The treatment of governesses was one of the blots on the Victorian age. They lived in what might be called No Woman's Land. Their status was semi-menial; their salaries were often much lower than those of cooks; they seldom emerged from the schoolroom; they had little encouragement to be efficient; if they were young and pretty they were frowned upon as potential adventuresses; if they were elderly and ill-favoured they were negligible and neglected. The very term "governess" carried with it a certain hint of social disparagement; and they were for the most part the easy victims of snobbery. If proof be required one has only to turn to the novels of the period, in which very few examples will be found of governesses who succeeded in overleaping the barriers of caste and entering the realms of romance. Charlotte Brontë, the pioneer of the "emancipation novel," was perhaps the first to give the governess a chance in fiction. In fact there was not much improvement in the "governess-trade" on the condition described in Jane Austen's Emma half a century earlier, when Jane Fairfax compared it to the slave-trade, "widely different certainly as to the guilt of those who carry it on; but as to the greater misery of the victims, I do not know where the difference lies." But then we must remember that class distinctions were then much more clearly drawn than they are to-day. It was not until 1870 that the gold tuft on the cap worn by noblemen at Oxford was discontinued. The dearth of army doctors, on which Punch frequently comments in 1864, was due in his opinion to the snobbery of a system which relegated the members of a noble profession to an inferior social status. It was in the same year, to his lasting credit, that Punch espoused the cause of old ballet-girls, with a view to relieving the necessities of worn-out columbines, fairies and sylphs. He was doubtful of the result of his appeal simply because of the self-protective prudery of polite society:—
I know that most rich people have far too much morality to think of doing anything for such people as poor ballet-girls, who are supposed to be descended from some of the Lost Tribes. Of course Polite Society can never be expected to take anything like an interest in persons of this sort. Still, although Polite Society may not feel disposed to help to keep poor ballet-girls alive, I think Polite Society would not be altogether pleased were ballet-girls extinct.
Society and the Stage
The correspondence and controversy which grew out of Punch's intervention is too long to be treated in detail. His statements were canvassed, and the existence of theatrical funds adequate to meet the needs of the situation was pointed out. But Punch was not far out when he declared that as ballet-girls grew old their salaries decreased; it was only by hard work that they earned their living in the playhouse, and they barely escaped dying in a workhouse. The episode is creditable to the humanity of Punch. It is also interesting to the student of manners from the light which it throws on the conventional attitude of polite society towards the theatrical profession in mid-Victorian days. It was a survival of the old view expressed by the Prussian sovereign in an order referring to "singers, actors, and other rubbish." In their proper place—on the stage—they were amusing people. Socially they were outside the pale, living in a state of semi-outlawry, and to be given a wide berth by all self-respecting citizens. Punch, from the intimate connexion of so many of his staff with the drama—Douglas Jerrold, Tom Taylor and Burnand cover nearly the whole period of our survey—never subscribed to this view, though he deprecated mummer-worship as fostering the vanity which was the besetting sin of the actor's calling. He fully recognized the generosity and charity which successful players showed to their less fortunate brothers and sisters. But in the days of which we are now writing Punch did not foresee the swing of the pendulum which resulted in the invasion of the stage by amateurs and the conversion of what had been a social stigma into a social asset.
[21] The year 1859 is regarded by constitutional historians as a turning-point in our Parliamentary history. Punch mentions, amongst other things, that it was the year in which "the fashion broke out of abusing our wives for bad dinners."