The Diary of a Freshman

by Charles Macomb Flandrau

The incident of the fine arts book, I confess, was enough to make a man just give up and turn cynical.

Mr. Much is a Boston architect who comes out from town twice a week to lecture on ancient art. They think a great deal of him in Boston. He stands at the head of his profession there, because, as he's never built anything, even the most critical have no grounds for complaint. Berri says there are lots of people like that in Boston,—painters and writers and musicians who are really very great, but think it more refined just to "live" their works. He meets them at his aunt's house, where they often gather to talk it all over. Well, at the first lecture Much told us to buy and read carefully a certain treatise on ancient art and always bring it to the lectures, as he would refer to it frequently. I acted on his advice to the extent of examining the book in the co-operative store one day; but it was large and heavy and the illustrations were rather old-fashioned, and it cost two dollars, so I decided I could get along without it. Most of the fellows did the same thing, and the impulsive few who actually bought it got tired after a while of lugging it to the lectures, as Much did n't show any intention of ever referring to it.

One morning as I was strolling over to hear him tell about the influence of Greek something or other on something else, and the deplorable decadence it had undergone later at the hands of the Romans, Hemington darted out of a bookstore in the Square and said: "If you 're going to Fine Arts, just take this book and give it to Bertie Stockbridge." (Bertie is his roommate.) "I 'm going to cut; I have to meet my father in town." I took the book and pursued my way.

Now, that morning, for the first time, Much, after lecturing for about half an hour, surprised every one by breaking off abruptly and saying,—

"There's a very helpful note on page eighteen of Geschmitzenmenger's Ancient Art that I wish you would all turn to." Then after a moment he added: "As some of us may have failed to bring the book this morning, I think I shall read the note in question aloud." He came to the edge of the platform and with a solicitous smile held out his hand; but no one in the front row had a book to lend him. His smile changed to an expression of mild disgust, and he glanced along the second row of seats. No one responded, however, and he swept the room with a look of annoyance, exclaiming, "Come—come," and snapping his fingers impatiently. Just then the fellow next to me murmured: "Will any lady or gentleman in the audience kindly lend me a high hat, three rabbits, and a dozen fresh eggs?" and I laughed. And as I laughed, I leaned over to hide my face—and there on my lap was Geschmitzenmenger's Ancient Art; after Hemington had given it to me I was so interested in whether he would catch his car or not that I had never looked at it at all.

"Is it possible that no one has provided himself with the book I requested you to procure?" Mr. Much was asking incredulously. I saw my chance to make a hit, and after a moment of impressive silence I arose and walked to the platform. There was a gust of dumfounded laughter, followed by prolonged applause. As I went back to my seat all the fellows who could reach me insisted on patting me on the back and grasping me by the hand. It was most embarrassing. But the really sickening part of it was to come.

Mr. Much made a little speech about me, saying, "I am glad that there is at least one, etc., etc., etc.," and when he had finished he opened the book with a flourish and found, as was quite natural, that none of the leaves had been cut. I suppose this was in the nature of a last straw, for he simply stood there a minute, fingering the pages helplessly and smiling the pitiful, philosophic smile of one who has lived long enough to have had even his most conservative illusions dispelled; then he turned the book around and held it open for every one to howl at, and finally he dismissed us with a hopeless gesture that expressed the unutterable. Whereupon I was seized by strong, willing hands and borne aloft all over the Yard, followed by the whole class hooting and jeering.

It was this that led Berri to say that my name had become a household word.

"You see," Berri went on, "when an instructor reads my examination book, for instance, the signature of the writer conveys nothing to him; but when he strikes yours—he stops and exclaims, 'Where have I seen that name before?' Then he sharpens his pencil to its finest possible point and gives you E."

"But you do agree with me that it's terribly unjust?" I asked him; for that, after all, seemed to be the main thing.