In like manner, there is an unbroken series of monuments through the early Christian epoch, beginning with the oratories of the sixth century, continuing through the early churches of Killiney, Moville, Dalkey, Glendalough and Monasterboice, from before the Norse inroads; followed by the epoch of Round Towers, or protected belfries, with their churches, nearly three score of these Round Towers remaining in fair preservation, while many are perfect from base to apex; and culminating in Cormac's chapel and the beautiful group of buildings on Cashel Rock. For the next period, the age of transition after the waning of the Norsemen and the coming of the first Normans, we have many monuments in the Norman style, like the door of Christ Church Cathedral in Dublin, with its romance of Danish conversion and Norse religious fervor.
Finally, we come to the age whose progress we have just recorded, which covers the whole of the Middle Ages. For this period, which was for Ireland an epoch of foreign influence much more than of foreign rule, we have many beautiful Abbeys, built for those foreign orders whose coming was in a sense a return tide, a backward flow of the old missionary spirit which went forth from Ireland over nascent modern Europe. The life of these abbeys was full of rich imaginative and religious power; it abounded in urbanity and ripe culture of a somewhat selfish and exclusive type. Yet we cannot but feel a limitless affection and sympathy for the abbots and friars of the days of old who have left us such a rich heritage of beauty and grace.
All these abbeys seem to have been formed on a single plan: a cruciform church symbolized the source of all their inspiration, its choir extending towards the east, whence the Light had come; the nave, or main body of the church, was entered by the great western door, and the arms of the cross, the transepts, extended to the north and south. Here is a very beautiful symbol, a true embodiment of the whole spirit and inspiration of the monastic orders. From one of the transepts a side door generally led to the domestic buildings, the dormitory, the refectory, the chapter house, where the friars assembled in conclave under the presidency of the abbot. There were lesser buildings, store-rooms, granaries, work-rooms, but these were the kernel of the establishment. The church was the center of all things, and under its floor the friars were at last laid to rest, while brother friars carved tombs for them and epitaphs, adding a new richness of decoration to the already beautiful church.
We may record a few of these old foundations, showing at the same time the present state of the old abbey buildings. At Newtown on the northern bank of the Boyne, about a mile below Trim, Simon Rochfort founded an abbey for the Augustinian Canons in 1206, dedicating it to Saint Peter and Saint Paul. The capitals of the pillars in the church, the vaulting of the roof and the shafts of the arches which supported the tower are full of singular grace and beauty, even now when the abbey is roofless and in part destroyed, while the corbels and mouldings round the lancet-shaped windows are full of luxuriant fancy and charm. We can divine from them the full and rich spiritual life which brought forth such exquisite flowers of beauty; we can imagine the fine aroma of fervor and saintly peace which brooded over these consecrated aisles.
A few miles below Trim, and an equal distance from the old royal palace of Tara, Bective Abbey stands on the northern bank of the Boyne, with a square, battlemented tower overshadowing its cloistered quadrangle. The cinque-foil cloister arches, the fillets that bind the clustered shafts of the pillars, the leaf ornaments of the plinths at their base all speak of a luxuriant sense of beauty and grace, of a spirit of pure and admirable artistic work. This rich creative power thus breaking forth in lovely handiwork is only the outward sign of a full inner life, kindled by the fire of aspiration, and glowing with the warm ardor of devotion. Bective Abbey dates from about 1150. We are told that the king of Meath who founded it for the Cistercian order "endowed it with two hundred and forty-five acres of land, a fishing-weir and a mill." From this meager outline we can almost restore the picture of the life, altogether idyllic and full of quiet delight, that the old Friars lived among the meadows of the Boyne.
Grey Abbey was founded a little later, in 1193, for the same Cistercian order, where the promontory of the Ards divides Strangford Lough from the eastern sea. Over the waters of the lough, the red sandstone hills of north Down make a frame for the green of the meadows, as the tide laps and murmurs close to the old monastic church. Grey Abbey owes its foundation to the piety of a princess of the Isle of Man, wedded to De Courcy, the Norman warrior whose victories and defeats we have recorded. The great beauty of its church is due to the soaring loftiness of the eastern window, and the graceful daring of the arches which in former days upheld the central tower.