"You seem to be deeply interested in that picture?"
I looked round, yet not at the speaker. My eyes before they could meet hers, were caught by an apparition the most beautiful I had ever yet beheld. And what—what—have I seen equal to her since? Strange, that I should love to talk of her. Strange, that I fret at myself now because I cannot set down on paper line by line, and hue by hue, that wonderful loveliness of which—. But no matter. Had I but such an imagination as Petrarch, or rather, perhaps, had I his deliberate cold self-consciousness, what volumes of similes and conceits I might pour out, connecting that peerless face and figure with all lovely things which heaven and earth contain. As it is, because I cannot say all, I will say nothing, but repeat to the end again and again, Beautiful, beautiful, beautiful, beyond all statue, picture, or poet's dream. Seventeen—slight but rounded, a masque and features delicate and regular, as if fresh from the chisel of Praxiteles—I must try to describe after all, you see—a skin of alabaster (privet-flowers, Horace and Ariosto would have said, more true to Nature), stained with the faintest flush; auburn hair, with that peculiar crisped wave seen in the old Italian pictures, and the warm, dark hazel eyes which so often accompany it; lips like a thread of vermillion, somewhat too thin, perhaps—but I thought little of that then; with such perfect finish and grace in every line and hue of her features and her dress, down to the little fingers and nails, which showed through her thin gloves, that she seemed to my fancy fresh from the innermost chamber of some enchanted palace, "where no air of heaven could visit her cheek too roughly." I dropped my eyes quite dazzled. The question was repeated by a lady who stood with her, whose face I remarked then—as I did to the last, alas!—too little; dazzled at the first by outward beauty, perhaps because so utterly unaccustomed to it.
"It is indeed a wonderful picture," I said, timidly. "May I ask what is the subject of it?"
"Oh! don't you know?" said the young beauty, with a smile that thrilled through me. "It is St. Sebastian."
"I—I am very much ashamed," I answered, colouring up, "but I do not know who St. Sebastian was. Was he a Popish saint?"
A tall, stately old man, who stood with the two ladies, laughed kindly. "No, not till they made him one against his will; and at the same time, by putting him into the mill which grinds old folks young again, converted him from a grizzled old Roman tribune into the young Apollo of Popery."
"You will puzzle your hearer, my dear uncle," said the same deep-toned woman's voice which had first spoken to me. "As you volunteered the saint's name, Lillian, you shall also tell his history."
Simply and shortly, with just feeling enough to send through me a fresh thrill of delighted interest, without trenching the least on the most stately reserve, she told me the well known history of the saint's martyrdom.
If I seem minute in my description, let those who read my story remember that such courteous dignity, however natural, I am bound to believe, it is to them, was to me an utterly new excellence in human nature. All my mother's Spartan nobleness of manner seemed unexpectedly combined with all my little sister's careless ease.
"What a beautiful poem the story would make!" said I, as soon as I recovered my thoughts.