Oh, how will thy departure cloud
The lamp-light of the little breast!
The Christmas child will grieve aloud
To miss his broadest friend and best,—


For who like thee could ever stride!
Some dozen paces to the mile!—
The motley, medley coach provide—
Or like Joe Frankenstein compile
The vegetable man complete!—
A proper Covent Garden feat!

Or, who like thee could ever drink,
Or eat,—swill, swallow—bolt—and choke!
Nod, weep, and hiccup—sneeze and wink?—
Thy very yawn was quite a joke!
Tho' Joseph, Junior, acts not ill,
"There's no Fool like the old Fool" still!

All that is descriptive here is excellent. It seems to us next in merit to some of Cibber's dramatic comic portraitures, Joe, the absolute Joe, lives again in every line. We have just set our mark X against two puns to exemplify our foregoing remarks. The first of them is a positive stop to the current of our joyous feelings. What possible analogy, or contrast even, can there be between a comic gesture of Grimaldi, and the serious misfortunes of the lady, except in verbal sound purely? The sound is good, because the humour lies in the pun, and moreover has reference to Milton's

——at one bound
High over leaps all bounds.

A pun is a humble companion to wit, but disdains to be a train-bearer merely. But these poems are rich in fancies, which, in truth, needed not such aid.


[THE RELIGION OF ACTORS]