"Wot d'y' fink o' this 'ere G.B.S.?"
"Never tried it! I smokes V.B.D."
Sport and Crime
What troubled Punch, to borrow an epigram from another American anonymous writer, was "not so much the unemployment of the idle as the idleness of the employed." He is increasingly concerned with the popular pre-occupation with sport and criminal celebrities, combined with a corresponding apathy on important questions. Foreign politics were only brought home to the masses when they lent themselves to sensational or spectacular treatment, and, in 1903, Punch gibbets an announcement in the Scotsman: "Scenes resulting from the Macedonian Atrocities displayed by the Modern Marvel Cinematograph, at 3 and 8 (see Amusement Column)." The sentimental interest in criminals is bluntly rebuked as a perversion of the philanthropic maxim that "to know all is to forgive all"; the blame for this was attributed to the journals which catered for the million, but the avidity with which this pabulum was devoured, and the absence of any protest from those affected, was a disquieting symptom; and Punch was within his rights in making game of the Clarion when it scented class distinction in the abortive movement to introduce knee-breeches for evening wear.
Liberals and Labour
In the Unionist defeat at the election of 1906, Punch recognized not merely the return to power of the Liberals, but the coming of the "New Demos," the growing importance of the Labour Party, and the increasing impetus lent to its demands. His "farewell to the beaten side" is animated by no enthusiasm for the victors:—
You leave a record which shall bear the light
When History delves for Truth in after days,
Not as the sudden mob condemns at sight,
Or stints its grudging praise.