The Lion and the Mouse: A Story of American Life

by Charles Klein; Arthur Hornblow

Jefferson Ryder felt strongly about these matters, and gave them more thought than would be expected of most young men with his opportunities. In fact, he was unusually serious for his age. He was not yet thirty, but he had done a great deal of reading, and he took a keen interest in all the political and sociological questions of the hour. In personal appearance, he was the type of man that both men and women like—tall and athletic looking, with smooth face and clean-cut features. He had the steel-blue eyes and the fighting jaw of his father, and when he smiled he displayed two even rows of very white teeth. He was popular with men, being manly, frank and cordial in his relations with them, and women admired him greatly, although they were somewhat intimidated by his grave and serious manner. The truth was that he was rather diffident with women, largely owing to lack of experience with them.

He had never felt the slightest inclination for business. He had the artistic temperament strongly developed, and his personal tastes had little in common with Wall Street and its feverish stock manipulating. When he was younger, he had dreamed of a literary or art career. At one time he had even thought of going on the stage. But it was to art that he turned finally. From an early age he had shown considerable skill as a draughtsman, and later a two years' course at the Academy of Design convinced him that this was his true vocation. He had begun by illustrating for the book publishers and for the magazines, meeting at first with the usual rebuffs and disappointments, but, refusing to be discouraged, he had kept on and soon the tide turned. His drawings began to be accepted. They appeared first in one magazine, then in another, until one day, to his great joy, he received an order from an important firm of publishers for six wash-drawings to be used in illustrating a famous novel. This was the beginning of his real success. His illustrations were talked about almost as much as the book, and from that time on everything was easy. He was in great demand by the publishers, and very soon the young artist, who had begun his career of independence on nothing a year so to speak, found himself in a handsomely appointed studio in Bryant Park, with more orders coming in than he could possibly fill, and enjoying an income of little less than $5,000 a year. The money was all the sweeter to Jefferson in that he felt he had himself earned every cent of it. This summer he was giving himself a well-deserved vacation, and he had come to Europe partly to see Paris and the other art centres about which his fellow students at the Academy raved, but principally—although this he did not acknowledge even to himself—to meet in Paris a young woman in whom he was more than ordinarily interested—Shirley Rossmore, daughter of Judge Rossmore, of the United States Supreme Court, who had come abroad to recuperate after the labours on her new novel, “The American Octopus,” a book which was then the talk of two hemispheres.

Jefferson had read half a dozen reviews of it in as many American papers that afternoon at the New York Herald's reading room in the Avenue de l'Opéra, and he chuckled with glee as he thought how accurately this young woman had described his father. The book had been published under the pseudonym “Shirley Green,” and he alone had been admitted into the secret of authorship. The critics all conceded that it was the book of the year, and that it portrayed with a pitiless pen the personality of the biggest figure in the commercial life of America. “Although,” wrote one reviewer, “the leading character in the book is given another name, there can be no doubt that the author intended to give to the world a vivid pen portrait of John Burkett Ryder. She has succeeded in presenting a remarkable character-study of the most remarkable man of his time.”

He was particularly pleased with the reviews, not only for Miss Rossmore's sake, but also because his own vanity was gratified. Had he not collaborated on the book to the extent of acquainting the author with details of his father's life, and his characteristics, which no outsider could possibly have learned? There had been no disloyalty to his father in doing this. Jefferson admired his father's smartness, if he could not approve his methods. He did not consider the book an attack on his father, but rather a powerfully written pen picture of an extraordinary man.

Jefferson had met Shirley Rossmore two years before at a meeting of the Schiller Society, a pseudo-literary organization gotten up by a lot of old fogies for no useful purpose, and at whose monthly meetings the poet who gave the society its name was probably the last person to be discussed. He had gone out of curiosity, anxious to take in all the freak shows New York had to offer, and he had been introduced to a tall girl with a pale, thoughtful face and firm mouth. She was a writer, Miss Rossmore told him, and this was her first visit also to the evening receptions of the Schiller Society. Half apologetically she added that it was likely to be her last, for, frankly, she was bored to death. But she explained that she had to go to these affairs, as she found them useful in gathering material for literary use. She studied types and eccentric characters, and this seemed to her a capital hunting ground. Jefferson, who, as a rule, was timid with girls and avoided them, found this girl quite unlike the others he had known. Her quiet, forceful demeanour appealed to him strongly, and he lingered with her, chatting about his work, which had so many interests in common with her own, until refreshments were served, when the affair broke up. This first meeting had been followed by a call at the Rossmore residence, and the acquaintance had kept up until Jefferson, for the first time since he came to manhood, was surprised and somewhat alarmed at finding himself strangely and unduly interested in a person of the opposite sex.

