At last he got free, and begged leave to return to France; but in vain. And so, wearied out, he got on board a Candian ship at Lisbon, and escaped to England. But England, he says, during the anarchy of Edward VI.’s reign, was not a land which suited him; and he returned to France, to fulfil the hopes which he had expressed in his charming “Desiderium Lutitiæ,” and the still more charming, because more simple, “Adventus in Galliam,” in which he bids farewell, in most melodious verse, to “the hungry moors of wretched Portugal, and her clods fertile in naught but penury.”
Some seven years succeeded of schoolmastering and verse-writing: the Latin paraphrase of the Psalms; another of the “Alcestis” of Euripides; an Epithalamium on the marriage of poor Mary Stuart, noble and sincere, however fantastic and pedantic, after the manner of the times; “Pomps,” too, for her wedding, and for other public ceremonies, in which all the heathen gods and goddesses figure; epigrams, panegyrics, satires, much of which latter productions he would have consigned to the dust-heap in his old age, had not his too fond friends persuaded him to republish the follies and coarsenesses of his youth. He was now one of the most famous scholars in Europe, and the intimate friend of all the great literary men. Was he to go on to the end, die, and no more? Was he to sink into the mere pedant; or, if he could not do that, into the mere court versifier?
The wars of religion saved him, as they saved many another noble soul, from that degradation. The events of 1560-62 forced Buchanan, as they forced many a learned man besides, to choose whether he would be a child of light or a child of darkness; whether he would be a dilettante classicist, or a preacher—it might be a martyr—of the Gospel. Buchanan may have left France in “The Troubles” merely to enjoy in his own country elegant and learned repose. He may have fancied that he had found it, when he saw himself, in spite of his public profession of adherence to the Reformed Kirk, reading Livy every afternoon with his exquisite young sovereign; master, by her favour, of the temporalities of Crossraguel Abbey, and by the favour of Murray, Principal of St. Leonard’s College in St. Andrew’s. Perhaps he fancied at times that “to-morrow was to be as to-day, and much more abundant;” that thenceforth he might read his folio, and write his epigram, and joke his joke, as a lazy comfortable pluralist, taking his morning stroll out to the corner where poor Wishart had been burned, above the blue sea and the yellow sands, and looking up to the castle tower from whence his enemy Beaton’s corpse had been hung out; with the comfortable reflection that quieter times had come, and that whatever evil deeds Archbishop Hamilton might dare, he would not dare to put the Principal of St. Leonard’s into the “bottle dungeon.”
If such hopes ever crossed Geordie’s keen fancy, they were disappointed suddenly and fearfully. The fire which had been kindled in France was to reach to Scotland likewise. “Revolutions are not made with rose-water;” and the time was at hand when all good spirits in Scotland, and George Buchanan among them, had to choose, once and for all, amid danger, confusion, terror, whether they would serve God or Mammon; for to serve both would be soon impossible.
Which side, in that war of light and darkness, George Buchanan took, is notorious. He saw then, as others have seen since, that the two men in Scotland who were capable of being her captains in the strife were Knox and Murray; and to them he gave in his allegiance heart and soul.
