But some great demonstration was plainly toward; for the children of the forest were arrayed in two lines, right and left of the open space, the men in front, and the women behind; and all bedizened, to the best of their power, with arnotto, indigo, and feathers.
Next, with a hideous yell, leapt into the centre of the space a personage who certainly could not have complained if any one had taken him for the devil, for he had dressed himself up carefully for that very intent, in a jaguar-skin with a long tail, grinning teeth, a pair of horns, a plume of black and yellow feathers, and a huge rattle.
“Here's the Piache, the rascal,” says Amyas.
“Ay,” says Yeo, “in Satan's livery, and I've no doubt his works are according, trust him for it.”
“Don't be frightened, Jack,” says Cary, backing up Brimblecombe from behind. “It's your business to tackle him, you know. At him boldly, and he'll run.”
Whereat all the men laughed; and the Piache, who had intended to produce a very solemn impression, hung fire a little. However, being accustomed to get his bread by his impudence, he soon recovered himself, advanced, smote one of the musicians over the head with his rattle to procure silence; and then began a harangue, to which Amyas listened patiently, cigar in mouth.
“What's it all about, boy?”
“He wants to know whether you have seen Amalivaca on the other shore of the great water?”
Amyas was accustomed to this inquiry after the mythic civilizer of the forest Indians, who, after carving the mysterious sculptures which appear upon so many inland cliffs of that region, returned again whence he came, beyond the ocean. He answered, as usual, by setting forth the praises of Queen Elizabeth.
To which the Piache replied, that she must be one of Amalivaca's seven daughters, some of whom he took back with him, while he broke the legs of the rest to prevent their running away, and left them to people the forests.