"There goes Mr. Lane with the minutes. The meeting is called. Where's
Mr. Ryder?"
There was a general move of the scattered groups of directors toward the committee room. The clock overhead began to strike. The last stroke had not quite died away when the big swinging doors from the street were thrown open and there entered a tall, thin man, gray-headed, and with a slight stoop, but keen eyed and alert. He was carefully dressed in a well-fitting frock coat, white waistcoat, black tie and silk hat.
It was John Burkett Ryder, the Colossus.
CHAPTER II
At fifty-six, John Burkett Ryder was surprisingly well preserved. With the exception of the slight stoop, already noted, and the rapidly thinning snow-white hair, his step was as light and elastic, and his brain as vigorous and alert, as in a man of forty. Of old English stock, his physical make-up presented all those strongly marked characteristics of our race which, sprung from Anglo-Saxon ancestry, but modified by nearly 300 years of different climate and customs, has gradually produced the distinct and true American type, as easily recognizable among the family of nations as any other of the earth's children. Tall and distinguished-looking, Ryder would have attracted attention anywhere. Men who have accomplished much in life usually bear plainly upon their persons the indefinable stamp of achievement, whether of good or evil, which renders them conspicuous among their fellows. We turn after a man in the street and ask, Who is he? And nine times out of ten the object of our curiosity is a man who has made his mark—a successful soldier, a famous sailor, a celebrated author, a distinguished lawyer, or even a notorious crook.
There was certainly nothing in John Ryder's outward appearance to justify Lombroso's sensational description of him: "A social and physiological freak, a degenerate and a prodigy of turpitude who, in the pursuit of money, crushes with the insensibility of a steel machine everyone who stands in his way." On the contrary, Ryder, outwardly at least, was a prepossessing-looking man. His head was well-shaped, and he had an intellectual brow, while power was expressed in every gesture of his hands and body. Every inch of him suggested strength and resourcefulness. His face, when in good humour, frequently expanded in a pleasant smile, and he had even been known to laugh boisterously, usually at his own stories, which he rightly considered very droll, and of which he possessed a goodly stock. But in repose his face grew stern and forbidding, and when his prognathous jaw, indicative of will-power and bull-dog tenacity, snapped to with a click-like sound, those who heard it knew that squalls were coming.
But it was John Ryder's eyes that were regarded as the most reliable barometer of his mental condition. Wonderful eyes they were, strangely eloquent and expressive, and their most singular feature was that they possessed the uncanny power of changing colour like a cat's. When their owner was at peace with the world, and had temporarily shaken off the cares of business, his eyes were of the most restful, beautiful blue, like the sky after sunrise on a Spring morning, and looking into their serene depths it seemed absurd to think that this man could ever harm a fly. His face, while under the spell of this kindly mood, was so benevolent and gentle, so frank and honest that you felt there was nothing in the world—purse, honour, wife, child—that, if needs be, you would not entrust to his keeping.
When this period of truce was ended, when the plutocrat was once more absorbed in controlling the political as well as the commercial machinery of the nation, then his eyes took on a snakish, greenish hue, and one could plainly read in them the cunning, the avariciousness, the meanness, the insatiable thirst for gain that had made this man the most unscrupulous money-getter of his time. But his eyes had still another colour, and when this last transformation took place those dependent on him, and even his friends, quaked with fear. For they were his eyes of anger. On these dreaded occasions his eyes grew black as darkest night and flashed fire as lightning rends the thundercloud. Almost ungovernable fury was, indeed, the weakest spot in John Ryder's armour, for in these moments of appalling wrath he was reckless of what he said or did, friendship, self-interest, prudence—all were sacrificed.
Such was the Colossus on whom all eyes were turned as he entered.
Instantly the conversations, stopped as by magic. The directors nudged
each other and whispered. Instinctively, Ryder singled out his crony,
Senator Roberts, who advanced with effusive gesture:
"Hello, Senator!"