To operas and balls my cousins take me,
And fond of plays my new-made friend would make me.
In summer season, when the days are fair,
In my godmother's coach I take the air.
My uncle has a stately pleasure barge,
Gilded and gay, adorn'd with wondrous charge;
The mast is polish'd, and the sails are fine,
The awnings of white silk like silver shine;
The seats of crimson sattin, where the rowers
Keep time to music with their painted oars;
In this on holydays we oft resort
To Richmond, Twickenham, or to Hampton Court.
By turns we play, we sing—one baits the hook,
Another angles—some more idle look
At the small fry that sport beneath the tides,
Or at the swan that on the surface glides.
My married sister says there is no feast
Equal to sight of foreign bird or beast.
With her in search of these I often roam:
My kinder parents make me blest at home.
Tir'd of excursions, visitings, and sights,
No joys are pleasing to these home delights.
THE COFFEE SLIPS
Whene'er I fragrant coffee drink,
I on the generous Frenchman think,
Whose noble perseverance bore
The tree to Martinico's shore.
While yet her colony was new,
Her island products but a few,
Two shoots from off a coffee-tree
He carried with him o'er the sea.
Each little tender coffee slip
He waters daily in the ship,
And as he tends his embryo trees,
Feels he is raising midst the seas
Coffee groves, whose ample shade
Shall screen the dark Creolian maid.
But soon, alas! his darling pleasure
In watching this his precious treasure
Is like to fade,—for water fails
On board the ship in which he sails.
Now all the reservoirs are shut,
The crew on short allowance put;
So small a drop is each man's share,
Few leavings you may think there are
To water these poor coffee plants;—
But he supplies their gasping wants,
Ev'n from his own dry parched lips
He spares it for his coffee slips.
Water he gives his nurslings first,
Ere he allays his own deep thirst;
Lest, if he first the water sip,
He bear too far his eager lip.
He sees them droop for want of more;—
Yet when they reached the destin'd shore,
With pride th' heroic gardener sees
A living sap still in his trees.
The islanders his praise resound;
Coffee plantations rise around;
And Martinico loads her ships
With produce from those dear-sav'd slips.[1]
[Footnote 1: The name of this man was Desclieux, and the story is to be found in the Abbé Raynal's History of the Settlements and Trade of the Europeans in the East and West Indies, book XIII.]
THE DESSERT
With the apples and the plums
Little Carolina comes,
At the time of the dessert she
Comes and drops her new last curt'sy;
Graceful curt'sy, practis'd o'er
In the nursery before.
What shall we compare her to?
The dessert itself will do.
Like preserves she's kept with care,
Like blanch'd almonds she is fair,
Soft as down on peach her hair,
And so soft, so smooth is each
Pretty cheek as that same peach,
Yet more like in hue to cherries;
Then her lips, the sweet strawberries,
Caroline herself shall try them
If they are not like when nigh them;
Her bright eyes are black as sloes,
But I think we've none of those
Common fruit here—and her chin
From a round point does begin,
Like the small end of a pear;
Whiter drapery she does wear
Than the frost on cake; and sweeter
Than the cake itself, and neater,
Though bedeck'd with emblems fine,
Is our little Caroline.
TO A YOUNG LADY, ON BEING TOO FOND OF MUSIC
Why is your mind thus all day long
Upon your music set;
Till reason's swallow'd in a song,
Or idle canzonet?
I grant you, Melesinda, when
Your instrument was new,
I was well pleas'd to see you then
Its charms assiduous woo.
The rudiments of any art
Or mast'ry that we try,
Are only on the learner's part
Got by hard industry.