‘Do you fancy I shall?’ growled Lancelot, who took for granted—poor thin-skinned soul! that the words were meant as a hit at himself.
‘You’re a brace of geese,’ politely observed the old squire; ‘and you’ll find it out in rheumatic fever. There—“one fool makes many!” You’ll kill Smith before you’re done, colonel!’ and the old man wheeled away up the meadow, as Bracebridge shouted after him,—
‘Oh, he’ll make a fine rider—in time!’
‘In time!’ Lancelot could have knocked the unsuspecting colonel down for the word. It just expressed the contrast, which had fretted him ever since he began to hunt with the Whitford Priors hounds. The colonel’s long practice and consummate skill in all he took in hand,—his experience of all society, from the prairie Indian to Crockford’s, from the prize-ring to the continental courts,—his varied and ready store of information and anecdote,—the harmony and completeness of the man,—his consistency with his own small ideal, and his consequent apparent superiority everywhere and in everything to the huge awkward Titan-cub, who, though immeasurably beyond Bracebridge in intellect and heart, was still in a state of convulsive dyspepsia, ‘swallowing formulæ,’ and daily well-nigh choked; diseased throughout with that morbid self-consciousness and lust of praise, for which God prepares, with His elect, a bitter cure. Alas! poor Lancelot! an unlicked bear, ‘with all his sorrows before him!’—
‘Come along,’ quoth Bracebridge, between snatches of a tune, his coolness maddening Lancelot. ‘Old Lavington will find us dry clothes, a bottle of port, and a brace of charming daughters, at the Priory. In with you, little Mustang of the prairie! Neck or nothing!’—
And in an instant the small wiry American, and the huge Horncastle-bred hunter, were wallowing and staggering in the yeasty stream, till they floated into a deep reach, and swam steadily down to a low place in the bank. They crossed the stream, passed the Priory Shrubberies, leapt the gate into the park, and then on and upward, called by the unseen Ariel’s music before them.—Up, into the hills; past white crumbling chalk-pits, fringed with feathered juniper and tottering ashes, their floors strewed with knolls of fallen soil and vegetation, like wooded islets in a sea of milk.—Up, between steep ridges of tuft crested with black fir-woods and silver beech, and here and there a huge yew standing out alone, the advanced sentry of the forest, with its luscious fretwork of green velvet, like a mountain of Gothic spires and pinnacles, all glittering and steaming as the sun drank up the dew-drops. The lark sprang upward into song, and called merrily to the new-opened sunbeams, while the wreaths and flakes of mist lingered reluctantly about the hollows, and clung with dewy fingers to every knoll and belt of pine.—Up into the labyrinthine bosom of the hills,—but who can describe them? Is not all nature indescribable? every leaf infinite and transcendental? How much more those mighty downs, with their enormous sheets of spotless turf, where the dizzy eye loses all standard of size and distance before the awful simplicity, the delicate vastness, of those grand curves and swells, soft as the outlines of a Greek Venus, as if the great goddess-mother Hertha had laid herself down among the hills to sleep, her Titan limbs wrapt in a thin veil of silvery green.
Up, into a vast amphitheatre of sward, whose walls banked out the narrow sky above. And here, in the focus of the huge ring, an object appeared which stirred strange melancholy in Lancelot,—a little chapel, ivy-grown, girded with a few yews, and elders, and grassy graves. A climbing rose over the porch, and iron railings round the churchyard, told of human care; and from the graveyard itself burst up one of those noble springs known as winter-bournes in the chalk ranges, which, awakened in autumn from the abysses to which it had shrunk during the summer’s drought, was hurrying down upon its six months’ course, a broad sheet of oily silver over a temporary channel of smooth greensward.
The hounds had checked in the woods behind; now they poured down the hillside, so close together ‘that you might have covered them with a sheet,’ straight for the little chapel.
A saddened tone of feeling spread itself through Lancelot’s heart. There were the everlasting hills around, even as they had grown and grown for countless ages, beneath the still depths of the primeval chalk ocean, in the milky youth of this great English land. And here was he, the insect of a day, fox-hunting upon them! He felt ashamed, and more ashamed when the inner voice whispered—‘Fox-hunting is not the shame—thou art the shame. If thou art the insect of a day, it is thy sin that thou art one.’
And his sadness, foolish as it may seem, grew as he watched a brown speck fleet rapidly up the opposite hill, and heard a gay view-halloo burst from the colonel at his side. The chase lost its charm for him the moment the game was seen. Then vanished that mysterious delight of pursuing an invisible object, which gives to hunting and fishing their unutterable and almost spiritual charm; which made Shakespeare a nightly poacher; Davy and Chantrey the patriarchs of fly-fishing; by which the twelve-foot rod is transfigured into an enchanter’s wand, potent over the unseen wonders of the water-world, to ‘call up spirits from the vasty deep,’ which will really ‘come if you do call for them’—at least if the conjuration be orthodox—and they there. That spell was broken by the sight of poor wearied pug, his once gracefully-floating brush all draggled and drooping, as he toiled up the sheep-paths towards the open down above.