on the truest principles of harmony, but merely alternating with him in the verses of his songs. These, which were entirely of his own composition, were all to be learned,—and orally, too, for Mister M'Keown was too jealous of his copyright ever to commit them to writing, and especially charged me never to repeat any lyric in the same neighborhood.
“It's not only the robbery I care for,” quoth Darby, “but the varmints desthroys my poethry completely; some' times changing the words, injuring the sentiments, and even altering the tune. Now, it's only last Tuesday I heerd 'Behave politely,' to the tune of 'Look how he sarved me!'”
Besides the musical portion of my education, there was another scarcely less difficult to be attended to: this was, the skilful adaptation of our melodies, not only to the prevailing tastes of the company, but to their political and party bearings; Darby supplying me with various hints how I was to discover at a moment the peculiar bias of any stranger's politics.
“The boys,” said Darby, thereby meaning his own party, “does be always sly and careful, and begin by asking, maybe, for 'Do you incline?' or 'Crows in the barley,' or the like. Then they 'll say, 'Have you anything new, Mister M'Keown, from up the country?' 'Something sweet, is it?' says I. 'Ay, or sour, av ye have it,' they 'll 'say. 'Maybe ye'd like “Vinegar-hill,” then,' says I. Arrah, you'd see their faces redden up with delight; and how they 'll beat time to every stroke of the tune, it 's a pleasure to play for them. But the yeos (meaning the yeomen) will call out mightily,—'Piper! halloo there! piper, I say, rise The Boyne water, or Croppies lie down.'”
“And of course you refuse, Darby?”
“Refuse! Refuse, is it? and get a bayonet in me? Devil a bit, my dear. I 'll play it up with all the spirit I can; and nod my head to the tune, and beat the time with my heel and toe; and maybe, if I see need of it, I fasten this to the end of the chanter, and that does the business entirely.”