His Aymará wife was stolidly indifferent to our presence, but a little daughter—a mere baby she would be considered back in the States—had an unbounded curiosity in the white men—white men especially who wore queer, transparent stones set in glittering frames before their natural eyes. A watch was even more mysterious, “Ah,” she announced, “there is a bug inside!” Following the matter up, she decided that the watch was a bug itself and marveled greatly that a full-grown man should bother to carry a bug about on the end of a little string, unless—aha! it was a magic, and she dropped the watch, nor would she touch it again. Thereat she showed me a scapular and offered to take me up the trail a bit where there were some graves and I could see some ghosts, and perhaps talk with them, as she did. Not among any of the Aymarás was I ever able to notice any particular interest or fear in regard to their dead. Their trails are scattered with graves and mountain tragedies, they believe in spirits, but the almost universal fear of ghosts, dead spirits, or cemeteries after dark is apparently lacking. In fact, in Sorata, it was no common thing to hear them drinking and celebrating under the cemetery walls far into the late hours.

Pleasantly from here the rest of the trail ran on down into Mapiri. The giant foothills of the Andes surrounded us, but they were covered with forest and jungle, and for miles we would ride in the cool shade where the trees were matted overhead by the interlocking jungle-vines. Little trails opened off now and again from the main road, and often would be seen the cane hut of some pioneer. Down the valleys were patches of sugar-cane, with the smoke of a falca, alcohol-still, rising close by, and as we rode closer, the smell of burned sugar where chancaca, something like maple-sugar in appearance, was being poured into molds gouged out of a dry log.

Occasionally, in the forest, a thin column of blue smoke showed where some rubber-picker was smoking his morning’s collection of rubber milk. On all this the sun beat with its full, tropical strength, and the raw fogs and blizzards of the high pass seemed to be months behind us. Coffee, tea, and tinned things, but now comfortably warmed or gratefully cool, were served alongside the trail at the brief noon-day halt and what was left of a bunch of bananas cut from the patch in the camp of the previous night added the final touch. In the cool of the early evening we rode into the village of Mapiri, and the saddles were taken off and oiled and packed for the last time. From here on the journey would be by raft and batalon on the rivers. The mountain trail was ended.

The village has a long, grass-grown plaza on two sides; toward the muddy Mapiri River the plaza is open, and the entering end is blocked by a mud church with a mud-walled yard, loopholed and battlemented. Once a year a priest makes the trip to Mapiri and down the river, performing his offices as they are needed. He blesses the graves of the dead, christens the living, and performs canonical marriages for those who desire, and can afford, the luxury.

A squat Cholo welcomed us; he was the head man of the settlement and gave us one of his houses for our headquarters. While he talked with us, a monkey climbed up his leg and coiled its tail affectionately about his neck. A pink-faced little marmoset, with a black-tipped tail, overcame his first nervousness and chattered at us from the refuge of the eaves, while a thin, waving spider-monkey cooed with weird, sprawling gestures at the end of his tether, and from the high, peaked roof a dozen parrots shrieked their evening songs to the sunset. The Cholo’s wife, a thin, shrewish Aymará, viewed us with disfavor; for days she refused to sell us eggs while we were waiting for the rafts to arrive, and then she threw away five dozen that had spoiled on her hands. When her Cholo husband saw this lost profit he said nothing, but that night sounds that suggested a primitive family discipline arose in his household and pierced the little village.

CHAPTER XI
WAITING FOR THE LECCOS

FOR a month we waited in this tiny straggling rectangle of thatched huts before the balsas or callapos could get up to us to move our outfit down the river. Somewhere below us on the turbulent river Lecco crews were toiling up against the current, dragging and clawing their way through narrow cañons, hanging fast in places to the bare rock, and again helped by the long, tropical vines that drooped to the swift water. Twice they had been beaten back by sudden rises in the river; the third time they got through, although two balsas had been wrecked and for the past two days they had lived mainly on the berries and leaves along the jungle banks.

A splendid lot of half-civilized people, tremendous of muscle and capable of prodigious feats of strength and endurance on their rivers; ashore sober and diffident, afloat on their rafts, by right of an immemorial custom they are always drunk and serenely confident in their intuitive skill.

For twenty-four hours after they arrived on the hot stone beach below the bluff on which Mapiri lived they drank and feasted and slept and then their head man, a Bolivian refugee, announced that all was in readiness. The gang of workmen we had chartered were collected and counted and then assigned to the three callapos, a queer lot, but in the main fairly promising for our purposes.

One was a negro who had been a rubber picker down the river before. During his absence his wife had left him preferring a gentleman of lighter color, but who had only one eye; some frontier mechanic had hammered a patch out of a silver coin and then engraved with a nail the ragged outlines of an eye, which the owner proudly wore as a most elegant makeshift. Both of these gentlemen were in the outfit and ordinarily both would boast in the utmost good nature of their fascinations with the ladies—except when they were in process of getting drunk. And on the Bolivian frontier getting drunk is recognized as a perfectly legitimate pastime. There are no games, no concerted forms of amusement, the montaña offers nothing except these little gatherings with some childish hopping as a dance and then the tin cans of cañassa and the ensuing drunkenness.