Tales from silver lands

by Charles Joseph Finger

Greatly puzzled with all this, Aura went to see a wise old hermit who lived at the end of the lake, and to him he told his troubles and fears. After much thought, the hermit told Aura that he would make his journey in safety if he feared not and carried himself like a man. “And,” said he, “if it should come to pass that you are offered the choice of things, see to it that you choose the simplest.”

More than that the wise man would not say, so Aura went home and straightway prepared his canoe, persuaded Anaitu to go with him, and presently they set off.

The way was fearful enough, as the maiden had said, for much of it was through dark forests and between high river banks where the tree roots reached out black and twisted like evil serpents. Again, they had to pass through swamps where alligators slept and strange yellow beasts with heads large as houses lay hidden. And for many long hours they wound in and out of tangled jungles where the sun never shone and in the depths of which were strange things that roared so that the very trees trembled.

After many days they came to a smooth stretch of sand, and then the maiden told him that they had arrived in the land of her father.

“And now I must leave you,” she said, “but my mother will come and offer you one of three things. See to it, dear Aura, that you choose wisely, for all depends upon your choice.” At that she waved him a farewell and went up the bank and so passed from his sight.

Before long there came down the bank a wrinkled old woman with sorrowful eyes, and she bore three gourds. Setting them down by the side of the canoe, she bade Aura choose one. On the top of one gourd was a cover of gold, on the second a cover of silver, and on the third a cover of clay. Lifting the covers, Aura saw in the first fresh blood. In the gourd with the silver top he saw flesh, and in the third, a piece of cassava bread. Aura bore in mind the words of the old hermit and quickly chose the gourd that held the bread.

“You have done well,” said the old woman. “This is a land where men believe in gold alone, and much blood is spilled because of it. Far better is it that men should choose that which is in the earth. Now having so chosen, I will lead you to my husband, whose name is Kaikoutji. But here cruelty reigns everywhere and he may tear you to pieces.”

Aura had no mind to do otherwise than go through with his task and so told the old woman. Whereupon she led him to the top of the bank, where he again saw his Anaitu, and the maiden and her mother hid Aura in a forest near the house, while they went in to prepare Kaikoutji for the visit. Hearing that the young man who loved his daughter was near, the old man fell into a most marvellous rage and so great was his anger that he rushed out and bent trees as though they were reeds and bit rocks as a man bites a crust of bread. So there was much trouble before he was persuaded to see the gentle Aura. Even then, Anaitu begged Aura to return, but he threw his arms around her and was gone before she could say a word.

Strange things happened as he ran to the house. Great branches broke and fell without hands touching them and stones leaped from the earth and whizzed close to his ears, but he hastened on and entered into a hall. Kaikoutji was not there; but as Aura looked round, he came in running. The bewitched old man was strangely decked out with bones and teeth which dangled at the ends of strings fastened to his arms and legs and his head was covered with a great calabash painted green, in the front of which were two holes pierced, through which he looked. For a moment Kaikoutji stood, then giving a terrible howl he began to leap about, waving his arms and rattling the dangling bones and teeth—a very painful sight to Aura. The howling the man made was terrible. After much of this he stopped, turning the holes of his calabash on Aura.

“What can you do?” he yelled. “What can you do? Can you bend trees? Can you bite rocks? Can you leap like this?” Again he commenced to dance up and down, each leap being higher than the one before it, so that at last his calabash struck the roof.