It is disputed, by several nations, who first informed Ceres where her daughter was, and thence acquired the reward, which was the art of sowing corn. Some ascribe the intelligence to Triptolĕmus, and his brother Eubulĕus; but the generality of writers agree in conferring the honor on the nymph Arethūsa, daughter of Nereus and Doris, and companion of Diana, who, flying from the pursuit of the river Alphēus, saw Proserpine in the infernal regions.

Pl. 6.

APOLLO AND THE MUSES.

It must be owned that Ceres was not undeserving the highest titles bestowed upon her, being considered as the deity who had blessed men with the art of cultivating the earth, having not only taught them to plough and sow, but also to reap, harvest, and thresh out their grain; to make flour and bread, and fix limits or boundaries to ascertain their possessions. The garlands used in her sacrifices were of myrtle, or rape-weed; but flowers were prohibited, Proserpine being carried off as she gathered them. The poppy alone was sacred to her, not only because it grows amongst corn, but because, in her distress, Jupiter gave it her to eat, that she might sleep and forget her troubles. Cicero mentions an ancient temple dedicated to her at Catania, in Sicily in which the offices were performed by matrons and virgins only, no man being admitted.

If to explain the fable of Ceres, we have recourse to Egypt; it will be found, that the goddess of Sicily and Eleusis, or of Rome and Greece, is no other than the Egyptian Isis, brought by the Phœnicians into those countries. The very name of mystery, from mistor, a veil or covering, given to the Eleusinian rites, performed in honor of Ceres, shows them to have been of Egyptian origin. The Isis, or the emblematical figure exhibited at the feast appointed for the commemoration of the state of mankind after the flood, bore the name of Ceres, from Cerets, dissolution or overthrow. She was represented in mourning, and with torches, to denote the grief she felt for the loss of her favorite daughter Persephŏne (which word, translated, signifies corn lost) and the pains she was at to recover her. The poppies with which this Isis was crowned, signified the joy men received at their first abundant crop, the word which signifies a double crop, being also a name for the poppy. Persephŏne or Proserpine found again, was a lively symbol of the recovery of corn, and its cultivation, almost lost in the deluge. Thus, emblems of the most important events which ever happened in the world, simple in themselves, became when transplanted to Greece and Rome, sources of fable and idolatry.

Ceres was usually represented of a tall majestic stature, fair complexion, languishing eyes, and yellow or flaxen hair; her head crowned with a garland of poppies, or ears of corn; holding in her right hand a bunch of the same materials with her garland, and in her left a lighted torch. When in a car or chariot, she is drawn by lions, or winged dragons.

MUSÆ, the Muses. This celebrated sisterhood is said to have been the daughters of Jupiter and Mnēmŏsyne. They were believed to have been born on Mount Piĕrus, and educated by Euphēme. In general they were considered as the tutelar goddesses of sacred festivals and banquets, and the patronesses of polite and useful arts. They supported virtue in distress, and preserved worthy actions from oblivion. Homer calls them superintendants and correctors of manners. In respect to the sciences, these sisters had each their separate province; though poetry seemed more immediately under their united protection.

These divinities, formerly called Mosæ, were so named from a Greek word signifying to inquire; because, by inquiring of them, the sciences might be learnt. Others say they had their name from their resemblance, because there is a similitude, an infinity, and relation, betwixt all the sciences, in which they agree together, and are united with each other; for which reason they are often painted with their hands joined, dancing in a circle round Apollo their leader.

They were represented crowned with flowers, or wreaths of palm, each holding some instrument, or emblem of the science or art over which she presided. They were depicted as in the bloom of youth; and the bird sacred to them was the swan, probably because that bird was consecrated to their sovereign Apollo. There was a fountain of the Muses near Rome, in the meadow where Numa used to meet the goddess Egeria; the care of which and of the worship paid to the Muses, was intrusted to the Vestal virgins.