This is the critical epoch in Buchanan’s life. By his conduct to Queen Mary he must stand or fall. It is my belief that he will stand. It is not my intention to enter into the details of a matter so painful, so shocking, so prodigious; and now that that question is finally set at rest, by the writings both of Mr. Froude and Mr. Burton, there is no need to allude to it further, save where Buchanan’s name is concerned. One may now have every sympathy with Mary Stuart; one may regard with awe a figure so stately, so tragic, in one sense so heroic,—for she reminds one rather of the heroine of an old Greek tragedy, swept to her doom by some irresistible fate, than of a being of our own flesh and blood, and of our modern and Christian times. One may sympathise with the great womanhood which charmed so many while she was alive; which has charmed, in later years, so many noble spirits who have believed in her innocence, and have doubtless been elevated and purified by their devotion to one who seemed to them an ideal being. So far from regarding her as a hateful personage, one may feel oneself forbidden to hate a woman whom God may have loved, and may have pardoned, to judge from the punishment so swift, and yet so enduring, which He inflicted. At least, he must so believe who holds that punishment is a sign of mercy; that the most dreadful of all dooms is impunity. Nay, more, those “Casket” letters and sonnets may be a relief to the mind of one who believes in her guilt on other grounds; a relief when one finds in them a tenderness, a sweetness, a delicacy, a magnificent self-sacrifice, however hideously misplaced, which shows what a womanly heart was there; a heart which, joined to that queenly brain, might have made her a blessing and a glory to Scotland, had not the whole character been warped and ruinate from childhood, by an education so abominable, that anyone who knows what words she must have heard, what scenes she must have beheld in France, from her youth up, will wonder that she sinned so little: not that she sinned so much. One may feel, in a word, that there is every excuse for those who have asserted Mary’s innocence, because their own high-mindedness shrank from believing her guilty: but yet Buchanan, in his own place and time, may have felt as deeply that he could do no otherwise than he did.
The charges against him, as all readers of Scotch literature know well, may be reduced to two heads. 1st. The letters and sonnets were forgeries. Maitland of Lethington may have forged the letters; Buchanan, according to some, the sonnets. Whoever forged them, Buchanan made use of them in his Detection, knowing them to be forged. 2nd. Whether Mary was innocent or not, Buchanan acted a base and ungrateful part in putting himself in the forefront amongst her accusers. He had been her tutor, her pensioner. She had heaped him with favours; and, after all, she was his queen, and a defenceless woman: and yet he returned her kindness, in the hour of her fall, by invectives fit only for a rancorous and reckless advocate, determined to force a verdict by the basest arts of oratory.
Now as to the Casket letters. I should have thought they bore in themselves the best evidence of being genuine. I can add nothing to the arguments of Mr. Froude and Mr. Burton, save this: that no one clever enough to be a forger would have put together documents so incoherent, and so incomplete. For the evidence of guilt which they contain is, after all, slight and indirect, and, moreover, superfluous altogether; seeing that Mary’s guilt was open and palpable, before the supposed discovery of the letters, to every person at home and abroad who had any knowledge of the facts. As for the alleged inconsistency of the letters with proven facts: the answer is, that whosoever wrote the letters would be more likely to know facts which were taking place around them than any critic could be one hundred or three hundred years afterwards. But if these mistakes as to facts actually exist in them, they are only a fresh argument for their authenticity. Mary, writing in agony and confusion, might easily make a mistake: forgers would only take too good care to make none.
But the strongest evidence in favour of the letters and sonnets, in spite of the arguments of good Dr. Whittaker and other apologists for Mary, is to be found in their tone. A forger in those coarse days would have made Mary write in some Semiramis or Roxana vein, utterly alien to the tenderness, the delicacy, the pitiful confusion of mind, the conscious weakness, the imploring and most feminine trust which makes the letters, to those who—as I do—believe in them, more pathetic than any fictitious sorrows which poets could invent. More than one touch, indeed, of utter self-abasement, in the second letter, is so unexpected, so subtle, and yet so true to the heart of woman, that—as has been well said—if it was invented there must have existed in Scotland an earlier Shakespeare; who yet has died without leaving any other sign, for good or evil, of his dramatic genius.
As for the theory (totally unsupported) that Buchanan forged the poem usually called the “Sonnets;” it is paying old Geordie’s genius, however versatile it may have been, too high a compliment to believe that he could have written both them and the Detection; while it is paying his shrewdness too low a compliment to believe that he could have put into them, out of mere carelessness or stupidity, the well-known line, which seems incompatible with the theory both of the letters and of his own Detection; and which has ere now been brought forward as a fresh proof of Mary’s innocence.