Pond Cove, Maine, is haunted by a light that on a certain evening, every summer, rises a mile out at sea, drifts to a spot on shore, then whirls with a buzz and a glare to an old house, where it vanishes. Its first appearance was simultaneous with the departure of Jack Welch, a fisherman. He was seen one evening at work on his boat, but in the morning he was gone, nor has he since shown himself in the flesh.
On the tenth anniversary of this event three fishermen were hurrying up the bay, hoping to reach home before dark, for they dreaded that uncanny light, but a fog came in and it was late before they reached the wharf. As they were tying their boat a channel seemed to open through the mist, and along that path from the deep came a ball of pallid flame with the rush of a meteor. There was one of the men who cowered at the bottom of the boat with ashen face and shaking limbs, and did not watch the light, even though it shot above his head, played through the rigging, and after a wide sweep went shoreward and settled on his house. Next day one of his comrades called for him, but Tom Wright was gone, gone, his wife said, before the day broke. Like Jack Welch's disappearance, this departure was unexplained, and in time he was given up for dead.
Twenty years had passed, when Wright's presumptive widow was startled by the receipt of a letter in a weak, trembling hand, signed with her husband's name. It was written on his death-bed, in a distant place, and held a confession. Before their marriage, Jack Welch had been a suitor for her hand, and had been the favored of the two. To remove his rival and prosper in his place, Wright stole upon the other at his work, killed him, took his body to sea, and threw it overboard. Since that time the dead man had pursued him, and he was glad that the end of his days was come. But, though Tom Wright is no more, his victim's light comes yearly from the sea, above the spot where his body sank, floats to the scene of the murder on the shore, then flits to the house where the assassin lived and for years simulated the content that comes of wedded life. MOGG MEGONE
Hapless daughter of a renegade is Ruth Bonython. Her father is as unfair to his friends as to his enemies, but to neither of them so merciless as to Ruth. Although he knows that she loves Master Scammon—in spite of his desertion and would rather die than wed another, he has promised her to Mogg Megone, the chief who rules the Indians at the Saco mouth. He, blundering savage, fancies that he sees to the bottom of her grief, and one day, while urging his suit, he opens his blanket and shows the scalp of Scammon, to prove that he has avenged her. She looks in horror, but when he flings the bloody trophy at her feet she baptizes it with a forgiving tear. What villainy may this lead to? Ah, none for him, for Bonython now steps in and plies him with flattery and drink, gaining from the chief, at last, his signature—the bow totem—to a transfer of the land for which he is willing to sell his daughter. Ruth, maddened at her father's meanness and the Indian's brutality, rushes on the imbruted savage, grasps from his belt the knife that has slain her lover, cleaves his heart in twain, and flies into the wood, leaving Bonython stupid with amazement.
Father Rasles, in his chapel at Norridgewock, is affecting his Indian converts against the Puritans, who settled to the southward of him fifty years before. To him comes a woman with torn garments and frightened face. Her dead mother stood before her last night, she says, and looked at her reprovingly, for she had killed Mogg Megone. The priest starts back in wrath, for Mogg was a hopeful agent of the faith, and bids her go, for she can ask no pardon. Brooding within his chapel, then, he is startled by the sound of shot and hum of arrows. Harmon and Moulton are advancing with their men and crying, “Down with the beast of Rome! Death to the Babylonish dog!” Ruth, knowing not what this new misfortune may mean, runs from the church and disappears.
Some days later, old Baron Castine, going to Norridgewock to bury and revenge the dead, finds a woman seated on the earth and gazing over a field strewn with ashes and with human bones. He touches her. She is cold. There has been no life for days. It is Ruth.
THE LADY URSULA
In 1690 a stately house stood in Kittery, Maine, a strongly guarded place with moat and drawbridge (which was raised at night) and a moated grange adjacent where were cattle, sheep, and horses. Here, in lonely dignity, lived Lady Ursula, daughter of the lord of Grondale Abbey, across the water, whose distant grandeurs were in some sort reflected in this manor of the wilderness. Silver, mahogany, paintings, tapestries, waxed floors, and carven chests of linen represented wealth; prayers were said by a chaplain every morning and evening in the chapel, and, though the main hall would accommodate five hundred people, the lady usually sat at meat there with her thirty servants, her part of the table being raised two feet above theirs.
It was her happiness to believe that Captain Fowler, now absent in conflict with the French, would return and wed her according to his promise, but one day came a tattered messenger with bitter news of the captain's death. She made no talk of her grief, and, while her face was pale and step no longer light, she continued in the work that custom exacted from women of that time: help for the sick, alms for the poor, teaching for the ignorant, religion for the savage. Great was her joy, then, when a ship came from England bringing a letter from Captain Fowler himself, refuting the rumor of defeat and telling of his coming. Now the hall took on new life, reflecting the pleasure of its mistress; color came back to her cheek and sparkle to her eye, and she could only control her impatience by more active work and more aggressive charities. The day was near at hand for the arrival of her lover, when Ursula and her servants were set upon by Indians, while away from the protection of the manor, and slain. They were buried where they fell, and Captain Fowler found none to whom his love or sorrow could be told.