Besides, monotony is pleasant in itself; morally pleasant, and morally useful. Marriage is monotonous: but there is much, I trust, to be said in favour of holy wedlock. Living in the same house is monotonous: but three removes, say the wise, are as bad as a fire. Locomotion is regarded as an evil by our Litany. The Litany, as usual, is right. ‘Those who travel by land or sea’ are to be objects of our pity and our prayers; and I do pity them. I delight in that same monotony. It saves curiosity, anxiety, excitement, disappointment, and a host of bad passions. It gives a man the blessed, invigorating feeling that he is at home; that he has roots, deep and wide, struck down into all he sees; and that only The Being who will do nothing cruel or useless can tear them up. It is pleasant to look down on the same parish day after day, and say, I know all that lies beneath, and all beneath know me. If I want a friend, I know where to find him; if I want work done, I know who will do it. It is pleasant and good to see the same trees year after year; the same birds coming back in spring to the same shrubs; the same banks covered with the same flowers, and broken (if they be stiff ones) by the same gaps. Pleasant and good it is to ride the same horse, to sit in the same chair, to wear the same old coat. That man who offered twenty pounds’ reward for a lost carpet-bag full of old boots was a sage, and I wish I knew him. Why should one change one’s place, any more than one’s wife or one’s children? Is a hermit-crab, slipping his tail out of one strange shell into another, in the hopes of its fitting him a little better, either a dignified, safe, or graceful animal? No; George Riddler was a true philosopher.
‘Let vules go sarching vur and nigh,
We bides at Whum, my dog and I;’
and become there, not only wiser, but more charitable; for the oftener one sees, the better one knows; and the better one knows, the more one loves.
It is an easy philosophy; especially in the case of the horse, where a man cannot afford more than one, as I cannot. To own a stud of horses, after all, is not to own horses at all, but riding-machines. Your rich man who rides Crimæa in the morning, Sir Guy in the afternoon, and Sultan to-morrow, and something else the next day, may be a very gallant rider: but it is a question whether he enjoys the pleasure which one horse gives to the poor man who rides him day after day; one horse, who is not a slave, but a friend; who has learnt all his tricks of voice, hand, heel, and knows what his master wants, even without being told; who will bear with his master’s infirmities, and feels secure that his master will bear with his in turn.
Possibly, after all, the grapes are sour; and were one rich, one would do even as the rich are wont to do: but still, I am a minute philosopher. And therefore, this afternoon, after I have done the same work, visited the same people, and said the same words to them, which I have done for years past, and shall, I trust, for many a year to come, I shall go wandering out into the same winter-garden on the same old mare; and think the same thoughts, and see the same fir-trees, and meet perhaps the same good fellows hunting of their fox, as I have done with full content this many a year; and rejoice, as I said before, in my own boundless wealth, who have the whole universe to look at, without being charged one penny for the show.
As I have said, the grapes may be sour, and I enjoy the want of luxuries only because I cannot get them; but if my self-deception be useful to me, leave it alone.
No one is less inclined to depreciate that magnificent winter-garden at the Crystal Palace: yet let me, if I choose, prefer my own; I argue that, in the first place, it is far larger. You may drive, I hear, through the grand one at Chatsworth for a quarter of a mile. You may ride through mine for fifteen miles on end. I prefer, too, to any glass roof which Sir Joseph Paxton ever planned, that dome above my head some three miles high, of soft dappled grey and yellow cloud, through the vast lattice-work whereof the blue sky peeps, and sheds down tender gleams on yellow bogs, and softly rounded heather knolls, and pale chalk ranges gleaming far away. But, above all, I glory in my evergreens. What winter-garden can compare for them with mine? True, I have but four kinds—Scotch fir, holly, furze, and the heath; and by way of relief to them, only brows of brown fern, sheets of yellow bog-grass, and here and there a leafless birch, whose purple tresses are even more lovely to my eye than those fragrant green ones which she puts on in spring. Well: in painting as in music, what effects are more grand than those produced by the scientific combination, in endless new variety, of a few simple elements? Enough for me is the one purple birch; the bright hollies round its stem sparkling with scarlet beads; the furze-patch, rich with its lacework of interwoven light and shade, tipped here and there with a golden bud; the deep soft heather carpet, which invites you to lie down and dream for hours; and behind all, the wall of red fir-stems, and the dark fir-roof with its jagged edges a mile long, against the soft grey sky.
An ugly, straight-edged, monotonous fir-plantation? Well, I like it, outside and inside. I need no saw-edge of mountain peaks to stir up my imagination with the sense of the sublime, while I can watch the saw-edge of those fir peaks against the red sunset. They are my Alps; little ones it may be: but after all, as I asked before, what is size? A phantom of our brain; an optical delusion. Grandeur, if you will consider wisely, consists in form, and not in size: and to the eye of the philosopher, the curve drawn on a paper two inches long, is just as magnificent, just as symbolic of divine mysteries and melodies, as when embodied in the span of some cathedral roof. Have you eyes to see? Then lie down on the grass, and look near enough to see something more of what is to be seen; and you will find tropic jungles in every square foot of turf; mountain cliffs and debacles at the mouth of every rabbit burrow: dark strids, tremendous cataracts, ‘deep glooms and sudden glories,’ in every foot-broad rill which wanders through the turf. All is there for you to see, if you will but rid yourself of ‘that idol of space;’ and Nature, as everyone will tell you who has seen dissected an insect under the microscope, is as grand and graceful in her smallest as in her hugest forms.
The March breeze is chilly: but I can be always warm if I like in my winter-garden. I turn my horse’s head to the red wall of fir-stems, and leap over the furze-grown bank into my cathedral, wherein if there be no saints, there are likewise no priestcraft and no idols; but endless vistas of smooth red green-veined shafts holding up the warm dark roof, lessening away into endless gloom, paved with rich brown fir-needle—a carpet at which Nature has been at work for forty years. Red shafts, green roof, and here and there a pane of blue sky—neither Owen Jones nor Willement can improve upon that ecclesiastical ornamentation,—while for incense I have the fresh healthy turpentine fragrance, far sweeter to my nostrils than the stifling narcotic odour which fills a Roman Catholic cathedral. There is not a breath of air within: but the breeze sighs over the roof above in a soft whisper. I shut my eyes and listen. Surely that is the murmur of the summer sea upon the summer sands in Devon far away. I hear the innumerable wavelets spend themselves gently upon the shore, and die away to rise again. And with the innumerable wave-sighs come innumerable memories, and faces which I shall never see again upon this earth. I will not tell even you of that, old friend.
It has two notes, two keys rather, that Eolian-harp of fir-needles above my head; according as the wind is east or west, the needles dry or wet. This easterly key of to-day is shriller, more cheerful, warmer in sound, though the day itself be colder: but grander still, as well as softer, is the sad soughing key in which the south-west wind roars on, rain-laden, over the forest, and calls me forth—being a minute philosopher—to catch trout in the nearest chalk-stream.