When hapless Phaëthon looked down upon the earth, now spreading in vast extent beneath him, he grew pale, and his knees shook with terror. He lost his self-command and knew not whether to draw tight the reins or throw them loose; he forgot the names of the horses. But when he beheld the monstrous forms scattered over the surface of heaven,—the Scorpion extending two great arms, his tail, and his crooked claws over the space of two signs of the zodiac,—when the boy beheld him, reeking with poison and menacing with fangs, his courage failed, and the reins fell from his hands. The horses, unrestrained, went off into unknown regions of the sky in among the stars, hurling the chariot over pathless places, now up in high heaven, now down almost to the earth. The moon saw with astonishment her brother's chariot running beneath her own. The clouds began to smoke. The forest-clad mountains burned,—Athos and Taurus and Tmolus and Oete; Ida, once celebrated for fountains; the Muses' mountain Helicon, and Haemus; Aetna, with fires within and without, and Parnassus, with his two peaks, and Rhodope, forced at last to part with his snowy crown. Her cold climate was no protection to Scythia; Caucasus burned, and Ossa and Pindus, and, greater than both, Olympus,—the Alps high in air, and the Apennines crowned with clouds.
Phaëthon beheld the world on fire and felt the heat intolerable. Then, too, it is said, the people of Aethiopia became black because the blood was called by the heat so suddenly to the surface; and the Libyan desert was dried up to the condition in which it remains to this day. The Nymphs of the fountains, with disheveled hair, mourned their waters, nor were the rivers safe beneath their banks; Tanaïs smoked, and Caïcus, Xanthus, and Maeander; Babylonian Euphrates and Ganges, Tagus, with golden sands, and Caÿster, where the swans resort. Nile fled away and hid his head in the desert, and there it still remains concealed. Where he used to discharge his waters through seven mouths into the sea, seven dry channels alone remained. The earth cracked open and through the chinks light broke into Tartarus and frightened the king of shadows and his queen. The sea shrank up. Even Nereus and his wife Doris with the Nereïds, their daughters, sought the deepest caves for refuge. Thrice Neptune essayed to raise his head above the surface and thrice was driven back by the heat. Earth, surrounded as she was by waters, yet with head and shoulders bare, screening her face with her hand, looked up to heaven, and with husky voice prayed Jupiter, if it were his will that she should perish by fire, to end her agony at once by his thunderbolts, or else to consider his own Heaven, how both the poles were smoking that sustained his palace, and that all must fall if they were destroyed.
Earth, overcome with heat and thirst, could say no more. Then Jupiter, calling the gods to witness that all was lost unless some speedy remedy were applied, thundered, brandished a lightning bolt in his right hand, launched it against the charioteer, and struck him at the same moment from his seat and from existence. Phaëthon, with his hair on fire, fell headlong, like a shooting star which marks the heavens with its brightness as it falls, and Eridanus, the great river, received him and cooled his burning frame. His sisters, the Heliades, as they lamented his fate, were turned into poplar trees on the banks of the river; and their tears, which continued to flow, became amber as they dropped into the stream. The Italian Naiads reared a tomb for him and inscribed these words upon the stone:
Driver of Phoebus' chariot, Phaëthon,
Struck by Jove's thunder, rests beneath this stone.
He could not rule his father's car of fire,
Yet was it much so nobly to aspire.
The Norse myths originated among peoples who lived in the country which is now Norway, Sweden, Denmark, and Iceland. In these lands of the North, winter is long and dark, and the intense cold is not easily endured; but summer brings sunshine, warmth, and happiness. It is not strange, therefore, that the evil spirits of Norse mythology should be represented as huge frost giants and mountain giants. These giants, or Jotuns, were first formed from the mist that came from fields of ice. They lived in a dreary country called Jötunheim, and were enemies of the gods, who lived in the bright, beautiful city of Asgard.
To live the life of the old Norse folk required strength and courage, for the little boats in which they went to fish were too small for storm-tossed Arctic seas, and the weapons with which they hunted in the cold, lonely forests were primitive. It is but natural, therefore, that they should have idealized strength and courage and that they should have represented the gods of Asgard as being large, strong, and courageous. Although Thor, the eldest son of Odin, was small in comparison with the giants, we are told in one of the myths that he was a mile in height; also he had great strength and a wonderful hammer, called Mjolmer, with which he always defeated the giants and kept them from Asgard. Thunder was caused by the stroke of Thor's hammer; hence Thor was called the Thunderer.
The spiritual ideals in Norse mythology are more important than the physical ideals. The long, cold winter nights kept the Norse folk at home; hence they had a love for home and family relations and a respect for women that may not be found revealed in the mythology of Greece. Wisdom and judgment, too, were more essential than craft and fraud in encountering the hardships of their life; therefore they represented Odin, the supreme god of Asgard, as being the god of wisdom. The gods of Greek mythology often used craft and fraud to accomplish their purposes, but only Loke among the inhabitants of Asgard relied upon deception. Loke was descended from the giants, but was also related to the gods; so he was permitted to live in Asgard. It is significant of the spirit of the Norse folk that the gods did not trust Loke and came to regard him as their enemy; and it was he who finally brought misfortune to the gods.
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This story of Thor's visit to the land of the giants is taken from Bulfinch. It deals with one of the favorite sections of Norse mythology, satisfying, as it does, the listeners' demand for courageous struggle against great and mysterious forces. The use of illusion by the giant forces of evil as a method of defeating the open-minded forces of truth is strikingly exemplified in the various contests staged at Jötunheim.