The young artist's courteous manner, his serious outlook on life, his high moral principles, so rarely met with nowadays in young men of his age and class, could hardly fail to appeal to Shirley, whose ideals of men had been somewhat rudely shattered by those she had hitherto met. Above all, she demanded in a man the refinement of the true gentleman, together with strength of character and personal courage. That Jefferson Ryder came up to this standard she was soon convinced. He was certainly a gentleman: his views on a hundred topics of the hour expressed in numerous conversations assured her as to his principles, while a glance at his powerful physique left no doubt possible as to his courage. She rightly guessed that this was no poseur trying to make an impression and gain her confidence. There was an unmistakable ring of sincerity in all his words, and his struggle at home with his father, and his subsequent brave and successful fight for his own independence and self-respect, more than substantiated all her theories. And the more Shirley let her mind dwell on Jefferson Ryder and his blue eyes and serious manner, the more conscious she became that the artist was encroaching more upon her thoughts and time than was good either for her work or for herself.

So their casual acquaintance grew into a real friendship and comradeship. Further than that Shirley promised herself it should never go. Not that Jefferson had given her the slightest hint that he entertained the idea of making her his wife one day, only she was sophisticated enough to know the direction in which run the minds of men who are abnormally interested in one girl, and long before this Shirley had made up her mind that she would never marry. Firstly, she was devoted to her father and could not bear the thought of ever leaving him; secondly, she was fascinated by her literary work and she was practical enough to know that matrimony, with its visions of slippers and cradles, would be fatal to any ambition of that kind. She liked Jefferson immensely—more, perhaps, than any man she had yet met—and she did not think any the less of him because of her resolve not to get entangled in the meshes of Cupid. In any case he had not asked her to marry him—perhaps the idea was far from his thoughts. Meantime, she could enjoy his friendship freely without fear of embarrassing entanglements.

When, therefore, she first conceived the idea of portraying in the guise of fiction the personality of John Burkett Ryder, the Colossus of finance whose vast and ever-increasing fortune was fast becoming a public nuisance, she naturally turned to Jefferson for assistance. She wanted to write a book that would be talked about, and which at the same time would open the eyes of the public to this growing peril in their midst—this monster of insensate and unscrupulous greed who, by sheer weight of his ill-gotten gold, was corrupting legislators and judges and trying to enslave the nation. The book, she argued, would perform a public service in awakening all to the common danger. Jefferson fully entered into her views and had furnished her with the information regarding his father that she deemed of value. The book had proven a success beyond their most sanguine expectations, and Shirley had come to Europe for a rest after the many weary months of work that it took to write it.

The acquaintance of his son with the daughter of Judge Rossmore had not escaped the eagle eye of Ryder, Sr., and much to the financier's annoyance, and even consternation, he had ascertained that Jefferson was a frequent caller at the Rossmore home. He immediately jumped to the conclusion that this could mean only one thing, and fearing what he termed “the consequences of the insanity of immature minds,” he had summoned Jefferson peremptorily to his presence. He told his son that all idea of marriage in that quarter was out of the question for two reasons: One was that Judge Rossmore was his most bitter enemy, the other was that he had hoped to see his son, his destined successor, marry a woman of whom he, Ryder, Sr., could approve. He knew of such a woman, one who would make a far more desirable mate than Miss Rossmore. He alluded, of course, to Kate Roberts, the pretty daughter of his old friend, the Senator. The family interests would benefit by this alliance, which was desirable from every point of view. Jefferson had listened respectfully until his father had finished and then grimly remarked that only one point of view had been overlooked—his own. He did not care for Miss Roberts; he did not think she really cared for him. The marriage was out of the question. Whereupon Ryder, Sr., had fumed and raged, declaring that Jefferson was opposing his will as he always did, and ending with the threat that if his son married Shirley Rossmore without his consent he would disinherit him.

Jefferson was cogitating on these incidents of the last few months when suddenly a feminine voice which he quickly recognised called out in English: