I
MR. AND MRS. PARKE
THEY both looked older than their years, which were respectively sixty and fifty-seven, and this was largely due to the ingrowing life they had always led, the influence of their fine old house on Beacon Hill, and to the individuality, the eccentricity, of Mrs. Parke’s clothes. The house was of mellowed red brick, with large, square, high rooms containing, one was at first inclined to think, very little besides dignity and refined sunlight. But a more careful inspection while waiting for Mrs. Parke to come down disclosed a rare combination of comfort and beauty. The sitting room in which she and Mr. Parke usually received one belonged to no period and had no “color scheme.” It was merely quietly perfect with mahogany, with harmonious chintz, with a few very authentic and interesting pictures, such as an early painting, remarkably definite, even a little hard, by Corot, a religious arrangement of archaic reds and blues by Rossetti, some exquisitely painstaking botanical and architectural pencil sketches by Ruskin, and a panel by Whistler that one felt to be important without, however, knowing just what it was intended to represent. In the center of the room was a large, round, bare mahogany table with books arranged on it, exactly half a foot away from the edge, in a circle. Inside the circle was always a great crystal bowl full of flowers that were sent into town every morning from the Parkes’ country place.
Mrs. Parke suggested a vivacious Queen Victoria, if such an image is conceivable. She was of the same height and figure and, like her late majesty, she wore strange clothes that were not exactly out of fashion, because they had never been in it. They were simply the clothes of Mrs. Parke and bore no relation or resemblance to any others. She had a great many of them, for, often as I went there on Sunday afternoons, I never saw the same garment twice. They were the most romantic clothes I have ever known off the stage or outside the glass cases of a museum, for, many years before, Mrs. Parke’s greatuncle had been an East India merchant and, when he died, his grandniece inherited, among other things, bale upon bale of the marvelous fabrics his ships had brought back from the East—from India, from Burmah, from Siam, Japan and China; silks, brocades, crêpes, cloth of silver and cloth of gold and many more materials that no longer had names and the secret of whose dyes had been forgotten. For almost forty years Mrs. Parke had dressed only in these splendid, brilliant stuffs, and there were many bales still unopened. Some of the materials rustled stiffly and some of them clung, but she had them all made up in the same way, a kind of loose wrapper, and with them she wore on her head a small cap of rose point, the top of which was a bit of the dress.
On a pedestal in the hall the marble bust of a handsome young man still faintly suggestive of her husband testified that the Parkes had been to Italy on their wedding trip, but they had never gone abroad again. With one exception their journeys for thirty-six or-seven years had consisted solely of the annual trip on the ninth of April to their country place, a distance of eighteen miles, and the annual trip back to town again on the tenth of November. Once they had spent two weeks with a senatorial relative in Washington, but on their return Mr. Parke had nervous prostration for three months and they did not again indulge in so daring an experiment.
I often wondered how all the years had slipped by without somehow leaving them stranded, for neither of them had ever “done” anything, even in the most prosaic interpretation of the term. Mr. Parke had studied law, but he had never practiced it. He read widely, memoirs, poetry, history, essays and an occasional novel, and he remembered much of what he read, but his reading was of the desultory kind. He could quote from all literatures but he had no literary hobbies. Mrs. Parke did not even read. Instead she knitted soft, useless things on thick, wooden needles, and when she was in the country armed herself with a flat straw hat, chamois gloves, a pair of scissors, and then proceeded to drive the Scotch gardener to drink. They had never cared much for society. It was enough to know that its doors were open to them, although at one period Mr. Parke must have gone to a great many small dinners at clubs to meet celebrities, for his fund of intimate and delightful anecdote was inexhaustible.
But the years had slipped by and they had not been stranded. They imagined, indeed, that they always had been and still were two of the busiest and most important persons in town. They were sixty and fifty-seven when I first met them, and old for their ages. One scarcely expected them to be very actively occupied with the contemporaneous, but after I had seen them often enough to become acclimated (no other word will quite do) I realized that they never had been, that they were then exactly as they always had been, only more so. Their entire lives had been spent in the deification of the unessential, in the reduction of puttering to a science. They had puttered their lives away and were still puttering, only, as they grew older, with a greater intensity, and from the first their lives had been extremely happy. I had never known two human beings who had so successfully mastered the art of transforming molehills into mountains. It was their sole occupation.
“My dear fellow, I am so glad to see you,” Mr. Parke would exclaim as he bustled into the room when I went there to luncheon, and he meant it, for they were both kind and hospitable. “I’m afraid I’m a minute or two late, but this morning I’ve been driven, positively driven, from the moment I got out of my bath—and by matters I simply can’t trust to anyone else. They leave me no time for anything; I mean the things I like to do and want to do. But you remember that line from Browning’s Paracelsus, don’t you? ‘Let each task present its petty good to thee.’ I always try to think of that.”
“You’ve worked too hard this morning, Henry,” Mrs. Parke would say, glancing solicitously up from her needles, “and you know it always brings on your gout. The trouble is, he will overdo.” Later on, during luncheon, it comes out that the exhausting labors of the day consisted of Mr. Parke’s making out and sending a check to the associated charities, writing a short letter to the Transcript, refusing an invitation to dinner, and changing his clothes. Mrs. Parke had also spent an exciting but difficult morning. A new expressman had delivered the daily box of flowers at the wrong house, and from the dear lady’s account of the incident one inferred that for several hours the destiny of nations had shuddered in the balance.
“I sat and sat and sat,” she would dramatically declaim, “but no expressman. I couldn’t understand it, and it was long, long past the time when I ought to have been arranging the flowers. You can imagine the state I was in.”
One of Mr. Parke’s resources was changing his clothes. In the country, for instance, he dressed with his usual minuteness for breakfast, but if the gardener sent word that an orchid had bloomed, or that a branch on one of the trees was turning yellow before it ought to, or that some Sunday tripper had left a sardine tin and two eggshells on the cliff walk—if, in fact, he felt it imperative to leave the house even for a short time, the act necessitated a change of costume. He would put on tweed knickerbockers and a kind of shooting jacket. On his return he would change again to still another suit for luncheon, afterwards the tweeds again if he went for a walk, then something else for tea and, finally, evening dress for dinner. They both also spent a great deal of time in showing and explaining their two houses to visitors—the closet doors that could not possibly slam, because their area had been exactly adjusted to the resistance of the number of cubic feet of air inside, or words to that effect; the ventilating apparatus that forced every lungful they breathed through three thicknesses of sterilized cheese cloth; the heating arrangements that did something quite uncanny, I forget what.