Most storied of our New World rivers is the Hudson. Historic scenes have been enacted on its shores, and Indian, Dutchman, Briton, and American have invested it with romance. It had its source, in the red man's fancy, in a spring of eternal youth; giants and spirits dwelt in its woods and hills, and before the river-Shatemuc, king of streams, the red men called it—had broken through the highlands, those mountains were a pent for spirits who had rebelled against the Manitou. After the waters had forced a passage to the sea these evil ones sought shelter in the glens and valleys that open to right and left along its course, but in time of tempest, when they hear Manitou riding down the ravine on wings of storm, dashing thunderbolts against the cliffs, it is the fear that he will recapture them and force them into lightless caverns to expiate their revolt, that sends them huddling among the rocks and makes the hills resound with roars and howls.
At the Devil's Dance-Chamber, a slight plateau on the west bank, between Newburg and Crom Elbow, the red men performed semi-religious rites as a preface to their hunting and fishing trips or ventures on the war-path. They built a fire, painted themselves, and in that frenzy into which savages are so readily lashed, and that is so like to the action of mobs in trousers, they tumbled, leaped, danced, yelled, sang, grimaced, and gesticulated until the Manitou disclosed himself, either as a harmless animal or a beast of prey. If he came in the former shape the augury was favorable, but if he showed himself as a bear or panther, it was a warning of evil that they seldom dared to disregard.
The crew of Hudson's ship, the Half Moon, having chanced on one of these orgies, were so impressed by the fantastic spectacle that they gave the name Duyvels Dans-Kamer to the spot. Years afterwards, when Stuyvesant ascended the river, his doughty retainers were horrified, on landing below the Dans-Kamer, to discover hundreds of painted figures frisking there in the fire-light. A few surmised that they were but a new generation of savages holding a powwow, but most of the sailors fancied that the assemblage was demoniac, and that the figures were spirits of bad Indians repeating a scalp-dance and revelling in the mysterious fire-water that they had brought down from the river source in jars and skins. The spot was at least once profaned with blood, for a young Dutchman and his wife, of Albany, were captured here by an angry Indian, and although the young man succeeded in stabbing his captor to death, he was burned alive on the rock by the friends of the Indian whose wrath he had provoked. The wife, after being kept in captivity for a time, was ransomed.
THE CULPRIT FAY
The wood-tick's drum convokes the elves at the noon of night on Cro' Nest top, and, clambering out of their flower-cup beds and hammocks of cobweb, they fly to the meeting, not to freak about the grass or banquet at the mushroom table, but to hear sentence passed on the fay who, forgetting his vestal vow, has loved an earthly maid. From his throne under a canopy of tulip petals, borne on pillars of shell, the king commands silence, and with severe eye but softened voice he tells the culprit that while he has scorned the royal decree he has saved himself from the extreme penalty, of imprisonment in walnut shells and cobweb dungeons, by loving a maid who is gentle and pure. So it shall be enough if he will go down to the Hudson and seize a drop from the bow of mist that a sturgeon leaves when he makes his leap; and after, to kindle his darkened flame-wood lamp at a meteor spark. The fairy bows, and without a word slowly descends the rocky steep, for his wing is soiled and has lost its power; but once at the river, he tugs amain at a mussel shell till he has it afloat; then, leaping in, he paddles out with a strong grass blade till he comes to the spot where the sturgeon swims, though the watersprites plague him and toss his boat, and the fish and the leeches bunt and drag; but, suddenly, the sturgeon shoots from the water, and ere the arch of mist that he tracks through the air has vanished, the sprite has caught a drop of the spray in a tiny blossom, and in this he washes clean his wings.
The water-goblins torment him no longer. They push his boat to the shore, where, alighting, he kisses his hand, then, even as a bubble, he flies back to the mountain top, dons his acorn helmet, his corselet of bee-hide, his shield of lady-bug shell, and grasping his lance, tipped with wasp sting, he bestrides his fire-fly steed and off he goes like a flash. The world spreads out and then grows small, but he flies straight on. The ice-ghosts leer from the topmost clouds, and the mists surge round, but he shakes his lance and pipes his call, and at last he comes to the Milky Way, where the sky-sylphs lead him to their queen, who lies couched in a palace ceiled with stars, its dome held up by northern lights and the curtains made of the morning's flush. Her mantle is twilight purple, tied with threads of gold from the eastern dawn, and her face is as fair as the silver moon.
She begs the fay to stay with her and taste forever the joys of heaven, but the knightly elf keeps down the beating of his heart, for he remembers a face on earth that is fairer than hers, and he begs to go. With a sigh she fits him a car of cloud, with the fire-fly steed chained on behind, and he hurries away to the northern sky whence the meteor comes, with roar and whirl, and as it passes it bursts to flame. He lights his lamp at a glowing spark, then wheels away to the fairy-land. His king and his brothers hail him stoutly, with song and shout, and feast and dance, and the revel is kept till the eastern sky has a ruddy streak. Then the cock crows shrill and the fays are gone.