Celestial Gods.
JUPITER, the supreme god of the Pagans, though set forth by historians as the wisest of princes, is described by his worshippers as infamous for his vices. There were many who assumed the name of Jupiter; the most considerable, however, and to whom the actions of the others are ascribed, was the Jupiter of Crete, son to Saturn and Rhea, who is differently said to have had his origin in Crete, at Thebes in Bœotia, and among the Messenians.
His first warlike exploit, and, indeed, the most memorable of his actions, was his expedition against the Titans, to deliver his parents, who had been imprisoned by these princes, because Saturn, instead of observing an oath he had sworn, to destroy his male children, permitted his son Jupiter, by a stratagem of Rhea, to be educated. Jupiter, for this purpose, raised a gallant army of Cretans, and engaged the Cecrŏpes as auxiliaries in this expedition; but these, after taking his money, having refused their services, he changed into apes. The valor of Jupiter so animated the Cretans, that by their aid he overcame the Titans, released his parents, and, the better to secure the reign of his father, made all the gods swear fealty to him upon an altar, which has since gained a place among the stars.
This exploit of Jupiter, however, created jealousy in Saturn, who, having learnt from an oracle, that he should be dethroned by one of his sons, secretly meditated the destruction of Jupiter as the most formidable of them. The design of Saturn being discovered by one of his council, Jupiter became the aggressor, deposed his father, threw him into Tartarus, ascended the throne, and was acknowledged as supreme by the rest of the gods.
The reign of Jupiter being less favorable to his subjects than that of Saturn, gave occasion to the name of the silver age, by which is meant an age inferior in happiness to that which preceded, though superior to those which followed.
The distinguishing character of his person is majesty, and every thing about him carries dignity and authority with it; his look is meant to strike sometimes with terror, and sometimes with gratitude, but always with respect. The Capitoline Jupiter, or the Jupiter Optimus Maximus, (him now spoken of,) was the great guardian of the Romans, and was represented, in his chief temple, on the Capitoline hill, as sitting on a curule chair, with the lightning in his right hand, and a sceptre in his left.
The poets describe him as standing amidst his rapid horses, or his horses that make the thunder; for as the ancients had a strange idea of the brazen vault of heaven, they seem to have attributed the noise in a thunder storm to the rattling of Jupiter's chariot and horses on that great arch of brass all over their heads, as they supposed that he himself flung the flames out of his hand, which dart at the same time out of the clouds, beneath this arch.
APOLLO was son of Jupiter and Latona, and brother of Diana, and of all the divinities in the pagan world, the chief cherisher and protecter of the polite arts, and the most conspicuous character in heathen theology; nor unjustly, from the glorious attributes ascribed to him, for he was the god of light, medicine, eloquence, music, poetry and prophecy.
Amongst the most remarkable adventures of this god, was his quarrel with Jupiter, on account of the death of his son Æsculapius, killed by that deity on the complaint of Pluto, that he decreased the number of the dead by his cures. Apollo, to revenge this injury, killed the Cyclops who forged the thunder-bolts. For this he was banished heaven, and endured great sufferings on earth, being forced to hire himself as a shepherd to Admetus, king of Thessaly. During his pastoral servitude, he is said to have invented the lyre to sooth his troubles. He was so skilled in the bow, that his arrows were always fatal. Python and the Cyclops experienced their force.
He became enamored of Daphne, daughter of the river Peneus of Thessaly. The god pursued her, but she flying to preserve her chastity, was changed into a laurel, whose leaves Apollo immediately consecrated to bind his temples, and become the reward of poetry.