Raleigh’s first use of his friendship with Cecil is to reconcile him, to the astonishment of the world, with Essex, alleging how much good may grow by it; for now ‘the Queen’s continual unquietness will grow to contentment.’ That, too, those who will may call policy. We have as good a right to call it the act of a wise and faithful subject, and to say, ‘Blessed are the peacemakers, for they shall be called the children of God.’ He has his reward for it in full restoration to the Queen’s favour; he deserves it. He proves himself once more worthy of power, and it is given to him. Then there is to be a second great expedition: but this time its aim is the Azores. Philip, only maddened by the loss at Cadiz, is preparing a third armament for the invasion of England and Ireland, and it is said to lie at the islands to protect the Indian fleet. Raleigh has the victualling of the land-forces, and, like everything else he takes in hand, ‘it is very well done.’ Lord Howard declines the chief command, and it is given to Essex. Raleigh is to be rear-admiral.
By the time they reach the Azores, Essex has got up a foolish quarrel against Raleigh for disrespect in having stayed behind to bring up some stragglers. But when no Armada is to be found at the Azores, Essex has after all to ask Raleigh what he shall do next. Conquer the Azores, says Raleigh, and the thing is agreed on. Raleigh and Essex are to attack Fayal. Essex sails away before Raleigh has watered. Raleigh follows as fast as he can, and at Fayal finds no Essex. He must water there, then and at once. His own veterans want him to attack forthwith, for the Spaniards are fortifying fast: but he will wait for Essex. Still no Essex comes. Raleigh attempts to water, is defied, finds himself ‘in for it,’ and takes the island out of hand in the most masterly fashion, to the infuriation of Essex. Good Lord Howard patches up the matter, and the hot-headed coxcomb is once more pacified. They go on to Graciosa, where Essex’s weakness of will again comes out, and he does not take the island. Three rich Caracks, however, are picked up. ‘Though we shall be little the better for them,’ says Raleigh privately to Sir Arthur Gorges, his faithful captain, ‘yet I am heartily glad for our General’s sake; because they will in great measure give content to her Majesty, so that there may be no repining against this poor Lord for the expense of the voyage.’
Raleigh begins to see that Essex is only to be pitied; that the voyage is not over likely to end well: but he takes it, in spite of ill-usage, as a kind-hearted man should. Again Essex makes a fool of himself. They are to steer one way in order to intercept the Plate-fleet. Essex having agreed to the course pointed out, alters his course on a fancy; then alters it a second time, though the hapless Monson, with the whole Plate-fleet in sight, is hanging out lights, firing guns, and shrieking vainly for the General, who is gone on a new course, in which he might have caught the fleet after all, in spite of his two mistakes, but that he chooses to go a roundabout way instead of a short one; and away goes the whole fleet, save one Carack, which runs itself on shore and burns, and the game is played out and lost.
All want Essex to go home, as the season is getting late: but the wilful and weak man will linger still, and while he is hovering to the south, Philip’s armament has sailed from the Groyne, on the undefended shores of England, and only God’s hand saves us from the effects of Essex’s folly. A third time the Armadas of Spain are overwhelmed by the avenging tempests, and Essex returns to disgrace, having proved himself at once intemperate and incapable. Even in coming home there is confusion, and Essex is all but lost on the Bishop and Clerks, by Scilly, in spite of the warnings of Raleigh’s sailing-master, ‘Old Broadbent,’ who is so exasperated at the general stupidity that he wants Raleigh to leave Essex and his squadron to get out of their own scrape as they can.
Essex goes off to sulk at Wanstead; but Vere excuses him, and in a few days he comes back, and will needs fight good Lord Howard for being made Earl of Nottingham for his services against the Armada and at Cadiz. Baulked of this, he begins laying the blame of the failure at the Azores on Raleigh. Let the spoilt naughty boy take care; even that ‘admirable temper’ for which Raleigh is famed may be worn out at last.
