The scene represented a background of desert mountains, and on the stage itself, before a group of temporary huts, stood huddling together the black Libyan prisoners, some fifty men, women, and children, bedizened with gaudy feathers and girdles of tasselled leather, brandishing their spears and targets, and glaring out with white eyes on the strange scene before them, in childish awe and wonder.

Along the front of the stage a wattled battlement had been erected, while below, the hyposcenium had been painted to represent rocks, thus completing the rough imitation of a village among the Libyan hills.

Amid breathless silence, a herald advanced, and proclaimed that these were prisoners taken in arms against the Roman senate and people, and therefore worthy of immediate death: but that the Prefect, in his exceeding clemency toward them, and especial anxiety to afford the greatest possible amusement to the obedient and loyal citizens of Alexandria, had determined, instead of giving them at once to the beasts, to allow them to fight for their lives, promising to the survivors a free pardon if they acquitted themselves valiantly.

The poor wretches on the stage, when this proclamation was translated to them, set up a barbaric yell of joy, and brandished their spears and targets more fiercely than ever.

But their joy was short. The trumpets sounded the attack: a body of gladiators, equal in number to the savages, marched out from one of the two great side passages, made their obeisance to the applauding spectators, and planting their scaling-ladders against the front of the stage, mounted to the attack.

The Libyans fought like tigers; yet from the first, Hypatia, and Philammon also, could see that their promised chance of life was a mere mockery. Their light darts and naked limbs were no match for the heavy swords and complete armour of their brutal assailants, who endured carelessly a storm of blows and thrusts on heads and faces protected by visored helmets: yet so fierce was the valour of the Libyans, that even they recoiled twice, and twice the scaling-ladders were hurled down again, while more than one gladiator lay below, rolling in the death-agony.

And then burst forth the sleeping devil in the hearts of that great brutalised multitude. Yell upon yell of savage triumph, and still more savage disappointment, rang from every tier of that vast ring of seats, at each blow and parry, onslaught and repulse; and Philammon saw with horror and surprise that luxury, refinement, philosophic culture itself, were no safeguards against the infection of bloodthirstiness. Gay and delicate ladies, whom he had seen three days before simpering delight at Hypatia’s heavenward aspirations, and some, too, whom he seemed to recollect in Christian churches, sprang from their seats, waved their hands and handkerchiefs, and clapped and shouted to the gladiators. For, alas! there was no doubt as to which side the favour of the spectators inclined. With taunts, jeers, applause, entreaties, the hired ruffians were urged on to their work of blood. The poor wretches heard no voice raised in their favour: nothing but contempt, hatred, eager lust of blood, glared from those thousands of pitiless eyes; and, broken-hearted, despairing, they flagged and drew back one by one. A shout of triumph greeted the gladiators as they climbed over the battlement, and gained a footing on the stage. The wretched blacks broke up, and fled wildly from corner to corner, looking vainly for an outlet....

And then began a butchery.... Some fifty men, women, and children were cooped together in that narrow space.... And yet Hypatia’s countenance did not falter. Why should it? What were their numbers, beside the thousands who had perished year by year for centuries, by that and far worse deaths, in the amphitheatres of that empire, for that faith which she was vowed to re-establish. It was part of the great system; and she must endure it.

Not that she did not feel; for she, too, was woman; and her heart, raised far above the brutal excitement of the multitude, lay calmly open to the most poignant stings of pity. Again and again she was in the act to entreat mercy for some shrieking woman or struggling child; but before her lips could shape the words, the blow had fallen, or the wretch was whirled away from her sight in the dense undistinguishable mass of slayers and slain. Yes, she had begun, and she must follow to the end.... And, after all, what were the lives of those few semi-brutes, returning thus a few years earlier to the clay from which they sprang, compared with the regeneration of a world?.... And it would be over in a few minutes more, and that black writhing heap be still for ever, and the curtain fall .... And then for Venus Anadyomene, and art, and joy, and peace, and the graceful wisdom and beauty of the old Greek art, calming and civilising all hearts, and softening them into pure devotion for the immortal myths, the immortal deities, who had inspired their forefathers in the glorious days of old.... But still the black heap writhed; and she looked away, up, down, and round, everywhere, to avoid the sickening sight; and her eye caught Philammon’s gazing at her with looks of horror and disgust.... A thrill of shame rushed through her heart, and blushing scarlet, she sank her head, and whispered to Orestes—

‘Have mercy!—spare the rest!’