White Rocks, one hundred and fifty feet above Cheat River, in Fayette County, Pennsylvania, were the favorite tryst of a handsome girl, the daughter of a well-to-do farmer of that region, and a dashing fellow who had gone into that country to hunt. They had many happy days there on the hill together, but after making arrangements for the wedding they quarrelled, nobody knew for what. One evening they met by accident on the rocks, and appeared to be in formal talk when night came on and they could no longer be seen. The girl did not return, and her father set off with a search party to look for her. They found her, dead and mangled, at the foot of the rocks. Her lover, in a fit of impatience, had pushed her and she had staggered and fallen over. He fled at once, and, under a changed name and changed appearance, eluded pursuit. When the War of the Rebellion broke out, he entered the army and fought recklessly, for by that time he had tired of life and hoped to die. But it was of no use. He was only made captain for a bravery that he was not conscious of showing, and the old remorse still preyed on him. It was after the war that something took him back to Fayette County, and on a pleasant day he climbed the rocks to take a last look at the scenes that had been brightened by love and saddened by regret. He had not been long on its summit when an irresistible impulse came upon him to leap down where the girl had fallen, and atone with his own blood for the shedding of hers. He gave way to this prompting, and the fall was fatal.
Some years before the outbreak of the Civil War a man with his wife and daughter took up their residence in a log cabin at the foot of Sunrise Rock, near Chattanooga, Tennessee. It seemed probable that they had known better days, for the head of the household was notoriously useless in the eyes of his neighbors, and was believed to get his living through “writin' or book-larnin',” but he was so quiet and gentle that they never upbraided him, and would sometimes, after making a call, wander into his garden and casually weed it for him for an hour or so. The girl, Stella, was a well-schooled, quick-witted, rosy-cheeked lass, whom all the shaggy, big-jointed farmer lads of the neighborhood regarded with hopeless admiration. A year or two after the settlement of the family it began to be noticed that she was losing color and had an anxious look, and when a friendly old farmer saw her talking in the lane with a lawyer from Chattanooga, who wore broadcloth and had a gold watch, he was puzzled that the “city chap” did not go home with her, but kissed his hand to her as he turned away. Afterward the farmer met the pair again, and while the girl smiled and said, “Howdy, Uncle Joe?” the lawyer turned away and looked down the river. It was the last time that a smile was seen on Stella's face. A few evenings later she was seen standing on Sunrise Rock, with her look bent on Chattanooga. The shadow of night crept up the cliff until only her figure stood in sunlight, with her hair like a golden halo about her face. At that moment came on the wind the sound of bells-wedding-bells. Pressing her hands to her ears, the girl walked to the edge of the rock, and a few seconds later her lifeless form rolled through the bushes at its foot into the road. At her funeral the people came from far and near to offer sympathy to the mother, garbed in black, and the father, with his hair turned white, but the lawyer from Chattanooga was not there.
The name of Indian Maiden's Cliff—applied to a precipice that hangs above the wild ravine of Stony Clove, in the Catskills—commemorates the sequel to an elopement from her tribe of an Indian girl and her lover. The parents and relatives had opposed the match with that fatal fatuity that appears to be characteristic of story-book Indians, and as soon as word of her flight came to the village they set off in chase. While hurrying through the tangled wood the young couple were separated and the girl found herself on the edge of the cliff. Farther advance was impossible. Her pursuers were close behind. She must yield or die. She chose not to yield, and, with a despairing cry, flung herself into the shadows.
Similar to this is the tale of Lover's Leap in the dells of the Sioux, among the Black Hills of South Dakota.
At New Milford, Connecticut, they show you Falls Mountain, with the cairn erected by his tribe in 1735 to chief Waramaug, who wished to be buried there, so that, when he was cold and lonely in the other life, he could return to his body and muse on the lovely landscape that he so enjoyed. The will-o'-the-wisp flickered on the mountain's edge at night, and flecks of dew-vapor that floated from the wood by day were sometimes thought to be the spirit of the chief. He had a daughter, Lillinonah, whose story is related to Lover's Leap, on the riverward side of the mountain. She had led to the camp a white man, who had been wandering beside the Housatonic, ill and weak, vainly seeking a way out of the wilderness, and, in spite of the dark looks that were cast at him and her, she succeeded in making him, for that summer, a member of the tribe. As the man grew strong with her care he grew happy and he fell in love. In the autumn he said to her, “I wish to see my people, and when I have done so I will come back to you and we shall be man and wife.” They parted regretfully and the winter passed for the girl on leaden feet. With spring came hope. The trails were open, and daily she watched for her white lover. The summer came and went, and the autumn was there again. She had grown pale and sad, and old Waramaug said to young Eagle Feather, who had looked softly on her for many years, “The girl sickens in loneliness. You shall wed her.” This is repeated to her, and that evening she slips away to the river, enters a canoe, casts away the paddle, and drifts down the stream. Slowly, at first, but faster and faster, as the rapids begin to draw it, skims the boat, but above the hoarse brawling of the waters she hears a song in a voice that she knows—the merry troll of a light heart. The branches part at Lover's Leap and her lover looks down upon her. The joyous glance of recognition changes to a look of horror, for the boat is caught. The girl rises and holds her arms toward him in agonized appeal. Life, at any cost! He, with a cry, leaps into the flood as the canoe is passing. It lurches against a rock and Lillinonah is thrown out. He reaches her. The falls bellow in their ears. They take a last embrace, and two lives go out in the growing darkness.
GOD ON THE MOUNTAINS
From the oldest time men have associated the mountains with visitations of God. Their height, their vastness, their majesty made them seem worthy to be stairs by which the Deity might descend to earth, and they stand in religious and poetic literature to this day as symbols of the largest mental conceptions. Scriptural history is intimately associated with them, and the giving of the law on Sinai, amid thunder and darkness, is one of the most tremendous pictures that imagination can paint. Ararat, Hermon, Horeb, Pisgah, Calvary, Adam's Peak, Parnassus, Olympus! How full of suggestion are these names! And poetic figures in sacred writings are full of allusion to the beauty, nobility, and endurance of the hills.
It is little known that many of our own mountains are associated with aboriginal legends of the Great Spirit. According to the Indians of California, Mount Shasta was the first part of the earth to be made. The Great Spirit broke a hole through the floor of heaven with a rock, and on the spot where this rock had stopped he flung down more rocks, with earth and snow and ice, until the mass had gained such a height that he could step from the sky to its summit. Running his hands over its sides he caused forests to spring up. The leaves that he plucked he breathed upon, tossed into the air, and, lo! they were birds. Out of his own staff he made beasts and fishes, to live on the hills and in the streams, that began to appear as the work of worldbuilding went on. The earth became so joyous and so fair that he resolved at last to live on it, and he hollowed Shasta into a wigwam, where he dwelt for centuries, the smoke of his lodge-fire (Shasta is a volcano) being often seen pouring from the cone before the white man came.
According to the Oregon Indians the first man was created at the base of the Cascade Range, near Wood River, by Kmukamtchiksh, “the old man of the ancients,” who had already made the world. The Klamaths believe Kmukamtchiksh a treacherous spirit, “a typical beast god,” yet that he punishes the wicked by turning them into rocks on the mountain-sides or by putting them into volcanic fires.