Nick Wolsey entered the cabin and stood as one turned to marble. Minamee, his wife, sat on the gold hearth, her face and hands cut and blackened, her dress torn, her eyes glassy, a meaningless smile on her lips. In her arms she pressed the body of her infant, its dress soaked with blood, and the head of the little creature lay on the floor beside her. She crooned softly over the cold clay as if hushing it to sleep, and when Wolsey at length found words, she only whispered, "Hush! you will wake him." The night went heavily on; day dawned, and the crooning became lower and lower; still, through all that day the bereft woman rocked to and fro upon the floor, and the agonized husband hung about her, trying in vain to give comfort, to bind her wounds, to get some explanation of the mystery that confronted him. The second night set in, and it was evident that it would be the last for Minamee. Her strength failed until she allowed herself to be placed on a couch of skins, while the body of her child was gently lifted from her arms. Then, for a few brief minutes, her reason was restored, and she found words to tell her husband how the Indian whose murderous attack he had thwarted at the wedding had come to the cabin, shot the dog that had rushed out to defend the place, beat the woman back from the door, tore the baby from its bed, slashed its head off with a knife, and, flinging the little body into her lap, departed with the words, "This is my revenge. I am satisfied." Before the sun was in the east again Minamee was with her baby.

Wolsey sat for hours in the ruin of his happiness, his breathing alone proving that he was alive, and when at last he arose and went out of the house, there were neither tears nor outcry; he saddled his horse and rode off to the westward. At nightfall he came to the Indian village where he had won his wife, and relating to the assembled tribe what had happened, he demanded that the murderer be given up to him. His demand was readily granted, whereupon the white man advanced on the cowering wretch, who had confidently expected the protection of his people, and with the quick fling and jerk of a raw-hide rope bound his arms to his side. Then casting a noose about his neck and tying the end of it to his saddle-bow, he set off for the Hudson. All that night he rode, the Indian walking and running at the horse's heels, and next day he reached his cabin. Tying his prisoner to a tree, the trapper cut a quantity of young willows, from which he fashioned a large cradle-like receptacle; in this he placed the culprit, face upward, and tied so stoutly that he could not move a finger; then going into his house, he emerged with the body of Minamee, and laid it, face downward, on the wretch, who could not repress a groan of horror as the awful burden sank on his breast. Wolsey bound together the living and the dead, and with a swing of his powerful arms he flung them on his horse's back, securing them there with so many turns of rope that nothing could displace them. Now he began to lash his horse until the poor beast trembled with anger and pain, when, flinging off the halter, he gave it a final lash, and the animal plunged, foaming and snorting, into the wilderness. When it had vanished and the hoof-beats were no longer heard, Nick Wolsey took his rifle on his arm and left his home forever. And tradition says that the horse never stopped in its mad career, but that on still nights it can be heard sweeping through the woods along the Hudson and along the Mohawk like a whirlwind, and that as the sound goes by a smothered voice breaks out in cursing, in appeal, then in harsh and dreadful laughter.

THE VANDERDECKEN OF TAPPAN ZEE

It is Saturday night; the swell of the Hudson lazily heaves against the shores of Tappan Zee, the cliff above Tarrytown where the white lady cries on winter nights is pale in starlight, and crickets chirp in the boskage. It is so still that the lap of oars can be heard coming across the water at least a mile away. Some small boat, evidently, but of heavy build, for it takes a vigorous hand to propel it, and now there is a grinding of oars on thole-pins. Strange that it is not yet seen, for the sound is near. Look! Is that a shadow crossing that wrinkle of starlight in the water? The oars have stopped, and there is no wind to make that sound of a sigh.

Ho, Rambout Van Dam! Is it you? Are you still expiating your oath to pull from Kakiat to Spuyten Duyvil before the dawn of Sabbath, if it takes you a month of Sundays? Better for you had you passed the night with your roistering friends at Kakiat, or started homeward earlier, for Sabbath-breaking is no sin now, and you, poor ghost, will find little sympathy for your plight. Grant that your month of Sundays, or your cycle of months of Sundays, be soon up, for it is sad to be reminded that we may be punished for offences many years forgotten. When the sun is high to-morrow a score of barges will vex the sea of Tappan, each crowded with men and maids from New Amsterdam, jigging to profane music and refreshing themselves with such liquors as you, Rambout, never even smelled—be thankful for that much. If your shade sits blinking at them from the wooded buttresses of the Palisades, you must repine, indeed, at the hardness of your fate.

THE GALLOPING HESSIAN

In the flower-gemmed cemetery of Tarrytown, where gentle Irving sleeps, a Hessian soldier was interred after sustaining misfortune in the loss of his head in one of the Revolutionary battles. For a long time after he was buried it was the habit of this gentleman to crawl from his grave at unseemly hours and gallop about the country, sending shivers through the frames of many worthy people, who shrank under their blankets when they heard the rush of hoofs along the unlighted roads.

In later times there lived in Tarrytown—so named because of the tarrying habits of Dutch gossips on market days, though some hard-minded people insist that Tarwe-town means Wheat-towna gaunt schoolmaster, one Ichabod Crane, who cherished sweet sentiments for Katrina Van Tassell, the buxom daughter of a farmer, also a famous maker of pies and doughnuts. Ichabod had been calling late one evening, and, his way home being long, Katrina's father lent him a horse to make the journey; but even with this advantage the youth set out with misgivings, for he had to pass the graveyard.

As it was near the hour when the Hessian was to ride, he whistled feebly to keep his courage up, but when he came to the dreaded spot the whistle died in a gasp, for he heard the tread of a horse. On looking around, his hair bristled and his heart came up like a plug in his throat to hinder his breathing, for he saw a headless horseman coming over the ridge behind him, blackly defined against the starry sky. Setting spurs to his nag with a hope of being first to reach Sleepy Hollow bridge, which the spectre never passed, the unhappy man made the best possible time in that direction, for his follower was surely overtaking him. Another minute and the bridge would be reached; but, to Ichabod's horror, the Hessian dashed alongside and, rising in his stirrups, flung his head full at the fugitive's back. With a squeal of fright the schoolmaster rolled into a mass of weeds by the wayside, and for some minutes he remained there, knowing and remembering nothing.

Next morning farmer Van Tassell's horse was found grazing in a field near Sleepy Hollow, and a man who lived some miles southward reported that he had seen Mr. Crane striding as rapidly along the road to New York as his lean legs could take him, and wearing a pale and serious face as he kept his march. There were yellow stains on the back of his coat, and the man who restored the horse found a smashed pumpkin in the broken bushes beside the road. Ichabod never returned to Tarrytown, and when Brom Bones, a stout young ploughman and taphaunter, married Katrina, people made bold to say that he knew more about the galloping Hessian than any one else, though they believed that he never had reason to be jealous of Ichabod Crane.