Russia, it may be added, also incurred Punch's censure in 1890, the legalized persecution of Jews forming the theme of a prophetic cartoon in August, in which the shade of Pharaoh warns the Tsar, as he stands with a drawn sword and his foot on a prostrate Hebrew: "Forbear! That weapon always wounds the hand that wields it."
In 1891 the new "orientations" of the European Powers attract a good deal of notice. The Franco-Russian entente is symbolized by the Bear making France dance to the tune of the Russian loan. Punch's distrust of Russia—semi-Asiatic and half-Tartar—dated from the 'forties. The tightening of the Franco-Russian Entente in 1891 gave him no pleasure. He quotes with manifest approval the comment of a daily paper on the infatuation of France:—
The success of a Russian Loan is not dearly purchased by a little effusion, which, after all, commits Russia to nothing. French sentiment is always worth cultivating in that way, because unlike the British variety, it has a distinct influence upon investments.
The cartoon of President Carnot embracing, and being hugged by, the Bear was founded on an episode at Aix-les-Bains where he kissed a little girl in Russian dress who gave him a bouquet, saying: "J'embrasse la Russie." Punch's verses represent Carnot as fully conscious of his blague, yet with an uneasy consciousness that the Bear is going to squeeze him. Russia's religious intolerance again comes in for strong condemnation. The Tsar is shown wielding the knout on an aged Jew while the Emperor of China greets a Christian priest. This contrast was based on the issue of a decree in which the Chinese Government condemned anti-Christian excesses. In another cartoon the Tsar bids his minions remove another aged Jew on the familiar ground that Jews were always to the fore in Nihilist plots. The European Powers, it should be added, were not satisfied by China's official tolerance. The treatment of foreigners had provoked a collective protest, from which Russia abstained. So when John Bull, as a sailor, asks Russia to take a hand in controlling the Chinese Dragon, Russia replies: "Well, I don't know—you see, he's a sort of relation of mine!"
The admiration which Punch had so often if reluctantly expressed for Bismarck in office yielded to something like disgust at his undignified bitterness in retirement, above all at his use of the "reptile press" as a means of attacking the Imperial policy and Caprivi, his successor as Chancellor. This feeling animates the "Coriolanus" cartoon in February, where Bismarck is shown with the Hamburger Nachrichten in his hand. The death of Moltke a couple of months later is duly recorded in a versified tribute making all the usual points—on his taciturnity, composure, foresight and strategy. With his death Bismarck became the lonely survivor of "the Titanic three, Who led the Eagles on to Victory." Moltke died full of years and honours. It was otherwise with Parnell who at forty-five fell,
not as leaders love to fall,
In battle's forefront, loved and mourned by all;
But fiercely fighting, as for his own hand,
With the scant remnant of a broken band;