These years are Raleigh’s noon—stormy enough at best, yet brilliant. There is a pomp about him, outward and inward, which is terrible to others, dangerous to himself. One has gorgeous glimpses of that grand Durham House of his, with its carvings and its antique marbles, armorial escutcheons, ‘beds with green silk hangings and legs like dolphins, overlaid with gold’: and the man himself, tall, beautiful, and graceful, perfect alike in body and in mind, walking to and fro, his beautiful wife upon his arm, his noble boy beside his knee, in his ‘white satin doublet, embroidered with pearls, and a great chain of pearls about his neck,’ lording it among the lords with an ‘awfulness and ascendency above other mortals,’ for which men say that ‘his næve is, that he is damnable proud’; and no wonder. The reduced squire’s younger son has gone forth to conquer the world; and he fancies, poor fool, that he has conquered it, just as it really has conquered him; and he will stand now on his blood and his pedigree (no bad one either), and all the more stiffly because puppies like Lord Oxford, who instead of making their fortunes have squandered them, call him ‘jack and upstart,’ and make impertinent faces while the Queen is playing the virginals, about ‘how when jacks go up, heads go down.’ Proud? No wonder if the man be proud! ‘Is not this great Babylon, which I have built?’ And yet all the while he has the most affecting consciousness that all this is not God’s will, but the will of the flesh; that the house of fame is not the house of God; that its floor is not the rock of ages, but the sea of glass mingled with fire, which may crack beneath him any moment, and let the nether flame burst up. He knows that he is living in a splendid lie; that he is not what God meant him to be. He longs to flee away and be at peace. It is to this period, not to his death-hour, that ‘The Lie’ belongs; [155] saddest of poems, with its melodious contempt and life-weariness. All is a lie—court, church, statesmen, courtiers, wit and science, town and country, all are shams; the days are evil; the canker is at the root of all things; the old heroes are dying one by one; the Elizabethan age is rotting down, as all human things do, and nothing is left but to bewail with Spenser ‘The Ruins of Time’; the glory and virtue which have been—the greater glory and virtue which might be even now, if men would but arise and repent, and work righteousness, as their fathers did before them. But no. Even to such a world as this he will cling, and flaunt it about as captain of the guard in the Queen’s progresses and masques and pageants, with sword-belt studded with diamonds and rubies, or at tournaments, in armour of solid silver, and a gallant train with orange-tawny feathers, provoking Essex to bring in a far larger train in the same colours, and swallow up Raleigh’s pomp in his own, so achieving that famous ‘feather triumph’ by which he gains little but bad blood and a good jest. For Essex is no better tilter than he is general; and having ‘run very ill’ in his orange-tawny, comes next day in green, and runs still worse, and yet is seen to be the same cavalier; whereon a spectator shrewdly observes that he changed his colours ‘that it may be reported that there was one in green who ran worse than he in orange-tawny.’ But enough of these toys, while God’s handwriting is upon the wall above all heads.
Raleigh knows that the handwriting is there. The spirit which drove him forth to Virginia and Guiana is fallen asleep: but he longs for Sherborne and quiet country life, and escapes thither during Essex’s imprisonment, taking Cecil’s son with him, and writes as only he can write about the shepherd’s peaceful joys, contrasted with ‘courts’ and ‘masques’ and ‘proud towers’—
‘Here are no false entrapping baits
Too hasty for too hasty fates,
Unless it be
The fond credulity
Of silly fish, that worlding who still look
Upon the bait, but never on the hook;
Nor envy, unless among
The birds, for prize of their sweet song.‘Go! let the diving negro seek
For pearls hid in some forlorn creek,
We all pearls scorn,
Save what the dewy morn
Congeals upon some little spire of grass,
Which careless shepherds beat down as they pass
And gold ne’er here appears
Save what the yellow Ceres bears.’
Tragic enough are the after scenes of Raleigh’s life: but most tragic of all are these scenes of vain-glory, in which he sees the better part, and yet chooses the worse, and pours out his self-discontent in song which proves the fount of delicacy and beauty which lies pure and bright beneath the gaudy artificial crust. What might not this man have been! And he knows that too. The stately rooms of Durham House pall on him, and he delights to hide up in his little study among his books and his chemical experiments, and smoke his silver pipe, and look out on the clear Thames and the green Surrey hills, and dream about Guiana and the Tropics; or to sit in the society of antiquaries with Selden and Cotton, Camden and Stow; or in his own Mermaid Club, with Ben Jonson, Fletcher, Beaumont, and at last with Shakspeare’s self to hear and utter
‘Words that have been
So nimble, and so full of subtle flame,
As if that every one from whom they came
Had meant to put his whole wit in a jest.’