“In many cases the balconies of residences overhang the water.”   (See page 114.)

Our guide is very attentive and energetic; and anxious to show us everything of interest about the town, he conducts us through the numerous market-places. At one of these some amusement is excited by my photographs and sketches of the market people and the buyers. The market man stands beside his wares with a happy, good-natured face that seems to say that the cares and worries of this world affect him not at all. The whole scene is like some vividly colored picture, and I think as I look upon it that this life bears with it pleasures of which we of the outside world know nothing. Apparently the people of this country possess the rare blessing of contentment with the lot which God has bestowed upon them.

An old man and woman are particularly anxious for me to photograph their daughter, who they assure me is the belle of the market. This assertion, I think, may be true without much compliment to the girl, for a homelier set of human beings it would not be easy to find. After some preliminaries relating to posing and keeping back the curious country people who crowd closely around me and the camera, I finally succeed in making a good picture of the Belle of the Rotterdam Market, with her father and mother on either side. They are all as proud as Punch of this performance, and seem quite “set up” by the occasion.

One day being near to a manufacturer of the wooden shoes worn by the peasants, our party of four slips within the shop, and are fitted after trying on at least a dozen pairs, to the apparent delight of Meinherr. It is necessary to wear a heavy woollen stocking to secure comfort in these shoes. The ordinary American stocking would soon be rubbed into holes by the hard surface of the shoe. Indeed it is quite a feat to be able to walk rapidly and gracefully in this clumsy footwear.

Over many of the watery streets of the city drawbridges are built, which are opened at intervals to allow the streams of boats to pass. The incessant blowing of a trumpet or horn similar to that of the tally-ho notifies the watchman of the approach of boats. This sound may be heard at all hours of the day or night in any part of the city, and is at first, especially at night, rather disturbing to the stranger, but like other annoyances which are inevitable, the exercise of a little patience and endurance will enable one to eventually like the trumpet, or else to become as deaf to them as old “Dame Eleanor Spearing.”

I know of no place in which the lover of the antique, whether he is a collector of ancient coins, jewels, china, furniture, or a seeker after rare curios and relics, can experience greater delight than in this old city of Rotterdam. Here are hundreds of shops, whose proprietors devote their whole lives to the accumulation of such objects, and it is needless to say that their stock is rich and unique, and possesses abundant variety. We visit a number of these establishments, and I succeed in gathering up a large assortment of old swords which please my fancy. One of these is said to have been owned by Christopher Columbus(?). The shopkeeper vouches for the truth of the statement, and as I am willing to believe it, in the absence of proof to the contrary, I label it as the sword of the great navigator who added a new hemisphere to our globe. The remaining swords have been the personal property of lords, generals or other warlike celebrities, and again I take comfort in the thought that if the records are not truthful, it is a minor consideration when taking into account the moderate prices which I have paid for the articles.

The artist will find in Rotterdam a wealth of material both for figure subjects, and odd and picturesque bits of landscape. Here too are wonderful interiors, with all the quaint associations of a bygone age. Here are scenes on the canals, the bridges, and the ever changing life on the river. By all means visit Rotterdam if you desire original studies for your sketch book.